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The Sexuality of William Shakespeare has been questioned numerous times over the years. Even though he married Anne Hathaway and had three children, circumstantial evidence (such as in Shakespeare's Sonnets and Plays ) suggests he had affairs with other women or may have taken an erotic interest in men. The suggestion of Shakespeare's other female lovers has been given a good deal of scholarly and public interest, while the possibility of a non-heterosexual Shakespeare has historically been controversial given his Icon ic status. That said, no reliable direct evidence for any of these claims has been discovered. SHAKESPEARE'S MARRIED LIFE As with many aspects of Shakespeare's life, there is little direct evidence with regards to Shakespeare's sexuality aside from the fact that he was married to Anne Hathaway and fathered three children. Circumstantial evidence suggests Shakespeare's wedding to Hathaway was hurried because she was already pregnant. Evidence for this is that their first child, Susanna, was born six months after the marriage ceremony on May 26 , 1583 . In addition, a marriage license was issued for the couple after only one reading of their intent to marry (the reading was normally done three times in order to give local residents a chance to voice any legal or other objections to the marriage).''Will in the World: How Shakespeare Became Shakespeare'' by Stephen Greenblatt, W. W. Norton & Company, 2004, pages 120-121. Shakespeare probably initially loved Hathaway, speculation supported by an early addition to one of his sonnets ( Sonnet 145 ), where he played off Anne Hathaway's name and said she saved his life (writing "'I hate' from hate away she threw/And saved my life, saying 'not you.'").''Will in the World: How Shakespeare Became Shakespeare'' by Stephen Greenblatt, W. W. Norton & Company, 2004, Page 143. However, after only three years of marriage Shakespeare left his family and moved to London, possibly because he felt trapped by Hathaway.''Will in the World: How Shakespeare Became Shakespeare'' by Stephen Greenblatt, W. W. Norton & Company, 2004, Page 143-44. Other evidence to support this belief is that he and Anne were buried in separate (but adjoining) graves and, as has often been noted, Shakespeare's will makes no specific bequeath to his wife aside from "the second best bed with the furniture". This may seem like a slight, but many historians contend that the second best bed was typically the marital bed, while the best bed was reserved for guests. Even if this does suggest that Shakespeare was cold toward his wife, nothing is thereby proven about his sexuality. SEXUAL IDENTITIES Possible affairs with women While in London, Shakespeare may have had affairs with different women. One anecdote along these lines is provided by a law student named John Manningham, who wrote in his diary that Shakespeare had a brief affair with a woman during a performance of ''Richard III.''''Diary of John Manningham, of the Middle Temple, and of Bradbourne, Kent, barrister-at-law, 1602-1603'' by John Manningham, Westminster, Printed by J.B. Nichols and Sons, 1868. Manningham stated that: "Upon a time when Burbage played Richard the Third there was a citizen grew so far in liking with him, that before she went from the play she appointed him to come that night unto her by the name of Richard the Third. Shakespeare, overhearing their conclusion, went before, was entertained and at his game ere Burbage came. Then, message being brought that Richard the Third was at the door, Shakespeare caused return to be made that William the Conqueror was before Richard the Third." A detailed discussion of the reliability of the Manningham anecdote. While this is one of the few surviving contemporary anecdotes about Shakespeare, scholars are skeptical of its validity''Berryman's Shakespeare'' by John Berryman, Tauris Parke Paperbacks, 2001, page 109. (although the anecdote may have helped inspire the 1998 film '' Shakespeare In Love ''). Shakespeare, William, "Shakespeare the man, Life, Sexuality" Encyclopædia Britannica's Guide to Shakespeare, accessed April 4, 2007. Still, the anecdote suggests that at least one of Shakespeare's contemporaries (Manningham) believed that Shakespeare was heterosexual, even if he wasn't "averse to an occasional infidelity to his marriage vows." Possible evidence of other affairs are that twenty-six of Shakespeare's ''Sonnets'' are love poems addressed to a married woman (the so-called " Dark Lady "). Possible affairs with men For the was a crime in the period, but Phillip Stubbs in ''Anatomie of Abuses'' (1583), Edward Guilpin in ''Skialetheia'' (1598), and Michael Drayton in ''The Moone-Calfe'' (1605), all noted the prevalence of "sodomites" at theatres, which does imply a recognised group. A homosexual subculture which identified itself as separate, and which was centred around the Molly House , certainly existed in London by the mid-seventeenth century, and may well have existed in Shakespeare's time. (See History Of Homosexuality ). With regard to Shakespeare's sexuality, no direct evidence exists to support the view that he was bisexual; all theories along these lines, as with the theories of his heterosexual affairs, come from an analysis of Shakespeare's plays and sonnets. The only circumstantial evidence to support a bisexual Shakespeare is in his will. Shakespeare left money to his colleagues John Heminges , Richard Burbage , and Henry Condell so that they could purchase memorial rings as a demonstration of their close friendship. While some have suggested this indicates a possible bisexual relationship this act appears to have been a normal convention in Shakespeare's company: in his own will, Heminges left money for every member of the company to buy a memorial ring. Andrew Gurr, ''The Shakespeare Company, 1594-1642'' (Cambridge University Press, 2004), 26 SEXUALITY IN THE SONNETS Shakespeare's sonnets are the principal evidence for his attraction to men. The poems were initially published, perhaps without his approval,Stephen Orgel, "Glossing over it: homoeroticism in Shakespeare's sonnets;" ''London Review of Books,'' Tuesday August 6, 2002 {Link without Title} in 1609 . One hundred and twenty-six of them appear to be love poems addressed to a beautiful young man (known as the " Fair Youth ", and often assumed to be the same person as the enigmatic 'Mr W.H.', dedicatee of the sonnets). The identity of this figure (if he is indeed based on a real person) has been much debated; the most popular candidates are Shakespeare's patrons, the Earl Of Southampton and the Earl Of Pembroke , both of whom were considered handsome in their youth; another theory, set out most notably by Oscar Wilde in a short story, holds that puns in the sonnets point to a boy actor called Willie Hughes as the beloved (there is no other evidence for the existence of such a person and Wilde's theory is avowedly fictional).Recent summaries of the debate over Mr W.H.'s identity include Colin Burrows, ed. ''The Complete Sonnets and Poems'' (Oxford UP, 2002), pp. 98-103; Katherine Duncan Jones, ed. ''Shakespeare's Sonnets'' (Arden Shakespeare, 1997), pp. 52-69. For Wilde's story, see 'The Portrait of Mr W.H.' (1889)..The potential relationship between Shakespeare and WH is examined in the comic play " To W.H. " by Stuart Draper . , 3rd Earl of Southampton: Shakespeare's patron at twenty one years of age, one candidate for the " Fair Lord " of the sonnets.]] The only explicit references to sexual acts and to physical lust occur in the Dark Lady sonnets, which unambigously state that the poet and the – equally mysterious – Lady are lovers. Nevertheless, there are numerous passages in the sonnets addressed to the Fair Lord that have been read as expressing desire for a younger man. Enter Willie Hughes as Juliet Or, Shakespeare's Sonnets Revisited by Rictor Norton, accessed Jan. 23, 2007. In had fallen in love with and, to resolve the dilemma of Lesbianism , added a penis ("pricked thee out for women's pleasure"), an addition the narrator describes as "to my purpose nothing." In some sonnets addressed to the youth, such as Sonnet 52 , the erotic Pun ning is particularly intense: "So is the time that keeps you as my chest, Or as the wardrobe which the robe doth hide, To make some special instant special blest, By new unfolding his imprisoned pride." A complex relationship is hinted at in Sonnet 20: the narrator tells the youth to sleep with women, but to love only him: "mine be thy love and thy love's use their treasure"; some have inferred from this line that Shakespeare ruled out sexual relations despite his love for the youth. Not everyone has interpreted these passages as sexual, as they can be explained as referring to intense Platonic Friendship , rather than sexual love. In the preface to his 1961 Pelican edition, Douglas Bush writes, :"Since modern readers are unused to such ardor in masculine friendship and are likely to leap at the notion of homosexuality… we may remember that such an ideal, often exalted above the love of women, could exist in real life, from Montaigne to Sir Thomas Browne , and was conspicuous in Renaissance Literature ". Pequigney, pp.64 Bush cites Montaigne, who distinguished male friendships from "that other, licentious Greek Love " Montaigne, p. 138, as evidence for a platonic interpretation of the Sonnets. Another explanation is that the poems are not Autobiographical but Fiction , so that the narrator of the Sonnets should not be simplistically identified with Shakespeare himself. Nevertheless, many readers and scholars take the "I" of the Sonnets to be Shakespeare, not least because this first-person narrator declares "my name is Will" (136), as well as punning on the name "Will" elsewhere. Many readers consider the Sonnets to be the closest we can get to Shakespeare's own voice, as opposed to the voices of the characters in his plays. Despite these alternative interpretations, numerous readers throughout the past four centuries have been disturbed by the poems' apparent homoeroticism. In 1640 , John Benson published a second edition of the Sonnets in which he changed most of the pronouns from masculine to feminine so that readers would believe nearly all of the sonnets were addressed to the Dark Lady. Benson’s modified version soon became the best-known text, and it was not until 1780 that Edmund Malone re-published the sonnets in their original forms. Crompton, Louis, ''Homosexuality and Civilization'', pp. 379 The question of the sexual orientation of the Sonnets was first openly articulated in 1780, when 's comment, around 1800 , that Shakespeare’s love was "pure" and in his sonnets there is "not even an allusion to that very worst of all possible vices." Rollins 2:232-233 Critics in Continental Europe were also surprised. In 1834 , a French reviewer asked, "He instead of she?… Can I be mistaken? Can these sonnets be addressed to a man? Shakespeare! Great Shakespeare? Did you feel yourself authorized by Virgil ’s example?" alluding to the Roman poet known for his pederastic verse. The controversy continued in the Ingram and Redpath also argued that there may have been no carnal relationship between the poet and the Fair Youth: "the relationship was one of profound and at times agitated friendship, which involved a certain physical and quasi-sexual fascination emanating from the young Friend and enveloping the older poet, but did not necessarily include pederasty in any lurid sense."W.G. Ingram and Theodore Redpath, ''Shakespeare's Sonnets,'' London, Hodder and Stoughton, 1964 SEXUALITY IN THE PLAYS Some readers have found similar evidence in Shakespeare's Plays . The most often-cited evidence is several comedies, including '' Twelfth Night '' and '' As You Like It '', which contain comic situations in which a woman poses as a man, a device that exploits the fact that in Shakespeare's day women's roles were played by boys. While the situations thus presented are Heterosexual in terms of the story, the stage image of same-sex wooing and kissing may well have been titillating to those of a homosexual orientation, and while other dramatists occasionally used the same device, Shakespeare seems to have had an exceptional preference for it, using it in five of his plays. The unexplained melancholy of Antonio in '' The Merchant Of Venice '' is explained by some critics (for example Isaac Asimov in his ''Guide to Shakespeare'') as caused by Unrequited Love for his young friend Bassanio; his self-sacrificing spirit then makes him help Bassanio find a wife. The relationship has been interpreted as a sexual/mentoring relationship between an adult male and a young man in which the adult helps his lover in the transition to adulthood, a relationship that culminates in helping him find a wife . The text of the play neither confirms nor denies these interpretations. SEE ALSO
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