| Paradise And The Peri |
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The work is based on a German translation (by Schumann and his friend Emil Flechsig) of a tale from ''Lalla Rookh'' by Thomas Moore . The Peri , a creature from Persian and Islamic Mythology , is the focus of the story, having been expelled from Paradise and trying to regain entrance by giving the gift that is most dear to Heaven . Eventually the Peri is admitted after bringing a tear from the cheek of a repentant old sinner who has seen a child praying. Peter Ostwald in his biography ''Schumann: The Inner Voices of a Musical Genius'' records that Schumann "confided to a friend that 'while writing ''Paradise and the Peri'' a voice occasionally whispered to me "what you are doing is not done completely in vain,"'" and that even Richard Wagner praised this work. On the negative side, reports Ostwald, "The Germans even used the ''Peri's'' more warlike interludes to stir up patriotic fervor during World War II "--but of course this Propaganda usage by the Nazi regime cannot reasonably be held against Schumann or his work. The oratorio is generally held to be a significant achievement by Schumann, and it perhaps appeals less than it might otherwise to modern audiences due to the flowery, Eastern-inspired verbiage of the libretto, which represents a vogue for orientalism that was in full swing in the 19th century but has receded considerably today. SOURCES
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