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Armenian Chant




Armenian chant, like Byzantine Chant , consists mainly of Hymn s. The chants are grouped in an Oktoechos . The oldest hymns were in prose, but later versified hymns became more prominent, such as those by Nerses Shnorhali . The official book of hymns, the ''sharakan'', contains 1,166 hymns.

The earliest surviving manuscripts with music notation date from the 14th century, and use a system of Neume s known as ''Armenian neumes'', which seem to use a developed system but which have not been deciphered. In the 19th century, a new notation by Hamparsum Limonciyan was introduced, which is still used now.

Armenian chant is now sung to a precise rhythm, including specific rhythmic patterns which are atypical of Plainsong . This is considered by some scholars (such as P. Aubry) to be a result of Turkish influence, although others (such as R. P. Decevrens) consider it of great antiquity and use it as evidence in favor of a more rhythmic interpretation of Gregorian Chant .

The chants used by communities in the Armenian Diaspora are usually harmonized and differ from the original forms. The source of the most traditional music is the liturgies at Echmiadzin , the religious center of Armenia.


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