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Southworth & Hawes worked exclusively in the Daguerreotype process. Working with large 8x6-inch plate sizes, their images are brilliant, mirror-like, and finely-detailed. Writing in the ''Photographic and Fine Art Journal'', August 1855, the contemporary Philadelphia daguerreotypist Marcus A. Root paid them this praise: "Their style, indeed, is peculiar to themselves; presenting beautiful effects of light and shade, and giving depth and roundness together with a wonderful softness or mellowness. These traits have achieved for them a high reputation with all true artists and connoisseurs." He further noted that the firm had devoted their time chiefly to daguerreotypes, with little attention to photography on paper. PERSONAL AND PUBLIC PORTRAITS During their 20 years of collaboration, Southworth & Hawes catered to Boston society and the famous. Their advertisements drew a distinction between the appropriate styles for personal versus public portraiture. "A likeness for an intimate acquaintance or one’s own family should be marked by that amiability and cheerfulness, so appropriate to the social circle and the home fireside. Those for the public, of official dignitaries and celebrated characters admit of more firmness, sternness and soberness." Among their sitters were Louisa May Alcott , Lyman Beecher , Benjamin Butler , William Ellery Channing , Rufus Choate , Charlotte Cushman , R. H. Dana , Dorothea Dix , Ralph Waldo Emerson , Edward Everett , William Lloyd Garrison , Grace Greenwood , Oliver Wendell Holmes , Sam Houston , Thomas Starr King , Jenny Lind , Henry Wadsworth Longfellow , Horace Mann , Lola Montez , George Peabody , William H. Prescott , Lemuel Shaw , Harriet Beecher Stowe , Charles Sumner , Daniel Webster , John Greenleaf Whittier , and Robert C. Winthrop . DOCUMENTING THE BIRTH OF ANESTHESIA On the evening of September 30, 1846, Mr. Eben Frost, suffering from a violent toothache, called upon Dr. William Thomas Green Morton , of No. 19 Tremont Row, Boston, whose office happened to share the same address as the Southworth & Hawes studio. Dr. Morton administered Nitrous Oxide and extracted the tooth. Less than three weeks later, the so-called "Death of Pain" took place on October 16, when Dr. Morton etherized a patient before Dr. John Collins Warren , senior surgeon at the Massachusetts General Hospital , removed a tumor from his neck. To commemorate this historic and momentous event, Southworth & Hawes were asked to daguerreotype the operation; however Hawes was squeamish about the blood, and they photographed a re-enactment instead. On April 3, 1847, Southworth & Hawes were called upon to record an actual operation, again with the patient under ether. Later Dr. Warren presented his Laundy scalpel and probe, the surgical instruments he used in the first operation, to Hawes in gratitude for recording the operations. (Three or four weeks later, they documented Dr. Warren yet again. In honor of his ether discovery, and of his distinguished career as professor of anatomy at Harvard Medical School , they arranged and composed a mock anatomy dissection, with the principal subject being Dr. Warren himself.) DISPERSION OF THE ARCHIVES Hawes lived until 1901, continuing to operate a studio and carefully protecting its sizeable archive. The archives were finally dispersed during the Great Depression . Most made their way into three museums ( George Eastman House , Metropolitan Museum Of Art and Museum Of Fine Arts, Boston ); only a relatively few have ever been privately held. However, on April 27, 1999, a previously-unknown hoard of 240 Southworth & Hawes daguerreotypes appeared at Sotheby's auction from the estate of David Feigenbaum. The total sales price realized was $3.3 million dollars. MUSEUMS WITH SOUTHWORTH & HAWES COLLECTIONS
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