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The Celtic Revival was an international movement. Irish American designer, for example, Thomas Augustus "Gus" O’Shaughnessy made a conscious choice to connect his art with Irish design roots. Louis Sullivan the Chicago architect ("form follows function") incorporated dense Celtic-inspired interlace in the ornament of his buildings. Sullivan's father was a traditional Irish musician and they both were step-dancers, showing how his creativity was not just rooted in his official education. Trained in stained glass and working in an Art Nouveau style, O’Shaughnessy designed a series of windows and interior stencils for Old Saint Patrick’s Church in Chicago, a project begun in 1912.

The term ''Celtic Revival'' is also sometimes used to refer to the Cornish cultural Celtic revival of the early twentieth century. This was characterised by an increased interest in the Cornish Language started by Henry Jenner and Robert Morton Nance in 1904. The Federation Of Old Cornwall Societies was formed in 1924 to "maintain the Celtic spirit of Cornwall", followed by the Gorseth Kernow in 1928 and the formation of the Cornish political party Mebyon Kernow in 1951.


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