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Fine Arts Quartet




The Fine Arts Quartet, founded in Chicago in 1946 by Leonard Sorkin and George
Sopkin, is a distinguished chamber music ensemble with an extensive recording
legacy. It is one of the few to have recorded and toured internationally for
over half a century, celebrating its 60th anniversary in 2006. First violinist
Ralph Evans succeeded Sorkin in 1982, second violinist Efim Boico joined in
1983, violist Yuri Gandelsman in 2001, and cellist Wolfgang Laufer replaced
Sopkin in 1979.


Early years


In its early days, the Quartet did much to promote the appreciation of chamber
music by their frequent radio broadcasts, television programmes and recordings.
For many music lovers of the sixties and seventies, the quartet's budget-label
recordings helped to popularise composers and works which were otherwise badly
served. In particular, their recordings of the six quartets of Béla Bartók
remain a landmark. The quartet recorded the works shortly after making a series
of television programmes in which a performance of each quartet was preceded by
interviews and commentary by the performers and amply illustrated by musical
examples. The quartet's ability to communicate both the compositional and
performing aspects of the works made them powerful advocates of what was then
unfamiliar and avant-garde repertoire.

The quartet had its beginnings in 1946, with Leonard Sorkin and Joseph Stepansky
on violins, Shephard Lehnhoff on viola and George Sopkin on cello. The quartet
spent its first eight years in residence at the ABC studios in Chicago, but
fell victim to the swing from live music to records which saw the demise of
many radio station ensembles. In 1954, the quartet was dismissed by ABC and
began life as a freelance ensemble. At that point, Irving Ilmer had replaced
Lehnhoff as violist and Stepansky quit the group, to be replaced by Abram Loft,
Lawrence Shapiro, and finally, Efim Boico in 1983. The Quartet had further
changes of viola player, with Gerald Stanick succeeding Ilmer in 1963 and he,
in turn, being replaced by Bernard Zaslav in 1968, Jerry Horner in 1980, and
Yuri Gandelsman in 2001.

The quartet was nothing if not energetic in both their concert and recording
schedules, playing in 270 cities in 28 countries by the late seventies and
making 60 LP recordings. Their repertoire was vast, and they championed many
twentieth century composers, including Milton Babbit, Ernest Bloch, Paul
Hindemith, Karel Husa (whose third quartet was commissioned on their behalf),
Jean Martinon (whose second quartet they commissioned), Seymour Shifrin (whose
fourth quartet they commissioned) and Charles Wuorinen.

The quartet's versatility was evident too in their playing. Their recordings of
the classical repertoire show a tightly-knit and often very 'contrapuntal'
approach to playing, in which interplay between the ensemble can throw new
light on familiar repertoire (especially the later quartets of Haydn. In their
performances of twentieth century works, especially the quartets of Bartók,
which call for an extended palette of sounds, the quartet are remarkable for
the warmth of sound with which they support works which might sound cold or
cerebral in lesser hands. Their feel for the valetudinarian sound world of
Bloch was every bit as remarkable as the celebrated recordings by the Griller
Quartet.


Later years (post 1980)


The Fine Arts Quartet continues to tour worldwide, with concerts
each season in such musical centers as New York, London, Paris, Berlin, Rome,
Madrid, Moscow, Tokyo, Beijing, Istanbul, Jerusalem, Mexico City, and Toronto.
The Quartet also continues to record new works, adding to its collection of
over 50 masterpieces released on CD since 1982 during the
Evans-Boico-Laufer era. The complete Dohnányi quartets and quintets were
released on Aulos in 2005, and the following are due for release in 2006-2007
on Naxos: the complete Schumann quartets, the complete Bruckner chamber music,
chamber music by Glazunov, and quartets by American composers Antheil,
Herrmann, and Evans. Quartets by Shostakovich and the complete Beethoven Opus
18 quartets are also due for release in 2007, on Lyrinx.

The Quartet's 2003 recordings of the complete Mozart viola quintets, released by
Lyrinx in Sony's brilliant Super Audio CD format, were voted onto the 2003
Grammy entry list and designated a "Critic's Choice 2003" by the American
Record Guide. The Quartet's commitment to contemporary music also won special
recognition: a 2003-2004 national CMA/ASCAP Award for Adventurous Programming,
given jointly by Chamber Music America and the American Society of Composers,
Authors, and Publishers.

The Quartet members have helped form and nurture many top international young
ensembles. They have been guest professors at the national music conservatories
of Paris and Lyon, as well as at the summer music schools of Yale University and
Indiana University. They also appear regularly as jury members of major
competitions such as Evian, Shostakovich, and Bordeaux. Documentaries on the
Fine Arts Quartet have appeared on both French and American Public Television.
For current information about the Fine Arts Quartet, see the official website
www.fineartsquartet.org


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