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Max Headroom (tv Series)




  Caption Max Headroom doing a promotion for Cinemax
  Format Science Fiction
  Creator Annabel Jankel <br /> Rocky Morton
  Starring ''See Cast below''
  Network ABC (USA)
  First Aired March 31 , 1987
  Last Aired May 5 , 1988
  Num Episodes 14
  Imdb Id 0089568
  Tv Com Id 3173


''Max Headroom'' (1987 – 1988) was a short-lived but ground-breaking American Science Fiction Television Series which aired on ABC . The series was developed from a British Television Movie , '' 20 Minutes Into The Future '', that was developed to provide background for the Max Headroom Character , originally developed for '' The Max Talking Headroom Show ''.


TELEVISION SERIES


In 1987, the story told in ''20 Minutes into the Future'', a made-for-television movie, formed the basis of a full-fledged drama television series. The film was re-shot as a pilot program for a new series broadcast by the U.S.-based ABC television network. The pilot featured plot changes and some minor visual touches, but held the same storyline. The only original cast retained for the U.S. version series were Matt Frewer (Max Headroom, Edison Carter) and Amanda Pays (Theora Jones); W. Morgan Sheppard later joined the cast as "Blank Reg"; Jeffrey Tambor co-starred as "Murray,” Edison Carter's neurotic editor.

The U.S. series expanded on the Cyberpunk themes in the British TV movie but otherwise had no other connection to the British music video show. In perhaps a unique arrangement in the history of television, the U.S. spin-off series featuring Max Headroom was a fictional drama, while its main character was originally created for a non-fiction entertainment show in Britain.

The series began as a Mid-season Replacement in spring of 1987, and was sufficiently popular to be renewed for the fall television season, but the viewer ratings could not be sustained and ''Max Headroom'' was cancelled part-way into its first broadcast season; leftover episodes aired in spring 1988. Plans for a cinema version titled, ''Max Headroom for President'', were mentioned in the media, but the film was never produced.

Comico comics published a graphic novel based around the story theme.


CHARACTERS



EPISODE LISTING


Season 1: 1987



Season 2: 1987-1988



Notes

  • Each episode opened with the "20 Minutes Into the Future" legend, indicating when the action occurs. It was the series' Tagline .

  • At least one unproduced script, "Theora's Tale," has surfaced, as have the titles of two other stories ("The Trial" and "Xmas"). Currently, little is known of "The Trial" aside from its title; George R. R. Martin wrote "Xmas,” in pre-production at cancellation time; "Theora's Tale" would have featured the "Video Freedom Alliance" kidnapping Theora, and war in Antarctica , between rival advertisers Zik Zak and Zlin.

  • Although it has been rumored that William Gibson , an aficionado of the program, was to write a screenplay for the show until learning it had been cancelled, former members of the show's production staff who are acquainted with the author have denied this claim.

  • The character of teenage hacker Bryce Lynch is shown in both the British film and America pilot to be born in 1988.

  • Since Bryce appears to be 16 or 17 years old, this places the show in the real-world timeframe of 2004-2005 (or 20 years after the Channel 4 film was made - "20 Years Into the Future").



IMPACT OF SHOW ON SOCIETY

''Max Headroom'' was the first . It's very rare. You should 'ave one.")

Although it was not a comedy series, low-key (and sometimes dark) humor was a noteworthy part of the entire effect. Some was more overt, such as Max's wisecracking lines, while others were less obvious. The president of Network 23's largest corporate sponsor from Asia, the Zik-Zak corporation, is named Ped Xing. It could be a Chinese name, but it is also the common American traffic sign "PED XING," an abbreviation for " Pedestrian Crossing ."

In similar fashion to the twisted, yet bizarrely familiar future world of Terry Gilliam 's '' Brazil '', the juxtapositions of intentional technological anachronisms were a recurring feature in the series. As Theora types in computer commands for real-time control of satellites, a tight shot shows her typing on the keys of a manual typewriter; in a similar way, some videophone calling devices featured large telephone Handset s. Cars appear to be modeled from the 1950s.

In the end, the series all-too-accurately predicted its own demise. With story lines about TV ratings monitored on a second-by-second basis, and the absolute power of the corporate dollar to control what information is delivered to the people through the medium of television, the series was evidently a little too far ahead of its time. After 14 episodes, ABC canceled it. There was some talk about the character returning in a movie entitled ''Max Headroom for President'', but nothing came of it.

As a Fad , Max faded from the public eye in the 1990s. In the late 1990s, U.S. cable TV channels Bravo and the Sci-Fi Channel re-ran the series. Reruns also briefly appeared on TechTV in 2001. Some episodes can now be viewed online for free on In2TV and Joost . While the series has yet to see a formal release on DVD, the original British version of the movie was released to the Japanese DVD rental market on September 2, 2005.http://mopedronin.livejournal.com/303219.html Low-quality rough and unauthorized copies of the original shows ripped to DVD are periodically available through various sources.


PREDICTIONS

  • The ''Max Headroom'' series sparked a trend in Video Editing of showing a sequence of rapidly-changing images — a technique known as " Rapid-fire " — in order to convey excitement or thrill. Rapid-fire imagery became common in the late 1980s and early 90s, seen in music videos and promo spots on MTV and later in mainstream TV commercials.

  • In 1997, life imitated art as predicted by Max Headroom. In the original story, reporter Edison Carter exposed the TV network's efforts to create " Blipvert s," a new high-intensity Subliminal television commercial which had the unfortunate side-effect of overloading the nervous system of certain viewers to such a degree that they exploded. In a bizarre parallel in 1997, Japan 's popular ''Pocket Monsters'' ( Pokémon ) television series included a sequence of flashing imagery which unintentionally triggered Seizure s in hundreds of viewers susceptible to Photosensitive Epilepsy — though without fatalities.

