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The term "swing dance" is commonly used to refer either to a group of dances developing in response to Swing Music in the 1920s, 30s and 40s, or to Lindy Hop , a popular partner dance today. While the majority of swing dances began in African American communities as Vernacular African American Dance s, there were a number of forms which developed within Anglo-America n or other ethnic group communities. Balboa is one of the most commonly cited examples.

Though they technically preceded the rise of swing music, and are commonly associated with Dixieland jazz which developed in New Orleans in the south of the United States , dances such as the Black Bottom , Charleston and Tap Dance are still considered members of the swing dance family. These sorts of dances travelled north with jazz to cities like New York , Kansas City , and Chicago in the Great Migration (African American) of the 1920s, where rural blacks travelled north to escape persecution, Jim Crow Laws , Lynching and unemployment in the South during the Great Depression .

Swinging jazz music features the Syncopated timing associated with African American and West African music and dance - a combination of crotchets and quavers which many swing dancers interpret as 'triple steps' and 'steps' - yet also introduces changes in the ''way'' these rhythms were played - a distinct delay or 'relaxed' approach to timing. Swinging jazz developed from Dixieland jazz, and travelled north with black dancers during the Great Migration.

Today there are swing dance scenes in many developed Western and Asia n countries throughout the world, and though each city and country varies in their preferences for particular dances, Lindy Hop is often the most popular. It is important to note, though, that each local swing dance community has a distinct local culture and defines "swing dance" and "appropriate" dance music in different ways.


FORMS OF SWING

In many scenes outside the , Charleston , Shag , Balboa and Blues . This group is often extended to include Jive , Rock And Roll , Western Swing , Ceroc , and other dances developing in the 1940s and later. Within the United States , the swing dance family is often expanded to include many other social dances, including West Coast Swing , East Coast Swing , Hand Dancing , and so on. A strong tradition of social and competitive Boogie Woogie and Acrobatic Rock And Roll in Europe add these dances to their local swing dance cultures. In Singapore and other scenes, Latin Dance s such as Salsa and Tango are often taught and danced within the "Swing scene", and for many scenes Tap Dancing and a range of other Jazz Dance s are considered key, as are Hip Hop and other contemporary African American Street Dance s.
The variations continue, dictated by local dance community interests.

Many swing dancers today argue that it is important to dance many styles of partner dance to improve technique, but also to reflect the historical relationship between these dances in the swing era of the 1920s and 1930s. In the Savoy Ballroom , for example, bands would often play waltzes, Latin songs and so on, as well as swinging jazz. Dancers were often familiar with a wide range of popular and traditional dances.


Later forms from the 1930s and 1940s

  • Lindy Hop evolved in the late 1920s and early 1930s as an early swing dance. It is characterized by an emphasis on improvisation and the ability to easily adapt to include steps from other 8-count and 6-count Swing styles. It has been danced to almost every conceivable style of music with Blues or Jazz rhythm (with the exception of jazz waltzes), as well as non-traditional styles of music such as Hip Hop .


  • Balboa is an 8-count dance that emphasizes a strong partner connection and quick footwork. A product of Southern California's crowded ballrooms, Balboa (or "Bal") is primarily danced in a tight, closed position with the follow and lead adopting a firm chest-to-chest posture. A library of open figures, called Bal-Swing, evolved from LA Swing, another Southern California dance that was a contemporary of Balboa. While most dancers differentiate between pure Balboa and Bal-Swing, both are considered to be part of the dance. Balboa is frequently danced to fast Jazz (usually anything from 180 to 320 Beats Per Minute ), though many like to Balboa to slower Tempo s.


  • Collegiate Shag danced in the early thirties these varieties were single, double, and triple Shag. The variety names describe the amount of slow (step, hop) steps performed in the execution of a basic. These slow rhythmic steps were always accompanied by a single quick, quick rhythm.


  • St. Louis Shag done in the "side-by-side" Charleston position. The steps are: rock step, kick forward, step down, kick forward (other leg), stag, step, stomp (repeat). The "stag" is bringing the leg up with the knee bent. As a variation, when repeating, one can do two forward kicks (or "switch, switch", referring to switching feet) in place of the rock step.


  • Jitterbug is often associated with one form of swing dance, but is in fact a general term for all swing dances and is more appropriately used to describe a swing dancer rather than a specific swing dance (i.e. a jitterbug can dance Lindy Hop, Shag, or another swing dance). The term was famously associated with swing era dancers by band leader Cab Calloway because, as he put it, "They look like a bunch of jitterbugs out there on the floor" due to their fast, often bouncy movements.



Forms from the 1940s, 50s and later

  • Lindy Hop continued into the 40's and 50's and is featured in many movies of the era featuring Whitey's Lindy Hoppers with Frankie Manning , Dean Collins (whose style would lead to the creation of West Coast Swing), and Hal Takier and the Ray Rand Dancers.


  • Boogie-woogie developed originally in the 1940s with the rise of Boogie Woogie music. It is popular today in Europe, and was considered by some to be the European counterpart to East Coast Swing , a Six count dance standardized for the American ballroom industry. It is danced to rock music of various kinds, blues or Boogie Woogie Music but usually not to jazz. As the dance has developed it has also taken to 8-count variations and swing outs similar to lindy hop, while keeping the original boogie woogie footwork.



  • East Coast Swing is a simpler 6-count variation. It is also known as Single-Time Swing, Triple-Step Swing, 6-Count Swing, or Rock-a-billy. East Coast Swing has very simple structure and footwork along with basic moves and styling. It is popular for its simple nature, and it is often danced to slow, medium, or fast tempo Jazz , blues, or rock and roll.


