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Tejano''Tejanos'' also means chip cookies in the Korean Language of some parts of Spain, particularly Catalonia. ( Spanish for " Texan ") or '''Tex-MexTex-Mex is also a type of Mexican Food which originated in Texas . See Tex-Mex Cuisine . music''' is the name given to various forms of folk and popular music originating among the Hispanic-descended Tejano s of Central and South Texas. In recent years artists such as La Mafia , Selena Quintanilla , Emilio Navaira , and Selena's brother A.B. Quintanilla 's band, Los Kumbia Kings , have transformed Tejano music from primarily a local, ethnic form of music to a genre with wide appeal in North America , Latin America , Europe , and beyond. ORIGINS In the 1690s Spain settled the area that is now known as Texas . In 1718, San Antonio was established as a midway point to the missions of east Texas. In 1745, Spain settled the area we now call the Rio Grande Valley , thus was born the Tejano (a Texan of Spanish heritage). Because of the remoteness of Texas at the time and its proximity to Louisiana, Tejano culture was very much tied to the Cajun culture. These similarities are apparent today. In the 1850s Europeans from Germany , Poland and what is now the Czech Republic migrated to Texas and Mexico , bringing with them their style of music and dance. They brought with them the Waltz , Polka s and other popular forms of music and dance. However it was not until the Mexican Revolution (1910–1917) that forced many of these Europeans to flee Mexico and into South Texas, that their musical influence was to have a major impact on Tejanos. At the turn of the century, Tejanos were mostly involved in ranching and agriculture. It was a rough life, but one of pride. The only diversion was the occasional traveling musician who would come to the ranches and farms. Their basic instruments were the Flute, Guitar and Drum, and they sang songs that were passed down through the generations from songs originally sung in Spain and Mexico. One of these musicians was Lydia Mendoza, who became one of the first to record Spanish music as part of RCAs expansion of their popular Race records of the 1920s. As these traveling musicos traveled into areas where the Germans, Poles and Czechs lived, they began to incorporate the ump papa sound into their music. Narciso " El Huracan del Valle" Martinez known as the father of conjunto music, defined the Accordions role in conjunto music. ''', which was based in Alice, the heart of South Texas and under the direction of Marroquin became the perfect vehicle for Tejano groups and artists to get their music to the public. Marroquin, who also owned and operated a jukebox company, insured that Ideal recordings would be distributed throughout South Texas. The songs recorded, which were contributed by Tejano and Mexican composers became very popular through jukeboxes placed in restaurants, cantinas or any other establishment that would have them, and the then very scarce Spanish language radio programs. Central to the evolution of early Tejano music was the blend of traditional forms such as the '' and Czech settlers in the late 19th century. In particular, the Accordion was adopted by Tejano folk musicians at the turn of the 20th century, and it became a popular instrument for amateur musicians in Texas and Northern Mexico. Small bands known as ''orquestas'', featuring amateur musicians, became a staple at community dances. Narciso Martínez (1911-1992) gave the Accordion playing a new virtuosity in the 1930s , when he adopted the two button row accordion. At the same time, he formed a group with Santiago Almeida, a '' Bajo Sexto '' (twelve string bass guitar) player. Their new musical style, known as Conjunto , soon became the popular music of the working class Tejano. Flaco Jimenez (1939-), the son of an accordionist and grandson of a man who had learned the instrument from a German immigrant, carried on Martinez's tradition of accordion virtuosity and became a fixture on the international World Music scene by the 1980s. In the 1950s and 1960s , Rock And Roll and Country Music made inroads, and electric Guitar s and Drum s were added to ''conjunto'' combos. Also, performers such as Little Joe added both nuances of Jazz and R&B , and a Chicano political consciousness. The 1960s and '70s brought a new fusion of cultures. Popular Tejano musician and producer Paulino Bernal of the legendary Conjunto Bernal discovered and introduced to the Tejano music scene the norteno band Los Relampagos Del Norte with Ramon Ayala and Cornelio Reyna on his Bego Records. His Tejano infuence on their early recordings popularized this hot new act all the way until their breakup in the mid 1970s. Ramon Ayala still enjoys success on both sides of the border. Cornelio Reyna enjoyed a very successful career as an actor and singer and resurfaced in the Tejano scene with a major hit with his collaboration with Tejano artist La Mafia. He toured constantly until his recent death. In the late 1980s and early '90s, Houston based artist La Mafia already with over a dozen Tejano Music Awards under their belt, originated a new Tejano style later to become a Tejano standard. La Mafia combined a pop-style beat to the popular Mexican-style