  • In 2004 there were reports that some advertising companies were planning to experiment with commercial messages lasting only 2 or 3 seconds in length. In November 2004, the CBS Network issued a report that fast-forwarding through commercials (essentially creating the "blipvert" effect) actually increases recall of an advertiser's message.

  • A box office slump in the United States starting in 2004 due to the availability of "on demand media" was predicted in the episode " Dream Thieves ,” in which it is revealed that there are no more movie theaters.http://www.signonsandiego.com/uniontrib/20050528/news_1b28movies.html

  • In 2006, Max Headroom's former "employer" Coca-Cola used advertising similar to a "blipvert" to promote its lemon-lime soft drink Sprite . The television commercials, collectively referred to as "sub-lymon-al advertising" (a play on " Subliminal advertising" and the Sprite "lymon" flavor) feature surreal, dream-like situations, frequently interrupted by a barrage of rapid-fire images intended to make the viewer thirsty. At the end of the commercial, the word "Obey" flashes on the screen, and a man in a suit snaps his fingers, as if to wake the viewer from a state of hypnotic suggestion.

  • The series is also credited with accurately predicting the rise of the so-called 500-channel universe, Reality Television , Webcams and Stealth Marketing .

  • ''Max Headroom'' also predicted the proliferation of TV viewing (and video surveillance) into every walk of life. Evidence of this can be seen in some restaurants, bars, and even grocery stores and self-service gasoline stations where news reports, sports events, and cooking shows are broadcast to consumers in the hopes of drawing in more customers and/or improving sales.

  • The episode " The Blanks " demonstrated a use of a "computer bomb,” which "links all the programs through the main one simultaneously, (creating) a massive overload.” Today, this is known as a Denial-of-service Attack .

  • In the series, television networks receive continuous, real-time access to their Ratings and those of rival networks. The price of commercials is also set continuously by a Financial Market . Thus, even a ratings dip of 30 seconds is enough to cause concern to network executives who may immediately pull a lagging program. While these innovations have not been adopted yet, most ratings are now measured by devices connected to selected viewers' television sets which allows more precise measurement of actual viewing habits than the viewer-completed diaries that were previously used.



PREDECESSORS

In the science fiction novel, '' The Moon Is A Harsh Mistress '', by Robert A. Heinlein , the sentient computer "Mike" generates a pseudonymic, on-screen talking head named "Adam Selene,” who in ways prefigures Max Headroom.


INFLUENCES

The style of ''Max Headroom'' — in both the Channel 4 TV movie and the American series — is Cyberpunk , a Hyperreal Dystopic future setting, though this future is decidedly less-distant (only 20 minutes ahead). Other likely influences to the series include Post-modern science fiction works like Gibson's '' Neuromancer '' and films like '' Blade Runner '', '' The Road Warrior '' and '' TRON ''.

"Network 23"'s inspiration is The 23 Enigma , with the specific, real and theoretical televisual reference derived from Genesis P-Orridge 's use of the Number 23 , as the number of the Illuminati , in his groups Psychic TV & Thee Temple Ov Psychic Youth, itself derived from Robert Anton Wilson 's seminal '' The Illuminatus! Trilogy ''. See also '' The Number 23 ''.

The series' promotional material unmistakably resembles Peter Saville 's legendary designs for Factory Records' "Manchester Club" in 1981, the Haçienda, opened by Antony Wilson (Granada TV) and members of New Order , and recently was re-created for the film '' 24 Hour Party People .''

The format of ''The Max Talking Headroom Show'', in which a guest in a studio talks to an image of Max Headroom on a television, was reversed for Space Ghost Coast To Coast , which features Space Ghost in an animated studio, talking to live guests projected on a television screen.


REFERENCES IN POP CULTURE

  • Garry Trudeau 's daily comic strip '' Doonesbury '' featured a character, in the late 1980s, named Ron Headrest , the first computer-generated politician, a cross between Max Headroom and Ronald Reagan .

  • An Adult Video Parody named '' Max Bedroom '' was made in 1987. {Link without Title}

  • Spiral Tribe set up a record label called Network 23 in 1994.

  • Commodore Amiga computers were used to do the overlay effects used when they showed "remote" shots and for other effects, in one of the first uses of home computers for television special effects {Link without Title} .

  • In the film '' Back To The Future Part II '', the future diner's automatic waiters were Max Headroom-like recreations of Ronald Reagan , Ayatollah Khomeini and Michael Jackson .

  • There is an apparent parody of Max Headroom in the 1997 film '' Batman & Robin '' when Barbara encounters her uncle Alfred in the Batcave . He has programmed his brain algorithms into the Batcomputer and created a virtual simulation. He appears and speaks (stutteringly) like Max Headroom.

  • Sum 41 wrote a song called "Second Chance for Max Headroom" on their album '' Half Hour Of Power ''.

  • On Thursday, May 10, 2007, Nickelodeon's made a ''"You're watching ME:TV"'' clip with Ryan Knowles impersonating Max Headroom on the webwall. In the clip, Ryan's hair was combed back like Max's, and he stutters occasionally. Also, the background panned vertically with purple and blue neon stripes. Part of the clip was shown the next day during the review of that week.

  • In Episode 7 of '' Farscape '''s Season 4, "John Quixote," John Crichton enters a virtual reality where he encounters a Max Headroom-like version of himself.



SEE ALSO



REFERENCES






EXTERNAL LINKS