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Johann Baptist Joseph Maximilian Reger ( March 19 1873 – May 11 1916 ) was a German Composer , Organist , Pianist and teacher. LIFE Born in Brand, , where he was music director of the university until 1908 and professor of Composition at the Conservatory until his death. He was also active internationally as a conductor and pianist in that period of time. Among his students there were Joseph Haas and George Szell . -Philharmonic-Organ, 1913.]] WORKS During a composing life of little more than 25 years, Reger produced an enormous output in all genres, nearly always in abstract forms, although few of his compositions are well known today. Many of his works are being a notable exception. He was a firm supporter of Absolute Music and saw himself as being part of the tradition of Ludwig Van Beethoven and Johannes Brahms . His work often combines the classical structures of these composers with the extended harmonies of Franz Liszt and Richard Wagner and the complex Counterpoint of Johann Sebastian Bach . His organ music, though also influenced by Liszt, was provoked by that tradition. Of his orchestral pieces, his symphonic and richly elaborate ''Hiller Variations'' and ''Mozart Variations'' are justly remembered; of his Chamber Music the lighter-textured trios have retained a place in the repertory, along with some of the works for solo string instruments. His late piano and two-piano music places him as a successor to Brahms in the central German tradition. He pursued intensively, and to its limits, Brahms's continuous development and free Modulation , often also invoking, like Brahms, the aid of Bachian counterpoint: Many of his works are in variation and fugue forms; equally characteristic is a great energy and complexity of thematic growth. His works were not revolutionary and could be considered retrospective as they followed classical and baroque forms such as the Fugue and Continuo . The influence of the latter can be heard in his chamber works which are deeply reflective and unconventional. SEE ALSO BIBLIOGRAPHY
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