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  Name King Crimson
  Img King_Crimson_1969jpg
  Img Capt King Crimson, 1969 <br>
  Img Size 200 <!-- Only use for images smaller than 220 pixels -->
  Background group_or_band
  Origin England
  Genre Progressive Rock
  Years Active 1969–1974, 1981–1984, 1994–present
  Current Members Robert Fripp <br /> Adrian Belew <br /> Tony Levin <br /> Pat Mastelotto
  Past Members Greg Lake <br> Ian McDonald <br> Michael Giles <br> Boz Burrell <small>(deceased)</small><br /> John Wetton <br> Bill Bruford <br> Gordon Haskell <br> Trey Gunn <br> Andy McCulloch <br> Ian Wallace <small>(deceased)</small><br /> Jamie Muir <br> Peter Sinfield <br> Richard Palmer-James <br> Mel Collins <br> David Cross


King Crimson are a musical group founded by guitarist Robert Fripp , and drummer Michael Giles in 1969 . Their style has typically been categorized as Progressive Rock , although it also has diverse influences from Jazz , Classical , Experimental , Psychedelic , New Wave , Heavy Metal , Gamelan and Folk Music . Although King Crimson has garnered little Radio or Music Video airplay, they have a devoted Following .1 Their debut album, '' In The Court Of The Crimson King '', is widely regarded as a landmark in the history of the progressive rock genre. Their later excursions into even more unconventional territory have been influential on many contemporary musical artists.2

In the late 1960s, the band were very influential in popularising a previously unexplored aspects of their 1980s and 1970s sound, which has continued into the 2000s, during which time several splinter groups of King Crimson known as " ProjeKcts " appeared.

Though its membership has fluctuated considerably throughout its existence, the band continues to Perform and Record music. The only constant member of King Crimson has been Fripp, who has arranged several disparate line-ups of King Crimson, often working in different Genre s. However, he has stated that he does not necessarily consider himself the band's leader, describing King Crimson as "a way of doing things",3 and noting that he never originally intended to be seen as the head of the group.


HISTORY


1960s

In August 1967, Michael Giles , a drummer, and his brother and bassist, Peter, put out an advertisement for a singing organist.4 Robert Fripp , a guitarist who did not sing, responded. The trio of Giles, Giles And Fripp was formed. They recorded one album together, ''The Cheerful Insanity of Giles, Giles and Fripp''. Fripp said of the encounter: "The Giles Brothers were looking for a singing organist. I was a non-singing guitar player. After 30 days of recording and playing with them I asked if I got the job or not — joking like, you know? And Michael Giles rolled a cigarette and said, very slowly, 'Well, let's not be in too much of a hurry to commit ourselves, shall we?' I still don't know if I ever got the job."5

The initial band was changing, however, as their debut record had not been particularly successful, even being eschewed by , was recruited by the others, and replaced Peter Giles on bass, also singing for the band. Thus, the first incarnation of the band was "conceived" on November 30, 1968 and first rehearsed on January 13, 1969. Shortly afterward they purchased a Mellotron and began using it to create an original orchestral rock sound.
The name King Crimson was coined by lyricist Peter Sinfield as a synonym for Beelzebub , prince of demons. According to Fripp, Beelzebub would be an Anglicised form of the Arabic phrase "B'il Sabab", meaning "the man with an aim".8 However, the original name is understood to be from ba'al zebul, "Lord of the High Place". (The name was later popularly corrupted to ba'al zevel, "Lord of the Dungheap", and ba'al zevuv, "Lord of the Flies", because the god's statue was constantly covered in blood.)9

King Crimson made their live debut on April 9, 1969, and made a breakthrough by playing the free concert in Hyde Park , London , staged by The Rolling Stones in July 1969 before 650,000 people. The first King Crimson album, '' In The Court Of The Crimson King '' was released in October on EG Records , described by Fripp as "an instant smash" and " New York's Acid album of 1970", despite the fact that Fripp and Giles claim that the band never used psychedelic drugs. The album received public compliments from Pete Townshend , guitarist with The Who, who called the album "an uncanny masterpiece."10 The sound of the album has been described as setting the "aural antecedent" for Alternative Rock and Grunge , whilst the softer tracks are described as having an "ethereal" and "almost sacred" feel,11 and this album is also credited with starting the entire Progressive Rock movement that was popular in the early 1970s.12

