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Spooks




  Director Jules White
  Writer Felix Adler
  Starring Moe Howard <br> Larry Fine <br> Shemp Howard <br> Philip Van Zandt <br> Tom Kennedy <br> Norma Randall <br> Frank Mitchell
  Producer Jules White
  Distributor Columbia Pictures
  Released May 20, 1953 ''(premiere)'' <br> July 15 , 1953 ''(general release)''
  Runtime 16 min
  Language English
  Imdb Id 0046354
  Preceded By '' Tricky Dicks '' (1953)
  Followed By '' Pardon My Backfire '' (1953)


''Spooks!'' is a Three Stooges short released in 1953 . It was the first Three Stooges Short Subject filmed and released in 3-D .


SYNOPSIS


Larry, Moe and Shemp are private detectives that are hired to track down a girl that has been kidnapped. They decide to trace the girl back to where she was last seen, which leads them to a mad scientist (Phil Van Zandt) and his assistant (Tom Kennedy) who are keeping her a prisoner. There is also a gorilla kept imprisoned in the house for experimental purposes. The Stooges arrive to rescue the kidnapped girl disguised as door to door pie salesmen.


PRODUCTION


''Spooks!'' was the first of two shorts made by Columbia with the Stooges in 3-D, after the 3-D craze of 1953 began with '' Bwana Devil ''. It originally premiered on May 20, 1953 with the Columbia western '' Fort Ti '', also in 3-D.

The Stooges' next short in the series, '' Pardon My Backfire '' was their next and final attempt at stereoscopic photography.


TECHNICAL NOTES


Both the Columbia 3-D Edmund O'Brien thriller '' Man In The Dark '' and ''Spooks!'' were originally Sepia Toned in order to allow for more light to pass through the Polaroid filters necessary for the dual-strip 3-D projection method of that time. The process did not work as expected and the idea was dropped after these two productions.

''Spooks!'' is also the first short in the series filmed for flat widescreen. Although some films of this period were composed for the Academy Aspect Ratio and released in widescreen during the confusion, ''Spooks!'' was made on short enough notice that the full film is composed for a ratio of 1.75:1, Columbia's house aspect ratio at the time. Further shorts from then on were composed at 1.85:1.


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