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A rangefinder camera is a camera fitted with a ; in most newer ones it appears at the center of the viewfinder. HISTORY The first rangefinders, sometimes called "telemeters", appeared in the nineteenth century; the first rangefinder camera to be marketed was the 3A Kodak Autographic Special of 1916; the rangefinder was coupled. Not itself a rangefinder camera, the Leica I of 1925 had popularized the use of accessory rangefinders. The Leica II and Zeiss Contax I, both of 1932, were great successes as 35mm rangefinder cameras. The Contax II (1936) integrated the rangefinder in the center of the viewfinder. Rangefinder cameras were common from the 1930s to the 1970s, but the more advanced models lost ground to Single-lens Reflex (SLR) cameras. Rangefinder cameras have been made in all sizes and all film formats over the years, from 35mm through medium format (rollfilm) and even large format press cameras. Until the mid-1950s, most were generally fitted to more expensive models of cameras. Folding bellows rollfilm cameras were often fitted with rangefinders, such as the Balda Super Baldax or Mess Baldix, the Kodak Retina II, IIa, IIc, IIIc, and IIIC cameras and the Hans Porst Hapo 66e, an economic version of the Balda Mess Baldix. The best-known rangefinder cameras take 35mm Film , employ Focal Plane Shutter s, and have interchangeable lenses. These are Leica screwmount (also known as M39) cameras developed for lens manufacturer Leitz Wetzlar by Oscar Barnack (which gave rise to very many imitations and derivatives), Contax cameras manufactured for Carl Zeiss Optics by camera subsidiary Zeiss-Ikon and, after Germany's defeat in World War II, produced again and then developed as the Ukrainian Kiev ), Nikon S-series cameras from 1951-1962 (with design inspired by the Contax and function by the Leica), and Leica M-series cameras. The Nikon rangefinder cameras were "discovered" in 1950 {Link without Title} by Life Magazine Photographer David Douglas Duncan, who covered the Korean War . Because of the high quality of the optics of the Nikon lenses, the Nikon rangefinder cameras quickly became the American standard for Photojournalists in the 1950s . Canon manufactured several models from the 1930s until the 1960s, all of these from 1946 were more or less compatible with the Leica thread mount. (From late 1951 they were completely compatible; the 7 and 7s had a bayonet mount for the 50 mm f/0.95 lens in addition to the thread mount for other lenses.) Other such cameras include the Casca ( Steinheil , West Germany, 1948), Detrola 400 (USA, 1940–41), Ektra ( Kodak , USA, 1941–8), Foca ( OPL , France, 1947–63), Foton ( Bell & Howell , USA, 1948), Opema II ( Meopta , Czechoslovakia, 1955–60), Perfex (USA, 1938–49), Robot Royal (Robot-Berning, West Germany, 1955–76), and Witness ( Ilford , Britain, 1953). Among the longer lasting marques, all but the Leica M succumbed in the marketplace to pressure from SLRs. The most recent in the M-series are the M7, the first of the series to feature automatic exposure and an electronic shutter; and the all-mechanical MP, an updated M6 with an M3-style rewind knob; and the new M8 , Leica's first digital rangefinder. In the United States the dependable and cheap Argus (especially the ubiquitous C-3 "Brick" ) was far and away the most popular 35mm rangefinder, with millions sold. Interchangeable-lens rangefinder cameras with focal-plane shutters are greatly outnumbered by fixed-lens leaf-shutter rangefinder cameras. The most popular design in the '50s were folding designs like the Kodak Retina and the Zeiss Contessa. In the 1960s many fixed-lens 35mm rangefinder cameras were offered by several manufacturers, mainly Japanese. Among them were Canon , Fujica , Konica , Mamiya , Minolta , Olympus , Ricoh , and Yashica . Other distributors such as Vivitar and Revue often sold rebranded versions of these cameras. These camera were targeted to the amateur market. While designed to be compact like the Leica, they were much less expensive, and built for amateur use. Many of them, such as the Minolta 7sII and the Vivitar 35ES, were fitted with high-speed, extremely high quality optics. Though eventually replaced in the market with newer compact Autofocus Camera s, many of these older rangefinders continue to operate, having outlived most of their newer (and less well-constructed) successors. Starting with a camera made by the small Japanese company Yasuhara in the 1990s, there has been something of a revival of rangefinder cameras. Aside from the Leica M series, rangefinder models from this period include the Konica Hexar RF , Cosina , who makes the Voigtländer Bessa T/R/R2/R3/R4 (the last three are made in both manual or aperture automatic version, which use respectly the "m" or "a" sign in model), and the Hasselblad Xpan/Xpan 2. Zeiss has a new model called the Zeiss Ikon, also made by Cosina , while Nikon has also produced expensive limited editions of its S3 and SP rangefinders to satisfy the demands of collectors and aficionados. Cameras from the former Soviet Union — the Zorki and FED , based on the screwmount Leica, and the Kiev — are plentiful in the used market. Medium-format (rollfilm) rangefinder cameras continue to be produced. Recent models include the Mamiya 6 and 7I/7II, the Bronica RF645 and the Fuji G, GS and GSW series. In 1994, Contax introduced an autofocus rangefinder camera, the Contax G . DIGITAL RANGEFINDER Digital imaging technology was applied to rangefinders for the first time in 2004 , with the introduction of the Epson R-D1 the first ever digital rangefinder camera, which was made as a result of collaboration between Epson and Cosina . The latter has also obtained rights to the name Voigtländer and currently manufactures rangefinder lenses with that name. The R-D1 and its recent successor, the R-D1s , use Leica M-mount lenses or earlier Leica screw mount lenses with an adapter. Leica released its first digital rangefinder, the Leica M8 in 2006 . The three models mentioned above are all the digital rangefinders that have so far been made. All three models take the same rangefinder interchangeable lenses used on their film counterparts. All of them also lack the live-preview on their LCD and are expensive compared to average DSLRs . |
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