| Chinese Scholar's Rocks |
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The most highly regarded stones are Lingbis, with the finest examples dating from the Ming Dynasty and Song Dynasty . Taihu rocks are also prized, and are commonly used as garden stones. They influenced the development of Korean Stone Art , Japanese Suiseki and Confucian idealism; and were an important part of Confucian Art . STONE APPRECIATION Stone and rock formations, natural, no artificial carvings at all. All the colors of the rainbow are possible, colors should contrast each other. They can be colorful or very usually in stone color. Some times patterns form natural paintings of wonder. These natural marks can look like anything in world. From nature to the abstract. The size of a stone can be big and weigh hundreds of pounds or it can be less than a pound. The stone should have subtle color, subtle shape, subtle markings and patterns. It can look like landscape, like an animal, a person, etc. Beauty is in the eye of the beholder. It should look beautiful in texture, color, and shape. The stone should also be unique for its characteristics. The stone should not feel too dry. A stone might remind people of something. Or the stone might convey some spirit, which makes people feel or moves them in some way. The stone should be set stable on something nice like a Rosewood pedestal which has been carved specifically for the stone. Aesthetic criteria By the Tang Dynasty , a set of four principal aesthetic qualities for the rocks had emerged consisting of: thinness (shou), openness (tou), perforations (lou), and wrinkling (zhou). The Metropolitan Museum of Art SEE ALSO REFERENCES EXTERNAL LINKS
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