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Information About

David Foster Wallace




  Birth Place Ithaca, New York
  Occupation Novel ist, Short Story writer, Essay ist
  Period 1987 - present
  Genre Literary Fiction
  Movement <br> Postmodern Literature
  Debut Works '' The Broom Of The System '' (1987)
  Influences John Barth , Don DeLillo , William Gaddis , Thomas Pynchon


David Foster Wallace (born February 21 1962 ) is an American Novelist , Essay ist, and Short Story Writer .


BIOGRAPHY

Wallace was born in Ithaca, New York to James Donald Wallace and Sally Foster Wallace. James Wallace had recently finished his Ph.D. at Cornell University ; the family soon relocated to central Illinois , where James found work as a Philosophy instructor at the University Of Illinois At Urbana-Champaign in 1962.

James won a professorial appointment within a year and became tenured in 1968. Sally attended graduate school in English Composition at the University of Illinois and eventually became a professor of English at Parkland College , a community college in Champaign, where she won a national Professor of the Year award in 1996. David's younger sister, Amy, has practiced law in Arizona since 2005.

As an adolescent, Wallace was a regionally ranked junior tennis player. He attended his father's , which he earned in 1987. His first novel, '' The Broom Of The System '', was published concurrently, and garnered significant national attention and critical praise. Wallace moved to Boston, Massachusetts , to pursue graduate studies in philosophy at Harvard but later abandoned them.

In 1992, at the behest of colleague and supporter Steven Moore, Wallace applied for and won a position in the English Department at Illinois State University . He had begun work on his second novel, '' Infinite Jest '', in 1991, and submitted a draft to his editor in December 1993. After the publication of excerpts throughout 1995, the book was published in 1996.

Wallace received the MacArthur Foundation "Genius Grant" in 1997. He moved to Claremont, California in 2002, to become the first Roy E. Disney Endowed Professor of Creative Writing and Professor of English at Pomona College . He teaches one or two undergraduate courses per semester, and focuses on his writing.


SIGNATURE THEMES AND STYLE


Wallace's fiction is often concerned with what he considers the prevalent contemporary mode of '' in 1993, pointed out the often corrosively ironic effect of television's influence on fiction writing, and urged literary authors to avoid irony's many pitfalls. Wallace himself does use many different forms of irony in his work but he also focuses on individuals' continued longing for earnest unselfconscious experience and communication in a deeply self-conscious, cynical, media-saturated society..

Wallace's novels are sprawling and ambitious; they often meld writing in various modes or voices, and incorporate jargon and vocabulary (sometimes invented) from a wide variety of fields. He is well-known for his use of obscure words and his self-proclaimed love affair with the '' Oxford English Dictionary ''. Wallace's unique prose style uses many odd stylistic devices, from self generated abbreviations and acronyms to long dense sentences of many clauses. His most notable rhetorical move is the liberal use of lengthy explanatory footnotes and endnotes, often nearly as expansive as the text proper; Wallace used endnotes extensively in ''Infinite Jest'', as well as footnotes in "Octet", and the great majority of his nonfiction after 1996. On the ''Charlie Rose Show ''in 1997, Wallace claimed that the notes were used to help dis-lineate the flow of the narrative to reflect his perception of reality without jumbling the entire structure. He suggested that he could have alternatively jumbled up the sentences, "but then no one would read it." http://video.google.com/videoplay?docid=7171768127610835594&q=david+foster+wallace

His shorter fiction is frequently more aggressively experimental, and has sometimes taken the problem of the authenticity of the authorial voice and the reflexivity of the project of writing to incredible lengths. This can be seen in the story "Octet" in his short story collection '' Brief Interviews With Hideous Men '', which carries the problem of the author/reader relationship to what might be called either parodic lengths or the limits of sanity, depending on the mood of the reader.

In 1997 Wallace was awarded the Aga Khan Prize For Fiction by editors of '' The Paris Review ''for one of the stories in ''Brief Interviews'' — "Brief Interviews with Hideous Men #6" — which had appeared in the magazine.

Wallace remains a prominent writer in the U.S. for '' Rolling Stone ''; state fairs and cruise ships for ''Harper's Magazine''; the U.S. Open tennis tournament for ''Tennis'' magazine; the director David Lynch and the Pornography industry for '' Premiere '' magazine; the special-effects film industry for ''Waterstone's'' magazine; conservative talk radio host John Ziegler for '' The Atlantic Monthly ''; and a lobster festival for '' Gourmet '' magazine. He has also reviewed books in several genres for the '' Los Angeles Times '', '' The Washington Post '', '' The New York Times '', and '' The Philadelphia Inquirer ''.

Of his most recent work of fiction, the story collection '''' (2004), Wyatt Mason , writing in the '' London Review Of Books '', commented:

The typical mode of narration is digressive; the digressions, in keeping with Wallace's reputation as a humorist of the first rank, are not infrequently very funny. The stories also tend to feature an abundance of neologisms, arcane vocabulary and foreign terms. The settings for the stories include, as well as intimate domesticity, the more public spheres of advertising and publishing, with their own argots, often whipping up blizzards of acronyms. Perhaps more than anything, the defining quality of these fictions is the degree to which they leave the reader unsure about very basic narrative issues: who is telling this story? Where are we? What exactly is happening? In this regard, the title novella of the collection is both representative of what Wallace has been up to, and a test case for the extent to which he has succeeded, according to the demanding terms he has set for himself and for his readers. {Link without Title}



BIBLIOGRAPHY


Novels


Short story collections


Nonfiction


On Wallace

  • Boswell, Marshall. ''Understanding David Foster Wallace''. Columbia: University of South Carolina Press, 2003. ISBN 1-57003-517-2

  • Burn, Stephen. "Generational Succession and a Source for the Title of David Foster Wallace's ''The Broom of the System''." ''Notes on Contemporary Literature'' 33.2 (2003), 9-11.

