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Le Bourgeois Gentilhomme
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1670 plays
   
bourgeois gentilhomme, le
   
molière plays
   
compositions by jean-baptiste lully
   
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The original production brought together the best actors and musicians of the time. It reflected the current trend for ''les turqueries,'' all things related to the Ottoman Empire . The work stemmed from the scandal caused by the Turkish ambassador Suleyman Aga who, upon visiting the court of Louis XIV in 1669, affirmed the superiority of the Ottoman court over that of the Sun King .

Balanchine choreographed a modern version in 1979 for the New York City Opera , starring Jean-Pierre Bonnefoux , Patricia McBride , Rudolf Nureyev , Darla Hoover , Michael Puleo and students of the School of American Ballet.

Molière played the role of Monsieur Jourdain, clothed in bright colors trimmed with silver lace and muilticolored feathers; Hubert played Madame Jourdain ; Mlle de Brie played Dorimène; Armande Béjart played Lucile; and the composer Lully was the Mufti .


ROLES

  • Monsieur Jourdain, bourgeois.

  • Madame Jourdain, his wife.

  • Lucile, their daughter.

  • Nicole, maid.

  • Cléonte, suitor of Lucile.

  • Covielle, Cléonte's lackey.

  • Dorante, Count, suitor of Dorimène.

  • Dorimène, Marchioness.

  • Music Master.

  • Pupil of the Music Master.

  • Dancing Mistress.

  • Fencing Master.

  • Master of Philosophy.

  • Tailor.

  • Tailor's apprentice.

  • Two lackeys.

  • Many male and female musicians, instrumentalists, dancers, cooks, tailor's apprentices, and others necessary for the interludes.



SYNOPSIS

  • The scene is Monsieur Jourdain's house in Paris.



M. Jourdain is a middle-aged Bourgeois whose father grew rich as a cloth-merchant. The rather foolish Jourdain now has one aim in life - to rise above this middle-class background and be accepted as an aristocratic Gentleman . To this end, he orders splendid new clothes (and is naively delighted when the tailor's boy mockingly addresses him as "my Lord") and applies himself to learning the gentlemanly arts of fencing, dancing, music and philosophy, despite his age; in doing so he continually manages to make a fool of himself, to the disgust of his hired teachers. Most famously, his philosophy lesson degenerates into a basic lesson on language in which he is surprised and delighted to learn that he has been speaking Prose all his life without knowing it.

Mme Jourdain, his sensible wife, sees that he is making himself ridiculous and urges him to return to his previous unpretentious middle-class life, but to no avail. A parasitic, cash-strapped nobleman called , Dorimene, and having his daughter Lucille marry a nobleman. But Lucille is in love with the middle-class Cléonte. Of course, M. Jourdain refuses his permission for Lucille to marry Cléonte.

Then Cléonte, with the assistance of his valet Covielle, disguises himself and presents himself to Jourdain as the son of the Sultan of Turkey. Needless to say, M. Jourdain is taken in and consents with delight to have his daughter marry foreign royalty. He is even more delighted when the "Turkish prince" informs him that, as father of the bride, he too will be officially enobled at a special ceremony. The last scene of the play presents this ridiculous ceremony, full of mock-Turkish mumbo-jumbo.


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