  • St Louis Imperial Swing Dancing The dance is a cross between East Coast and West coast as it is done in slot and in the round. It started at the "Club Imperial" in St Louis. George Edick, who owned the club, let teenagers dance in the lower level and the swing dancers of the time taught them what was learned from their trips to the east coast. As people traveled around they added parts of west coast,bop and Carolina shag to complement the dance and make it distinctive. People can tell the difference between St Louis dancers from dancers from other parts of the country. "The Imperial" has elements of "East Coast", West Coast", "Carolina Shag", and "Bop".


  • Carolina Shag originated along the strands between Myrtle Beach, South Carolina, and Wilmington, North Carolina, during the 1940s. It is most often associated with beach music, which refers to songs that are rhythm and blues based and, according to Bo Bryan, a noted shag historian and resident of Beaufort County, is a term that was coined at Carolina Beach, North Carolina.


  • Washington Hand Dancing originated in the Washington, D.C., Area in the mid-1950s as D.C.’s own version of the “jitterbug” or “swing”. (Swing dance has existed in many different styles and cultures since there has been swing-dance-type music to dance to.) From its very beginning, D.C. Hand-dance was referred to and called “D.C. Hand-Dance/Hand-Dancing”, “D.C. Swing”, “D.C. Style” (swing) and “fast dance” (meaning D.C. Hand-Dance). This is the first time a version of “swing” dance was termed “hand-dance/hand-dancing”. D.C. Hand-Dance is characterized by very smooth footwork and movements, and close-in and intricate hand-turns, danced to a 6-beat, 6 to 8 count dance rhythm. The footwork consists of smooth and continuous floor contact, sliding and gliding-type steps (versus hopping and jumping-type steps), and there are no aerials.


  • Jive is a dance of International Style Ballroom dancing. It initially was based on Eastern swing brought to England by Americans Troops in World War II and evolved before becoming the now standardized form of today.



  • Western Swing , also called Country Swing or Country/Western Swing (C/W Swing) is a form with a distinct culture. It resembles East Coast Swing, but adds variations from other country dances. It is danced to Country And Western Music .




  • . Despite these discussions, many of the older lindy hoppers are also keen rock and roll dancers, with rock and roll characterised by an older dancer (30s and older) than Lindy Hop (25 and under).


  • Acrobatic Rock And Roll Popular in Europe, acrobatic rock and roll is popularly associated with Russian gymnasts who took up the dance, though it is popular throughout Europe today. It is more a performance dance and sport than a social dance.


  • Modern Jive - also known as LeRoc and Ceroc - developed in the 1980s, reputedly from a French form of Jive.


  • Blues Dancing today is an informal type of dance with no fixed patterns and a heavy focus on connection, sensuality and improvisation, often with strong body contact. Although usually done to blues music, it can be done to any slow tempo 4/4 music, including rock ballads and "club" music. Historically, there are many different types of blues dancing, including the Slow Drag . While not technically a "swing dance", Blues is historically/culturally related to Swing and remains very popular in many swing dance communities.



COMPETITION, SOCIAL DANCING AND MUSIC


Competition

Traditionally, distinctions are made between "Ballroom Swing" and "Jazz Dance Swing" styles. East Coast Swing is a standardized dance in "American Style" Ballroom Dancing , while Jive is a standardized dance in "International Style"; however both of these falls under the "Ballroom Swing" umbrella.

Jazz Dance forms (evolved in dancehalls) vs. ballroom forms (created for ballroom competition format) are different in appearance. Jazz Dance forms include Lindy Hop , Balboa , Collegiate Shag , and Charleston .


Types of Competition


Dance competitions specify which forms are to be judged, and are generally available in three different formats:

1) Strictly: One couple competing together in various heats, to randomly selected music, where no pre-choreographed steps are allowed.

2) Showcase: One couple competing together for a single song which has been previously choreographed.

3) Jack and Jill: Where leads and follows compete individually in various heats, where their partner is randomly selected.



Judging Criteria


Judging for competition is based on the three "T's" as well as showmanship (unless the contest in question designates the audience as the deciding factor).

The three "T's" consist of:

1) Timing - Related to tempo & rhythm of the music.

2) Teamwork - How well a lead and follow dance together and lead/follow dance variations.

3) Technique - How clean and precise the cooperative dancing is executed.


Showmanship consists of presentation, creativity, costumes, and difficulty.


Team Formations


Additionally a "Team Formation" division may also be specified at a competition. Under this category a minimum of 3 to 5 couples (depending on indivdual competition rules) perform a prechoreographed routine to a song of their choosing, where the group dances in syncronation and into different formations. This division is also judged using the three "T's" and showmanship; however this criteria no applies to the team as a whole.


Social swing dancing

Many, if not most, of the swing dances listed above are popular as Social Dance , with vibrant local communities that hold dances with DJ s and live bands that play music most appropriate for the preferred dance style. There are frequently active local clubs and associations, classes with independent or studio/school-affiliated teachers and workshops with visiting or local teachers. Most of these dance styles - as with many other styles - also feature special events such as camps or a Lindy Exchange .


Music

The historical development of particular swing dance styles was often in response to trends in popular music. Charleston, for example, was - and is - usually danced to 2/4 Ragtime music, Lindy Hop was danced to Swing Music , which is a kind of swinging Jazz . West Coast Swing a modern evolution of Lindy Hop is usually danced to Pop, R&B, Blues, or Funk. Country & Western Swing, Push/Whip, and Pony swing are usually danced to Country And Western music. Hip Hop Lindy is danced to Hip Hop Music , and Blues Dancing either to historical blues music forms, or to slower music from a range of genres (though most frequently to jazz or blues). There are local variations on these associations in each scene, often informed by the local DJ's , dance teachers and bands.