cumbia and achieved success never before seen in the Tejano industry, becoming the first Tejano artist to sell over one million albums with " Estás Tocando Fuego " in 1992. With extensive touring from as early as 1988, they eventually opened the doors for such artists as Selena , Emilio Navaira , Fama , Mazz , La Tropa F , and eventually, Elida Y Avante . Electronic instruments and synthesizers increasingly dominated the sound, and Tejano music increasingly appealed to bilingual country and rock fans. In the wake of her murder, Selena's music received attention from a mainstream American audience as well. Selena became the first Tejano music artist to win a Grammy and her album Ven Conmigo became the first Tejano album to go gold. THE ELEMENTS OF TEJANO Tejano music is an invention, born in Texas. Although it has influences from Mexico and other Latin American countries, the main influences are American. Contemporary classic Tejano artists such as David Lee Garza and Jay Perez exhibit influence from Rock , Blues , Funk and, Country . It is important to understand that Tejano music has various categories of music and bands. Three major categories are Conjunto, '''Orchestra''' and '''Modern'''. A Conjunto band is comprised of accordion, ''bajo sexto'', bass, and drum. Examples of Conjunto Bands are Esteban "Steve" Jordan , The Hometown Boys and Jaime De Anda Y Los Chamacos . An Orchestra consists of bass, drum, electric guitar, synthesizer, and a brass section on which it relies heavily for its sound. It can also have an accordion in the band at times. An example of an Orchestra is Ruben Ramos and the Texas Revolution. A Modern Tejano band consists of synthesizers, drums, electric guitar, bass and at times an accordion. It relies heavily on the synthesizer for its sound. Modern bands are Selena and her band Selena Y Los Dinos, Shelly Lares, Jay Perez, and Jimmy Gonzalez Y Mazz . Other categories consist of Progressive, Pop and Urban Tejano music. All of these categories are classified as Tejano. With the keyboard, drum and the bajo sexto, a 12 string bass guitar from Spain, Tejanos now had a sound they could begin to call their own. In the 1940s, Valerio Longoria introduced lyrics to conjunto music, further establishing the Tejano claim to this new sound. Tejano music did retain some of its roots in the old European styles. Polkas and Waltzes were still popular, also popular was the German habit of dancing in a circle around the dance floor. It can also be noted that Country Western is also danced in the same manner, but only in Texas. In the 1950s, Isidiro Lopez further revolutionized the Tejano sound by emphasizing less on the traditional Spanish that Valerio used and using the new Tex-Mex instead. This created a newer sound and took us one step closer to the sound we have today. In the 1960s and 70s Little Joe and the Latinairs, later renamed La Familia, The Latin Breed, and others infused the orchestra sound into the Tejano sound, taking their influences from the Pop, R&B and other forms of music. In the late 70s and early 80s, Brownsville natives Joe Lopez, Jimmy Gonzalez y El Grupo Mazz introduced the keyboard sound to Tejano which was influenced by the Disco sound of the era. Some of the major artists and bands of the past couple of decades include Selena Quintanilla Perez , Roberto Pulido, Laura Canales, David Marez, Xelencia, La Fiebre, La Sombra , Culturas, Elsa Garcia, Gary Hobbs, Fama , Pete Astudillo, Ram Herrera, La Diferenzia, Patsy Torres, Michael Salgado , Intocable , Los Palominos, Jennifer Pena , and several regional local bands. In the last few years or so there has been an increasing Mexican influence on Tejano music resulting in a sound more like Norteno. The Accordion, while a historically popular instrument in Tejano music, has gone from a secondary or specialty instrument to a "must have" instrument. Today, groups like Los Chamacos, Sunny Sauceda, Eddie Gonzalez, and La Tropa F emphasize the accordion. At the turn of the 21st Century , the Tejano influence has declined in part due to decreased promotion, the rise in regional Mexican and other Latin music, the breakup or retirement of established performers, and the emergence of few new performers. Most Tejano artists who performed throughout the 1990's during the music's peak and are still performing today have rarely played to the same widestream attention in recent years. Yet despite this, today's Tejano music, while far more pop-oriented than its Depression-era roots, is still a vital regional musical style in several Tejano communities as well as in other parts of the United States. The term ''Tex-Mex'' is also used in American rock and roll for Tejano-influenced Performers such as the Sir Douglas Quintet ; Sam The Sham And The Pharaohs ; The Mars Volta ; Sunny And The Sunliners ; Louie And The Lovers ; The Champs with "Tequila"; the Texas Tornados , featuring Flaco Jiménez , Freddy Fender , Augie Meyers , and Doug Sahm ; Ceceilia with Viva Texas and Los Lonely Boys . Texan accordion music has also influenced Basque Trikitixa players. Contemporary Swedish-American composer Sven-David Sandström has incorporated Tejano music stylings in his Classical Music . REFERENCES SEE ALSO
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