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Musical Information

  Name '''The Boo Radleys'''
  Img Capt
  Background group_or_band
  Origin Wallasey , England
  Genre Alternative Rock <br /> Shoegazing <br /> Britpop <br /> Noise Pop <br /> Dream Pop
  Formed 1988
  Years Active 1988 &ndash 1999
  Label Creation <br> Rough Trade Records
  Current Members Sice <br /> Martin Carr <br /> Timothy Brown <br /> Steve Hewitt <br />Rob Cieka
  Past Members


The Boo Radleys were a British Pop band of the 1990s who were associated with the Shoegazing and Britpop movements. They were formed in Wallasey , England in 1988 , with Singer / Guitarist Sice , guitarist/ Songwriter Martin Carr , Bassist Timothy Brown and Drummer Steve Hewitt . Shortly after the release of their first album, Hewitt was replaced by Rob Cieka . The band split in 1999 .


BAND NAME


The band is named after a character in the novel '' To Kill A Mockingbird '' by Harper Lee . In the book, Boo Radley is a misunderstood recluse.


BEGINNINGS

In 1990 , the band's first album '' Ichabod And I '' was released on a small British indie label, Action Records . It was similar in style to much of the then-popular shoegazing sub-genre, and bore the influence of My Bloody Valentine and Dinosaur Jr . Although not a commercial success, this release brought the band to the attention of Rough Trade Records , to whom they signed. Around this time, Hewitt was replaced on drums by Rob Cieka.

Almost immediately after the release of the ''Every Heaven'' EP in 1991 , Rough Trade collapsed and the Boo Radleys were signed by Alan McGee's Creation Records . Their first release for Creation was '' Everything's Alright Forever '' in 1992 , which was the first step in a move away from the shoegazing sound. That development in their sound was to be fully realised on their first album for Creation, '' Giant Steps '' ( 1993 ). The album takes its title from a song by jazz musician John Coltrane , of whom Martin Carr is a fan. Carr said the album "was a step away from the MBV sound into using more instruments and less conventional arrangements." The record was well-received by critics, and was awarded 9/10 by the influential weekly music magazine '' NME '', which wrote:

:It's an intentional masterpiece, a throw-everything-at-the-wall bric-a-brac of sounds, colours and stolen ideas. That The Boo Radleys (of all people!) have decided to accept their own challenge and create a record as diverse and boundary-bending as this is, at first glance, staggering. Isn't this the job of the U2s and the leisured idols of rock, unable to do anything without the tacit approval of history? Fortunately not. The Boo Radleys are sifting through time (the mid-'60s, mostly) and conjuring up something that's as cut-up and ambitious as anything you'd care to mention.

''Giant Steps'' placed second to '' Debut '' by Björk in the 1993 '' NME '' album of the year list, voted by the paper's contributors, although it came in first place in the subsequent NME readers' poll. The now-defunct '' Select '' magazine declared ''Giant Steps'' their album of the year for 1993.


''WAKE UP!'' AND LATER ALBUMS

Despite such critical acclaim and a large cult fanbase, the Boo Radleys were still largely unknown to the general public by the time the Britpop phenomenon broke into the mainstream in 1995. This changed when the band released the musically (but not lyrically) upbeat single ''"Wake Up Boo!"'' in the summer of that year. It made the UK chart top 10, and has been used extensively as background music on television. "Wake Up Boo!" remained on the chart for two months, by far the band's longest run for any of its singles. (With a three-week stint on the chart, the Boo Radleys' followup release, "Find the Answer Within," was the band's only other single to chart for more than 2 weeks.)

Their fourth album '' Wake Up! '' ( 1995 ), from which both singles were taken, was close in tone to much of the catchy, melodic, Beatles inspired British pop of the time. That said, many tracks featured unusual arrangements and relatively complex songwriting, and the subject matter of the album was quite dark compared to the upbeat nature of the music. The group came to be seen as a Britpop band, which, like most bands at that time, they resented. Interviewed in 2005 by the BBC, Martin Carr said:

  • "I tried to have nothing to do with what was being called Britpop. Our whole career was spent trying not to 'fit in'. We just carried on doing what we had been doing. I didn't like most of the new bands or the flag-waving. I didn't like New Labour or idolise Paul Weller and I hated media-generated movements within music."