After playing shows in England , the band embarked on a tour of the United States, performing alongside many contemporary popular musicians and musical groups, and "astounding audiences and critics" with their original sound. Personal tensions within the band eventually reached a limit, however, and the original line-up played their last show together on December 16, 1969. Ian McDonald and Michael Giles left King Crimson to pursue solo work, recording the McDonald And Giles studio album in 1970. McDonald went on to be a founding member of Foreigner in 1976 .13


1970s

King Crimson's line-up fluctuated greatly during the years immediately following the breakup of the original band. The remaining trio of Fripp, Sinfield, and Lake, persevered for a short while, releasing the single ''Cat Food/Groon'' in early 1970. During this time, material was being developed for King Crimson's second album, '' In The Wake Of Poseidon '', often seen as being very similar to the band's debut album. Woodwind player Mel Collins took part in the recording sessions, singer Gordon Haskell took vocals on one song, and bassist Peter Giles of Giles, Giles & Fripp appeared on several tracks.14 Elton John was considered as a singer for the album.15 Lake departed in early 1970 to form Emerson, Lake & Palmer , leaving King Crimson without a vocalist until Gordon Haskell joined the group. Haskell took over singing, in addition to playing bass for the band's third album, '' Lizard '', which had heavy jazz and classical influences and is described as being an "acquired taste". Andy McCulloch played drums for the album, with Jon Anderson of Yes performing vocals on one song. Haskell and McCulloch left King Crimson before ''Lizard'' was released, however.

Drummer Ian Wallace and vocalist Boz Burrell were selected for the new band, among others who were unsuccessful, including Brian Ferry and Rick Kemp . Fripp decided to teach Burrell, who was only a singer and did not play an instrument, to play bass. King Crimson undertook their first tour since 1969 in early 1971 with the new line-up, and that year the band released a new album, '' Islands '', which is noted for its heavy Mellotron sound. At the end of that year, King Crimson parted ways with long-time member and lyricist Peter Sinfield, who then reunited with Greg Lake in becoming the primary lyricist for Emerson, Lake & Palmer.16 The remaining members undertook a tour of the United States the following year, with the intention of disbanding afterwards. Recordings from this tour were later released as the '' Earthbound '' live album, noted and criticised for its bootleg-level sound quality and a sound close in style to Funk , with Scat Singing on the improvised pieces.1718 Shortly after the ''Earthbound'' tour, Collins, Wallace and Burrell left King Crimson to form a band called Snape, with British blues guitarist Alexis Korner . Burrell would later become the bassist of Bad Company .

Once again, Fripp began the task of looking for new members. These included Improvising Percussionist Jamie Muir ; vocalist and bassist John Wetton , formerly of the band Family and a college acquaintance of Fripp;19 violin, viola and keyboard player David Cross ; and drummer Bill Bruford , who had chosen to leave the commercially successful Yes for the comparatively unstable and unpredictable King Crimson.20 With Sinfield gone, the band recruited a new lyricist, Wetton's friend Richard Palmer-James .

Rehearsals and touring began in late 1972 and the album '' Larks' Tongues In Aspic '' was released early the next year.21 The album was noted for its revolutionary sound (exemplified by such pieces as The Title Track In Its Two Parts ), which was a significant change from what King Crimson had done before, and had influences from the Heavy Metal sound that was in its infancy.22 Muir left the group in early 1973 following an on-stage injury and joined a Buddhist monastery in Scotland.23 During the lengthy tour that followed, the remaining members began assembling material for their next album, '' Starless And Bible Black '', released in January 1974,24 earning them a positive '' Rolling Stone '' review.25 Most of the album was recorded from live performances, although in many respects it was treated as just another studio album with the live factor dismissed.

