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Yusef Lateef




  Img Yusef_Lateef_Album_Eastern_Soundsjpg
  Img Size 200
  Background non_vocal_instrumentalist
  Birth Name William Emanuel Huddleston
  Origin Chattanooga, Tennessee , USA
  Instrument Tenor Saxophone , Flute , Oboe , Bamboo Flute , Shanai , Shofar , Arghul , Koto
  Genre Jazz
  Occupation Saxophonist , Flautist
  Associated Acts Cannonball Adderley , Elvin Jones


Dr. Yusef Lateef (born '''William Emanuel Huddleston''', October 9 , 1920 ) is an American Jazz Musician . He plays principally on Tenor Saxophone and Flute . He is known for his innovative blending of " Eastern " music with American jazz. He also plays the Oboe , Bamboo Flute , Shanai , Shofar , Arghul , Sarewa , and Koto .


EARLY LIFE

Yusef Lateef was born in Chattanooga , Tennessee . In 1925, Lateef and his family moved to Detroit , Michigan where Lateef's musical career would begin. Throughout his early life Lateef came into contact with a number of accomplished jazz musicians including Milt Jackson , Paul Chambers , Elvin Jones , and Kenny Burrell . Lateef was a proficient saxophonist by the time of his graduation from High School at age 18, at which point he launched his professional career and began touring with a number of Swing bands. In 1949, at this stage using the name William Evans, Lateef was invited by Dizzy Gillespie to tour with his world-renowned orchestra.


CAREER

Lateef first began recording as a leader in 1957 for Savoy Records working with musicians such as Wilbur Harden , a non-exclusive association which continued until 1959; the earliest of Lateef's album's for the Prestige subsidiary New Jazz overlap with them.

By 1961, with the recording of '' Into Something '' and '' Eastern Sounds '', Lateef's dominant presence within a group context had emerged. His "Eastern" influences are clearly audible in all of these recordings, using instruments like the Rahab , Shanai , Arghul , Koto and a collection of wooden Chinese flutes and bells along with his tenor and flute. Even his use of the western Oboe sounds exotic in this context as it is not a standard jazz instrument but still the whole thing remains approachable for most Western ears. Indeed the tunes themselves are a mixture of jazz standards, blues and film music played with a piano/bass/drums rhythm section. This variety of instrumentation and repertoire gave his music a unique richness. Lateef also made numerous contributions to other people's albums including his time as a member of Cannonball Adderley's Quintet from 1962-64.

Lateef's sound has been claimed to have been a major influence on the saxophonist John Coltrane , whose later period Free Jazz recordings contain similarly "Eastern" traits. For a time (1963-66) Lateef was signed to Coltrane's label, Impulse . He had a regular working group during this period, with trumpeter Richard Williams and Mike Nock on piano. They enjoyed a residency at Pep's Lounge during June 1964; an evening of which has been issued on CD.

In the late 1960s he began to incorporate contemporary soul/gospel phrasing into his music, still with a strong blues underlay, on albums such as ''Detroit'' and ''Hush'n'Thunder''.

Lateef has expressed a dislike of the terms "jazz" and "jazz musician" as musical generalizations. As is so often the case with such generalizations, the use of these terms do understate the breadth of his sound. For example, in the 1980s, Lateef experimented with New Age and spiritual elements. His 1987 album '' Yusef Lateef's Little Symphony '' won the Grammy Award for Best New Age Album. His core influences, however, are clearly rooted in jazz, and in his own words: "My music is jazz." {Link without Title}

In 1992, Lateef founded YAL Records , his own label for which he records today. In 1993, Lateef was commissioned by the WDR Radio Orchestra to compose '' The African American Epic Suite '', a four part work for orchestra and quartet based on themes of Slavery and Disfranchisement in the United States. The piece has since been performed by the Atlanta Symphony Orchestra and the Detroit Symphony Orchestra .


HIGHER EDUCATION AND AHMADIYYA

In 1950, Lateef returned to Detroit and began his studies in Composition and flute at Wayne State University . It was during this period that Lateef converted to Ahmadi yya and changed his name to the form it holds today.

In 1960, Lateef again returned to school. At the Manhattan School Of Music in New York , Lateef pursued further studies in flute. He received a Bachelor's Degree in Music in 1969 and a Master's Degree in Music Education in 1970. Starting in 1971, he taught courses in Autophysiopsychic Music at the Manhattan School of Music, and he became an Associate Professor at the Borough Of Manhattan Community College in 1972.

In 1975, Lateef completed his dissertation on Western and Islamic education and earned a Ph.D. in Education from the University Of Massachusetts Amherst .

Lateef has written and published a number of Books including a Novella entitled '' A Night In The Garden Of Love '' and the short story collections '' Spheres '' and '' Rain Shapes ''. Along with his record label YAL Records, Lateef owns Fana Music , a music publishing company. Lateef publishes his own work through Fana, which includes '' Yusef Lateef's Flute Book Of The Blues '' and many of his own orchestral compositions.


SELECTED DISCOGRAPHY


''As a sideman:''



EXTERNAL LINKS




  NAME Lateef, Yusef
  ALTERNATIVE NAMES Lateef, Dr Yusef Huddleston, William Emanuel
  SHORT DESCRIPTION American jazz musician
  DATE OF BIRTH October 9 , 1920
  PLACE OF BIRTH Chattanooga, Tennessee