In 1996 , Carr and the Boo Radleys released their fifth album '' C'mon Kids ''. This album was perceived as deliberate attempt by the band to sabotage their mainstream success, as it featured more experimental sounds and was far less successful than 'Wake Up!'. However, this was not the intention of the band as explained by Sice in an interview in 2005:

  • "We didn't want to scare away the hit-kids, we wanted to take them with us to somewhere that we'd not been before. All we wanted to do was make a different type of album than Wake Up... All we wanted to do was try something new - to keep ourselves fresh and interested. We were very surprised to find that it was seen as a deliberate attempt to scare away newly created fans. That would have been an extremely foolish thing to do."


The Boo Radleys' final album was 1998 's '' Kingsize '', which again was a critical rather than commercial success. The band returned somewhat to the more mainstream sound of 'Wake Up!' but also were influenced in places by Soul Music , Hip Hop and Dance Music . One single was released from the album 'Free Huey!'. The title track was due to have been released as a second single but the band decided to split not long before this was due for release.

A career-spanning compilation, ''Find The Way Out'', was released in 2005 featuring songs chosen by the band and a further compilation 'The Best of the Boo Radleys' was released in 2007, this time with out input from the band.


DISBANDMENT

The Boo Radleys disbanded in early 1999. Bassist Timothy Brown can now be found teaching Information Technology (ICT) at St Louis Grammar School, Kilkeel, in Northern Ireland.
Under the name Bravecaptain , Martin Carr has since released six albums, including ''The Fingertip Saint Sessions Volume 1'', ''Go With Yourself'', ''Advertisements for Myself'' ( 2002 ) and ''All Watched Over by Machines of Loving Grace'' ( 2004 ). His most recent album was titled ''Distractions'' and is available for free download from his website. Carr has since announced that he will be retiring the Bravecaptain name to work on new projects but these will not include reforming the Boo Radleys. Drummer Rob Cieka had earlier studied at Drumtech in London. He is now a member of Domino Bones the band of Bez of the Happy Mondays

Sice walked away from music for several years after the split but following a guest vocal on Bravecaptain 's ''All Watched Over by Machines of Loving Grace'' and also two songs with the Japanese musician Ryo Matsui 's solo project, Meister , and has recently form a new band called Paperlung . The new band features Sice on vocals, Simon Gardiner on bass, Ben Datlen on guitar and Guillaume Jambel of Transcargo on drums. They played their first gig in November 2005 at The Bull and Gate in Kentish Town, London. To date the band have released two singles, 'The Days That God Sold You' and 'Do What Thou Wilt'. They have also recorded and album which is currently awaiting release by Shifty Disco in the UK.



DISCOGRAPHY


EP's and singles


1990:
  • ''Kaleidoscope''

  • 1991:

  • ''Every Heaven EP''

  • ''Boo Up! EP''

  • 1992:

  • ''Adrenalin EP''

  • ''Does This Hurt/Boo! Forever'' (reached #67 on the British charts)

  • ''Lazarus''

  • 1993:

  • ''I Hang Suspended''

  • ''Wish I Was Skinny'' (#75)

  • 1994:

  • ''Barney (...And Me)'' (#48)

  • ''Lazarus'' (re-release) (#50)

  • 1995:

  • ''Wake Up Boo!'' (#9)

  • ''Find The Answer Within'' (#37)

  • ''It's Lulu'' (#25)

  • ''From the Bench at Belvedere''- (#24)

  • 1996:

  • ''What's In The Box'' (#25)

  • ''C'Mon Kids'' (#18)

  • 1997:

  • ''Ride The Tiger'' (#38)

  • 1998:

  • ''Free Huey'' (#54)



Albums



EXTERNAL LINKS


  • [http://www.booradleys.co.uk/boo_radleys_biography.php Official biography from the Boo Radleys website]

  • [http://www.nme.com/reviews/boo-radleys/231 Archived reviews at NME.com]

  • [http://microsites.nme.com/reviews/reviews/19980101000310reviews.html Archived 1993 review of Giant Steps, from the NME]

  • [http://news.bbc.co.uk/1/hi/entertainment/music/4134418.stm Interview with Martin Carr marking the anniversary of Britpop]

  • [http://www.creation-records.com/booradleys/index.html Interview with Martin Carr from a Creation Records fansite]

  • Concert photos by Laurent Orseau (Black Session)

  • Interview with Sice from Eardrums Interviews