During the band's 1974 tour of Europe and America, David Cross left the group after a performance in on cornet; former King Crimson member Mel Collins on soprano saxophone; David Cross on the live track "Providence"; and Ian McDonald, from the original incarnation of the band, guested on Alto Saxophone .26 ''Red'' has been described as "an impressive achievement" for a group about to disband,27 with "intensely dynamic" musical chemistry between the band members that resulted in a record "aggressive and loud enough to strip the wallpaper off your living room wall".2829 McDonald had plans to rejoin as a full-time member of King Crimson while Fripp, increasingly disillusioned with the music business, was turning his attention to the writings of the mystic George Gurdjieff , and did not want to tour as he felt that the " World Was Coming To An End ". The ''Red'' line-up never toured, and two months before the album's release Fripp announced that King Crimson had "ceased to exist" and was "completely over for ever and ever",30 and the group disbanded on September 25, 1974. However, a posthumous live album documenting this version of King Crimson's final tour of the United States was released in 1975 to critical acclaim; '' USA '' reviewers calling it "a must" for fans of the band and "insanity you're better off having".3132 However, technical issues with some of the original tapes rendered some of David Cross' violin parts inaudible when mixed in 1974, so Eddie Jobson was brought in to provide studio overdubs of violin and keyboards. Further edits were also necessary to allow for the time limitations of a single vinyl album.33


1980s

Early in 1981, Fripp considered forming a new group, with no intention of reforming King Crimson; however, a step that led to this was contacting Bill Bruford to ask if he wanted to join the new band. Bruford agreed and the pair recruited Tony Levin , who had been a session musician for John Lennon and Yoko Ono ,34 Peter Gabriel , and others.35 Besides being a bass player, Levin brought a new sound with the use of the Chapman Stick , described as an "utterly original style" created by "one of New York City's most sought-after studio musicians".36 Fripp also contacted guitarist Adrian Belew , who was on tour with Talking Heads and had previously worked with David Bowie and Frank Zappa .37 Fripp had never been in a band with another guitarist before so the decision to seek a second guitarist was indicative of Fripp's desire to create a sound unlike previous incarnations of King Crimson. Belew, who also became the band's singer and lyricist, joined following his tour with Talking Heads. The four played live in the first half of 1981 using the name Discipline,38 supported by The Lounge Lizards .39

By October 1981, the band had begun using the name King Crimson. The group released a trilogy of albums: '' Discipline '' in 1981, '' Beat '' in 1982, and '' Three Of A Perfect Pair '' in 1984. ''Beat'' marked the first King Crimson album to have been recorded with the exact same band members as the album preceding it,40 was the first King Crimson album not to have been produced by a member of the group, and was named for the Beat Generation and its writings.41 This theme was reflected in the music with song titles such as " Neal and Jack and Me" and " The Howler ", with Belew even being asked by Fripp to read Keroauc's novel '' On The Road ''.

This version of King Crimson bore some resemblance to New Wave Music ,42 which can be attributed in part to the work of both Belew and Fripp with Talking Heads and David Bowie, Levin's work with Peter Gabriel, and Fripp's solo album '' Exposure '' and side project League Of Gentlemen . With this new band, described as having a "jaw-dropping technique" of "knottily rhythmic, harmonically demanding workouts", Fripp intended to create the sound of a "rock Gamelan ", with an interlocking rhythmic quality to the paired guitars that he found similar to Indonesia n gamelan ensembles. After ''Three of a Perfect Pair'', King Crimson disbanded for around a decade, during which time Fripp formed the record label Discipline Global Mobile for King Crimson and related projects,43 besides starting the Guitar Craft music school in 1985.


1990s and 2000s

King Crimson reformed as a sextet in 1994, after numerous possible line-ups were considered, consisting of the 1980s band, but with Chapman stick player Trey Gunn and drummer Pat Mastelotto added.44 This "double trio" formation released the EP '' VROOOM '' in 1994, followed by the studio album '' THRAK '' in 1995, and the challenging Avantgarde live album '' THRaKaTTaK '' in 1996.45 The new King Crimson sound featured elements of the interlocking guitars on ''Discipline'' and the heavy rock feel of ''Red''. The album ''THRAK'' was described as having "jazz-scented rock structures, characterised by noisy, angular, exquisite guitar interplay" and an "athletic, ever-inventive rhythm section",46 whilst being in tune with the sound of alternative rock musicians in the mid-1990s.47 However, the grandiose project of having a King Crimson with six band members did not last for long.

