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FORM Inventions are similar in style to a Fugue , though they are much simpler. They consist of a short Exposition , a longer Development , and a short Recapitulation (if there is one at all). The key difference is that inventions do not contain an answer to the subject in the dominant key, where the fugue does. Exposition In the exposition, a short Motif is introduced by one voice in the Tonic Key . This is called the '''theme'''. The subject is then repeated in the second voice in the Tonic Key while the initial voice either plays a Countersubject or plays in Free Counterpoint . Development The development comprises the bulk of the piece. Here the composer usually writes in free counterpoint and develops the subject by writing Variations either Melodically or Harmonically . Some melodic variations consist of:
The development of an invention differs from that of a fugue in that a fugal development contains episodes (variations based more strictly on the theme) whereas the invention is more free-form. Recapitulation If an invention does have any recapitulation at all, it tends to be extremely short - sometimes only two or four measures. The composer repeats the theme in the upper voice and the piece ends. The repetition of the theme contains very little variation (or no variation at all) on the original theme. The lower line usually plays the countersubject, and if there is no countersubject, plays in free counterpoint. HISTORY The invention is primarily a work of Johann Sebastian Bach . Inventions originated from contrapuntal Improvisation s in Italy, especially from the form of the composer Francesco Antonio Bonporti . Bach adapted and modified the form to what is considered to be a formal invention. Bach wrote 15 inventions (BWV 772-786) as exercises for his son, Wilhelm Friedemann Bach . These are the most well-known of all inventions. Bach later wrote a set of 15 three-part inventions or Sinfonia s (BWV 787-801). EXTERNAL LINKS
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