| Vexillologist |
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| CATEGORIES ABOUT VEXILLOLOGY | |
| heraldry | |
| semiotics | |
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| semiotics | |
| vexillology | |
| collecting | |
| flags | |
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Vexillology is the scholarly study of '') constitution as "the creation and development of a body of knowledge about flags of all types, their forms and functions, and of scientific theories and principles based on that knowledge." A person who studies flags is a ''vexillologist'', and by extension, a person who designs flags is a ''vexillographer''. The word "vexillology" is a synthesis of the Latin word '' Vexillum '' and the suffix –''ology'' meaning "study of". The Vexillum was a particular type of flag used by Roman Legion s during the Classical Era . Unlike most modern flags which are suspended from a Pole or Mast along a vertical side, the square vexillum was suspended from a horizontal crossbar along its top side, which was attached to a Spear . Vexillologists are active in dozens of national associations within FIAV. Every second year, FIAV organizes the International Congress Of Vexillology (ICV). The 2007 ICV was hosted in Berlin, Germany ; the 2009 ICV will be hosted in Yokohama, Japan . Internet activity of vexillologists is centered on the Flags Of The World website and mailing list. PRINCIPLES OF FLAG DESIGN Flag designs exhibit a number of regularities, arising from a variety of practical concerns, historical circumstances, and cultural prescriptions that have shaped and continue to shape their evolution. First among the practical issues confronting a vexillographer is the necessity for the design to be manufactured (and often Mass Produced ) into or onto a piece of cloth, which will subsequently be hoisted aloft in the outdoors to represent an organization, individual, or idea. In this respect, flag design departs considerably from Logo design: whereas logos are predominantly still images to be read off a page, screen, or billboard, flags are alternately draped and fluttering images to be seen from a variety of distances and angles. The prevalence of simple bold colors and shapes in flag design attests to these practical issues. Flag design is also a historical process in which current designs often refer back to previous designs, effectively quoting, elaborating, or commenting upon them. Families of current flags may derive from a few common ancestors as in the cases of the Pan-African Colors , the Pan-Arab Colors , the Pan-Slavic Colors , and the National Flags Inspired By The Flag Of Turkey . Certain cultures prescribe the proper design of flags, through : # ''Keep It Simple:'' The flag should be so simple that a child can draw it from memory. # ''Use Meaningful Symbolism:'' The flag’s images, colors, or patterns should relate to what it symbolizes. # ''Use 2–3 Basic Colors:'' Limit The Number Of Colors On The Flag to three, which contrast well and come from the standard color set. # ''No Lettering or Seals:'' Never use writing of any kind or an organization’s Seal . # ''Be Distinctive or Be Related:'' Avoid duplicating other flags, but use similarities to show connections. VEXILLOLOGISTS
VEXILLOGRAPHERS
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