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Restless (buffy Episode)




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  Series Buffy the Vampire Slayer
  Season 4
  Episode 22
  Airdate 23 May 2000
  Production 4ABB22
  Writer Joss Whedon
  Director Joss Whedon
  Episode List List Of Buffy The Vampire Slayer Episodes
  Prev Primeval


"Restless" is the 22nd and last episode of season 4 of the Television Series '' Buffy The Vampire Slayer '', characterized by bizarre dream settings which illustrate the four main characters' overall themes as well as providing extensive hints about future developments.


PLOT SYNOPSIS


Summary

"Restless" follows the Scooby Gang's victory over the villain Adam by magically joining in " Primeval ". Like many other episodes in the series, its starting point is the unintended side effects of magic: The joining has summoned the essence of the first Slayer, and she is not happy about how Buffy is handling the job.

Buffy , Xander , Willow , and Giles meet at Buffy's to relax with videos, one of them '' Apocalypse Now ''. They fall asleep before they even get through the FBI warning and are confronted by the first Slayer in their dreams. Each of the four Scoobies experience vivid dreams.


Willow's dream

The episode begins with Willow painting a Sapphic love poem in Greek on Tara 's back; she is then faced with the opening performance of '' Death Of A Salesman '', featuring Riley as the cowboy, as part of a drama class she signed up for. Willow realizes with increasing uneasiness that she knows neither her lines nor her role. Buffy then takes Willow to stand in front of a classroom in the same nerdy clothes she wore in " Welcome To The Hellmouth " and " The Harvest ". Xander mocks her as she nervously begins her book review. Willow has the life sucked out of her by the First Slayer in front of the class.


Xander's dream

In the longest dream, Xander wakes on Buffy's couch to find a bizarrely altered version of ''Apocalypse Now'' playing on the television. After excusing himself to use the restroom, he finds himself the object of an attempted seduction by Joyce's . He then meets Buffy, Giles, and Spike in a playground where Giles tells him that Spike is being trained as a Watcher , switches to an ice-cream truck with Anya where Willow and Tara (wearing cheesy make-up suitable to porn-film "lesbians") make a pass at him in the back. Xander comes across Giles, who starts revealing the reason for the dream, but then starts speaking French. A reenactment of the ''Apocalypse Now'' scene with Walter Kurtz turned into a discussion between Xander and Principal Snyder follows. Finally, Xander has his heart torn out by the first Slayer in the guise of his father.


Giles' dream

Giles starts out in a family scene with Buffy and his girlfriend Olivia at a fairground. Quicker than the others to understand that something is wrong, he confronts Spike, who is posing for a photo-shoot in his crypt. In The Bronze , he meets Anya failing as a stand-up comedian and Xander and Willow, who warn him of their attacker. He breaks out into song, giving suggestions on how to deal with what hunts them, but when the sound system breaks down, he crawls backstage. He begins to realise his pursuer is the First Slayer, just in time for her to scalp him.


Buffy's dream

In the final dream sequence, Buffy is woken by Anya in Buffy & Willow's dorm room, only to switch to her own room at home where she talks to Tara. At the old school, Buffy talks to her mother who lives in the walls, then meets Riley at the Initiative. He has been promoted to Surgeon General and is drawing up plans with the human Adam for world domination through coffee makers that think. The three of them are interrupted by a demon attack, and Riley and Adam leave to create a pillow fort for protection. When Buffy finds her weapons bag, the only thing in it is mud, which she smears on her face. Transported to the desert, she finally confronts The First Slayer, who uses Tara's voice. The First Slayer tells Buffy that she cannot have friends and must work alone, which Buffy rejects. The Slayers fight in the desert and then in Buffy's living room next to her dying friends until Buffy realizes that she can stop the fight mentally. The First Slayer vanishes and everybody wakes up when Buffy starts talking about hair care.


Special characters and interactions

During the dream phases, the characters are able to communicate with each other to some extent and warn each other. Tara, usually in the background of the group's activities, here acts as sort of a guide in each dream. "I was borrowed," she tells Buffy. When Xander's dream includes potentially-erotic action (dream-Joyce, then dream-Willow & Tara, making passes at him), the characters' mouths don't move to match the dialogue.

However, the most distinctive and probably nonsensical character of "Restless" is the Cheese Man, appearing in all the dreams and offering slices of cheese together with cryptic advice ("I wear the cheese; the cheese does not wear me") to the dreamers and then disappearing. Whedon states in the episode commentary that since almost everything else in the episode has some sort of symbolic significance, he wanted to add an element that was completely meaningless and nonsensical. The Cheese Man appears again briefly in the season seven episode " Storyteller ".


WRITING AND ACTING

"Restless" is one of the most layered episodes of the whole series, with a wealth of self-references, quotes of things past and hints of future occurrences, as well as literary allusions. While this amount of self-referential content is exactly what has led to it becoming a favorite among ''Buffy'' fans, it also makes "Restless" hard to understand or appreciate for viewers who are not familiar with the characters' themes and the show's nature.

Compared with the other two dreams, Xander's seems somewhat long and Giles's somewhat short. Giles, however, is quick to understand what the group is facing and has to be dispatched quickly: We cannot be sure that his claim "I can defeat you with my intellect" is not in fact true, but he is 'killed' before he has a chance to try. In comparison, Xander's has more hang-ups to deal with relating to his life and family and has little direct interaction with the First Slayer.


ACTING


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PRODUCTION DETAILS


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CONTINUITY


Arc significance

"Restless" continues the main themes each of the characters face during the whole series: Willow's deep-seated social anxiety and her growing relationship with Tara, and her struggle to leave her nerd mindset behind as well as its effect on her relationship(s); Xander's conflict with his immaturity, dysfunctional family and fear of being left behind in life by his friends; Giles's fatherly relationship with Buffy and current lack of direction in life; and Buffy's continued struggle with the loneliness of the Slayer.
This episode is unusual in that it represents the only 'after-season-finale' episode in the series. Seasons typically end with a final confrontation with the 'big bad' of that season; however, in this case that confrontation occurred in the previous episode. The demonic cyborg Adam was defeated via the application of a spell which combined Willow's, Xander's, and Giles' essence with Buffy's, making her far more powerful. In this spell, Willow is described as 'the spirit', Xander as 'the heart', and Giles as 'the mind.' The attack of the First Slayer upon the characters in Restless is represented as a reaction to a violation of the Slayer's essence by the augmentation spell. The attacks on each of the characters mirror the role they played in the augmentations spell: the first Slayer sucked Willow's spirit dry, cut out Xander's heart, and sliced open Giles' head.
This episode also leads directly into the season 5 plot arc through Buffy's dream sequence. Once again she stares at a bed in her house that she has made in previous dreams, often shared with Faith. This bed will become her sister Dawn's in season 5. Dream Tara also says, "You think you know what's to come, what you are... you haven't even begun." This line is repeated almost verbatim by Dracula at the beginning of season 5 and is a portent of things to come. Hints are given about each character's future, though in some cases they are not put into context until well into the next season. Tara takes the role of an oracle here, and through her words and other occasions make references to the future, namely:


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