In the late 1990s, Discipline Global Mobile began to feature not only the works of King Crimson, but also of side projects. ProjeKcts One , Two , Three , and Four , each a splinter group (a " FraKctalisation ", according to Fripp) of King Crimson. They released various recordings, demonstrating the Improvisational musical highwire act that the constituent musicians are able to produce. These recordings, similar to the ''THRaKaTTaK'' album, have been described as "frequently astonishing" but lacking in Melody , and are thus difficult for the casual listener. The DGM record company also founded the King Crimson Collector's Club in 1998, a service that regularly releases live recordings from concerts throughout the band's career, which are now available for download online.48

By the time the ProjeKcts were complete, Bruford and Levin had ceased to be involved with King Crimson, leaving to work with Earthworks and Peter Gabriel / Seal respectively. Belew, Fripp, Gunn, and Mastelotto remained, releasing the studio album '' The ConstruKction Of Light '' ( 2000 ), accompanied by the album '' Heaven And Earth '' released under the name ProjeKct X in the same year.49 ''The ConstruKction of Light'' was criticised for lacking new ideas,50 while ''Heaven and Earth'' was also criticised. The band toured around this time, and played shows opening for the band Tool in 2001,51 during which their lead singer Maynard James Keenan humourously commented: "For me, being on stage with King
Crimson is like Lenny Kravitz playing with Led Zeppelin , or
Britney Spears onstage with Debbie Gibson ."

The band continued their activity throughout the decade. In 2002 the EP '' Happy With What You Have To Be Happy With '' was released, 52 and in 2003 the studio album '' The Power To Believe '' came out with the band touring in support of it.53 In late November 2003, Trey Gunn announced his departure from the band. Levin would become the active bassist of King Crimson again, with the subsequent line-up consisting of Fripp, Belew, Mastelotto and Levin.54 The new ProjeKct Six , consisting only of Fripp and Belew, toured in 2006 playing shows in the United States and Japan .55 However, one of these shows was postponed due to the sudden death of Adrian Belew's longtime friend and engineer, Ken Latchney.56 ProjeKct Six was eventually launched as a live performing unit, touring the U.S. in the fall of 2006, opening for Porcupine Tree .

The 2000s also saw the reunion of former King Crimson members from the band's first four albums, the 21st Century Schizoid Band , who toured playing material from the band's early period.57 Of note, former member Boz Burrell died on September 21, 2006 following a Heart Attack ,58 and five months later, former member Ian Wallace died of Esophageal Cancer on February 22, 2007.59

King Crimson has set a definite date for rehealsals in 2008, though the date itself has not been released. 60


MUSIC

Fripp has described King Crimson as "a way of doing things", among other quotes he has used to describe the project throughout the decades with many changes in membership, configuration, and instrumentation.


Influences

The music of King Crimson was initially grounded to some extent in the rock of the 1960s, especially the Acid Rock and Psychedelic Rock movements, as the band played Donovan's "Get Thy Bearings", and were known to play The Beatles' " Lucy In The Sky With Diamonds " in their rehearsals. However, unlike the rock bands that had come before them, King Crimson largely stripped away the Blues -based foundations of rock music and replaced these with influences from Classical composers. The first incarnation of King Crimson played the ''Mars'' section of Gustav Holst's suite '' The Planets '' as a regular part of their live set, and the influence of Béla Bartók has also been noted by Fripp.61 As a result of this influence, '' In The Court Of The Crimson King '' is frequently viewed as the nominal starting point of the Symphonic Rock or Progressive Rock movements. However, King Crimson also initially displayed heavy Jazz influences, most obvious on the well-known track " 21st Century Schizoid Man ". King Crimson's music from 1981 onwards also shows an influence of Gamelan music, as well as late 20th century classical composers such as Philip Glass ,62 Steve Reich ,63 and Terry Riley .64



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