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Blast beat is a Drum Beat made with rapid alternating or coinciding strokes primarily on the Bass and Snare Drum . The snare drum and hi-hat/cymbal forms the focus of such a beat, with Bass Drum often played beneath the snare to create a 'wall of sound'. The Hi-hat or a Ride Cymbal is often played simultaneously with the snare drum; however, Crash Cymbal or china cymbals can often be featured as well, for an even heavier, " Wall Of Sound " effect. Bell accents on the ride cymbal are often employed in the same manner as accents in funkier drumming styles in order to give the beat an emphasised 'push'. Diverse patterns and timings are also frequently used by more technical players, such as Alex Hernandez ( Immolation ) or Flo Mounier ( Cryptopsy ). Alternative styles of blast beats include using a two strokes on bass drum followed by one stroke of the snare drum, such as played by Pete Sandoval ( Terrorizer , Morbid Angel ), or using scarce strokes on the bass drum, which are frequently played by Max Duhamel ( Kataklysm ). HISTORY Blast beats have their roots in Hardcore Punk , most notably D.R.I 's "No Sense" on their first LP (1983) and Beastie Boys "Riot Fight" on their first EP, '' Pollywog Stew '' (1982). Other examples include Heart Attack , Cryptic Slaughter and Lärm . Blasts were however, first used in jazz by the likes of the great Tony Williams . Blast beats are a prominent feature of Power Violence , Grindcore , Death Metal , and Black Metal , although they make appearances in other genres, to increase the speed, density, and percussiveness. The original use in metal music is generally attributed to Dave 'Grave' Hollingshead ( Repulsion ), Charlie Benante ( Anthrax , SOD ), and Mick Harris ( Napalm Death ). Grave received most of the credit for the "single footer." Benante showcased the technique by a double-handed blast beat in the track "Milk" on the SOD album '' Speak English Or Die '', later played single-handed on the live album ''Live at Budokan''. Harris started using it as a fundamental aspect of Napalm Death's early musical compositions. CHARACTERISTICS Early blast beats were generally quite slow and less precise compared to today's standards. Nowadays, a blast beat is normally played in tempos from 160-180 Beats Per Minute , with so-called "hyper blasts" existing in the range of 240-260 bpm (or even higher). There is also the "gravity blast", which implements a one-handed roll, called a Gravity Roll . This technique uses the rim of the snare as a Fulcrum on which the stick is rocked back and forth, allowing two snare hits with each full arm motion (one on the down motion, and another coming up, essentially doing the work of two hands with only one). Typical blast beats consist of 8th-note patterns between both the bass and snare drum alternately, with the hi-hat or the ride synced. Variations exist such as displacing hi-hat/ride, snare and bass drum hits and/or using other cymbals such as splashes, crashes, chinas and even tambourines for accenting, for example when using odd time or playing progressively. While playing 8th or 8th note triplets some drummers choose to play in sync with one foot while others split the 8th notes between both feet. Examples of blast beat notation: |
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