| Michel Fokine |
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| CATEGORIES ABOUT MICHEL FOKINE | |
| 1880 births | |
| fokine, michel | |
| 1942 deaths | |
| ballet choreographers | |
| burials at ferncliff cemetery and mausoleum | |
| russian ballet | |
| people from yonkers, new york | |
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He was born in St.Petersburg as son of a prosperous, middle-class merchant, and at the age of 9 he was accepted into the St. Petersburg Imperial Ballet School . In 1898 , on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in '' Paquita '' with the Imperial Russian Ballet (now the Mariinsky Ballet ). In 1902 he became a teacher of the ballet school; among his students was the Yugoslavian-born dancer and artists' model Desha Delteil . Fokine aspired to move beyond stereotypical ballet traditions. Virtuoso ballet techniques to him were not an end in themselves, but a means of expression. He presented his reformist ideas to the management of the Imperial theatre, but did not win their support. Some of his early works include the ballet ''Acis and Galatea'' ( 1905 ) and ''The Dying Swan'' ( 1907 ), which was a solo dance for Anna Pavlova . In 1909 Sergei Diaghilev invited Fokine to become the choreographer of his Ballets Russes in Paris . However, Fokine broke off the collaboration in 1912 , jealous of Diaghilev's close association with Vaslav Nijinsky . He moved to Sweden with his family in 1918 and later established his home in New York City , where he founded a ballet school and continued to appear with his wife, Vera Fokina. He became a United States citizen in 1932. Fokine staged more than 70 ballets in Europe and the United States . His best known works were ''Chopiniana'' (later revised as '' Les Sylphides ''), ''Le Carnaval'' and ''Le Pavillon d'Armide''. Among his works for the Ballets Russes were '' The Firebird '', '' Petrushka '', and '' Le Spectre De La Rose ''. For the Ballets Russes he created a ballet out of Rimsky-Korsakov 's Scheherazade Fokine died in New York on August 22 1942 . His pieces are still performed by the leading ballet troupes of the world. REFERENCE
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