  • Burn, Stephen. ''David Foster Wallace's'' Infinite Jest'': A Reader's Guide''. New York, London: Continuum, 2003 (= Continuum Contemporaries) ISBN 0-8264-1477-X

  • Cioffi, Frank Louis. "An Anguish Becomes Thing: Narrative as Performance in David Foster Wallace's ''Infinite Jest''." ''Narrative'' 8.2 (2000), 161-181.

  • Delfino, Andrew Steven. "Becoming the New Man in Post-Postmodernist Fiction: Portrayals of Masculinities in David Foster Wallace's ''Infinite Jest'' and Chuck Palahniuk 's '' Fight Club ''." MA Thesis, Georgia State University. {Link without Title}

  • Goerlandt, Iannis and Luc Herman. "David Foster Wallace." ''Post-war Literatures in English: A Lexicon of Contemporary Authors'' 56 (2004), 1-16; A1-2, B1-2.

  • Goerlandt, Iannis. "'Put the book down and slowly walk away': Irony and David Foster Wallace's ''Infinite Jest''." ''Critique: Studies in Contemporary Fiction'' 47.3 (2006), 309-328.

  • Goerlandt, Iannis. "'Still steaming as its many arms extended': Pain in David Foster Wallace's ''Incarnations of Burned Children''." ''Sprachkunst'' 37.2 (2006), 297-308.

  • Harris, Michael. "A Sometimes Funny Book Supposedly about Infinity: A Review of ''Everything and More''." ''Notices of the AMS'' 51.6 (2004), 632-638. ( full pdf-text )

  • Holland, Mary K. "'The Art's Heart's Purpose': Braving the Narcissistic Loop of David Foster Wallace's ''Infinite Jest''." ''Critique: Studies in Contemporary Fiction'' 47.3 (2006), 218-242.

  • Jacobs, Timothy. "The Brothers Incandenza: Translating Ideology in Fyodor Dostoevsky’s ''The Brothers Karamazov'' and David Foster Wallace’s ''Infinite Jest''." ''Texas Studies in Literature and Language'' 49.3 (2007): 265-292.

  • Jacobs, Timothy. "American Touchstone: The Idea of Order in Gerard Manley Hopkins and David Foster Wallace." ''Comparative Literature Studies'' 38.3 (2001): 215-231.

  • Jacobs, Timothy. "David Foster Wallace’s ''The Broom of the System''." Ed. Alan Hedblad. ''Beacham’s Encyclopedia of Popular Fiction''. Detroit: Gale Research Press, 2001. 41-50.

  • Jacobs, Timothy. "David Foster Wallace's ''Infinite Jest''." ''The Explicator'' 58.3 (2000): 172-175.

  • LeClair, Tom. "The Prodigious Fiction of Richard Powers , William Vollmann , and David Foster Wallace." ''Critique: Studies in Contemporary Fiction'' 38.1 (1996), 12-37.

  • Mason, Wyatt. "Don't like it? You don't have to play." '' London Review Of Books '' 26.22 (2004). http://www.lrb.co.uk/v26/n22/maso02_.html

  • Nichols, Catherine. "Dialogizing Postmodern Carnival: David Foster Wallace's ''Infinite Jest''." ''Critique: Studies in Contemporary Fiction'' 43.1 (2001), 3-16.

  • Rother, James. "Reading and Riding the Post-Scientific Wave. The Shorter Fiction of David Foster Wallace." ''Review of Contemporary Fiction'' 13.2 (1993), 216-234. ISBN 1-56478-123-2

  • Tysdal, Dan. "Inarticulation and the Figure of Enjoyment: Raymond Carver's Minimalism Meets David Foster Wallace's 'A Radically Condensed History of Postindustrial Life.'" ''Wascana Review of Contemporary Poetry and Short Fiction'' 38.1 (2003), 66-83.


Interviews

  • Larry McCaffery, "An Interview with David Foster Wallace." ''Review of Contemporary Fiction'' 13.2 (Summer 1993), 127-150. ISBN 1-56478-123-2 ( text at the Center for Book Culture )

  • Laura Miller, "The Salon Interview: David Foster Wallace." ''Salon'' 9 (1996). {Link without Title}

  • "The Usage Wars." Radio interview with David Foster Wallace and Bryan Garner. ''The Connection'' ( 30 March 2001 ).

  • Michael Goldfarb, "David Foster Wallace." radio interview for ''The Connection'' ( 25 June 2004 ). ( full audio interview )

  • Charlie Rose, "David Foster Wallace." Television interview courtesy of Google video. See minute 26 March 1997 {Link without Title}

  • Zachary Chouteau, "Infinite Zest: Words with the Singular David Foster Wallace." Complete interview done for Bookselling This Week, a publication of the American Bookseller's Association. {Link without Title}

  • Dave Eggers, "David Foster Wallace." '' The Believer ''. November 2003. {Link without Title}



OTHER

  • In 2006, Wallace participated in '' The Top Ten '', by J. Peder Zane, a book compiling lists the "top ten novels" from over one hundred "top" contemporary novelists. Wallace's entry included works by Stephen King , Tom Clancy , and Thomas Harris . This has raised a good deal of speculation as to whether he was serious.2 (Includes Wallace's complete list.)



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  NAME Wallace, David Foster
  SHORT DESCRIPTION Fiction writer, essayist
  DATE OF BIRTH February 21 1962
  PLACE OF BIRTH Ithaca, New York