Information AboutLee Perry |
Lee "Scratch" Perry (born '''Rainford Hugh Perry''', on March 20 , 1936 , in Kendal, Jamaica ) is a grammy award-winning reggae and dub artist, who has been highly influential in the development and acceptance of Reggae and Dub music in Jamaica and overseas. He employs numerous pseudonyms, such as "Pipecock Jaxxon" and "The Upsetter". CAREER Perry's musical career began in the late 1950s as a record seller for Clement Coxsone Dodd 's Sound System . As his sometimes turbulent relationship with Dodd developed, he found himself performing a variety of important tasks at Dodd's Studio One hit factory, going on to record nearly 30 songs for the label. Disagreements between the pair due to personality and financial conflicts, a recurring theme throughout Perry's career, led him to leave the studio and seek new musical outlets. He soon found a new home at Joe Gibbs 's Wirl records. Working with Joe Gibbs , Perry continued his recording career, but once again, financial problems caused conflict. Perry broke ranks with Gibbs and formed his own label, Upsetter , in 1968 . His first single "People Funny Boy", which was an insult directed at Gibbs, sold very well. It is notable for its innovative use of a Sample (a crying baby) as well as a fast, chugging beat that would soon become identifiable as "reggae" (the new sound did not really have a name at this time). From 1968 until 1972 he worked with his studio band The Upsetters . During the 1970s, Perry released numerous recordings on a variety of record labels that he controlled, and many of his songs were popular in both Jamaica and the UK . He soon became known for his innovative production techniques as well as his eccentric character. In the early 1970s, Perry was one of the producers whose mixing board experiments resulted in the creation of Dub . In 1973, Perry built a studio in his back yard, The Black Ark , to have more control over his productions and continued to produce notable musicians such as Bob Marley & The Wailers , Junior Byles , The Heptones , and Max Romeo . With his own studio at his disposal, Perry's productions became more lavish, as the energetic producer was able to spend as much time as he wanted on the music he produced. It is important to note that virtually everything Perry recorded in The Black Ark was done using rather basic recording equipment; through sonic sleight-of-hand, Perry made it sound completely unique. Perry remained behind the mixing desk for many years, producing songs and albums that stand out as a high point in reggae history. By 1978, stress and unwanted outside influences began to take their toll: both Perry and The Black Ark quickly fell into a state of disrepair. Eventually, the studio burned to the ground. Perry has constantly insisted that he burned the Black Ark himself in a fit of rage, but it was most likely an accident due to faulty wiring. After the demise of the Black Ark in the early 1980s, Perry spent time in England and the United States , performing live and making erratic records with a variety of collaborators. It was not until the late 1980s, when he began working with British producers Adrian Sherwood and Neil Fraser (who is better known as Mad Professor ), that Perry's career began to get back on solid ground again. Perry also has attributed the recent resurgence of his creative muse to his deciding to quit drinking alcohol and smoking Cannabis . Perry stated in an interview that he wanted to see if "it was the smoke making the music or Lee Perry making the music. I found out it was me and that I don't need to smoke." 1 Perry now lives in and Adam Bhala Lough . DISCOGRAPHY Albums Early career
Black Ark era
Other albums
Compilations
Cameos and other appearances
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