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She choose her artist's name in remembrance of ''The Songs of Madoror'' by Lautréamont . She attended a drama school in Paris . Together with her companion Mário Pinto De Andrade she received a scholarship and studied film with Mark Donskoi in Moscow in 1961-62 where she met Ousmane Sembène . She is best known for her feature film ''Sambizanga'' (1972) on the liberation struggle in Angola . She made a number of important documentaries too.


FILMOGRAPHY

  • Des fusils pour Banta - Guns for Banta, 1970

  • Carnaval en guinée-Bissau - Carnival in Guinea-Bissau, 1971

  • Sambizanga, 1972

  • Un carneval dans le Sahel -Carnival in Sahel, 1977

  • Folgo, Ile de Feu

  • Et les chiens se taisaient - and the dogs kept silent

  • Un homme, une terre - A man, acountry

  • La Basilique de Saint-Denis

  • Un dessert pour Constance

  • Le cimetière du Père Lachaise

  • Miro

  • Lauren

  • Robert Lapoujade, peintre

  • Toto bissainte, Chanteuse

  • René Depestre , poète

  • L'hôpital de Leningrad

  • La littérature tunisienne de la Bibliothèque nationlae

  • Un sénégalias en normandie

  • Robert doisneau, photographe

  • Le racisme au quotidien - Daily life racism, 1983

  • Le passager du tasili - the tassili passenger

  • Aimé Césaire , le masque des mots - Aimé Césaire, word as masks, 1986

  • Emmanuel Ungaro, couturier

  • Louis Aragon - Un masque à Paris

  • Vlady, peintre

  • Léon G. Damas

  • L'enfant-cinéma, 1997

  • La tribu du bois de l'é, in the time of people



DOCUMENTARY ABOUT SARAH MALDOROR

  • ''Sarah Maldoror ou la nostalgie de l’utopie'' by Anne Laure Folly , France /Togo.1998.



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