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British Humor




British humour is a somewhat general term applied to certain comedic Motif s that are often prevalent in comedic acts originating in Great Britain and its current or former colonies. Comedy acts and television programs typical of British humour include Monty Python , Benny Hill , and Keeping Up Appearances to name a few that have become quite popular outside of the British Isles . At times, however, such humour can seem puzzling to non-British speakers of English (references to English slang terms or people, who are unknown internationally for example) while certain Commonwealth Nations (such as Australia , Canada and South Africa ) tend to find it more familiar.
Many UK Comedy TV Shows typical of British humour have been internationally popular, and have been a strong avenue for the export and representation of British Culture to an international audience.


HISTORICAL ROOTS


Some deep roots for British humour are:

  • the historical reaction to the intolerance of Puritan ism (thus the acceptance of saucy and smutty humour), although ribald humour existed much earlier. An example is the Miller's Tale in Chaucer's '' The Canterbury Tales '' (1380s-1390s).

  • the tradition of absurd and Nonsense Poetry made immensely popular by Edward Lear and Lewis Carroll (thus the development of an eccentric form of 'home-brewed surrealism' that leads us to The Goons , Monty Python , Ivor Cutler , John Lennon , etc.)

  • the traditional Christmas Pantomime , with its mix of social role reversals

  • the richness of the English Language giving great scope for Word Play

  • British culture (with all its regional variations)

  • The broad Farce s so popular in British humour during much of the 20th century, owed a great deal to the influence of the French Comic Theatre , and are typified by the series of Whitehall farces starring Brian Rix and gave birth to not only such obvious offspring as Benny Hill and the "Carry On" films, but have also had an influence on everything from "Monty Python" to "Porridge", "Open All Hours", "The Young Ones", etc.


The changes in British culture are naturally mirrored by changes in humour.


GENERAL FEATURES

Some general features characteristic of British humour are:

What stands out from this list is the importance of Verbal humour as a key element. This is not to say that British humour has no place for visuals; but to take a classic example, Benny Hill , whose work was quite visual indeed, was extremely popular in his day, but has long since failed to arouse much interest with British audiences. In the U.S. and France , however, he is still widely regarded as a comic genius.

Compare this with typical "classics" of UK humour, such as the " Parrot Sketch " from Monty Python , which are usually notable for the fact that fans can repeat them ''verbatim''.


THEMES

1954]]
Some themes (with examples) that underpinned late twentieth-century British Humour were:


Smut and innuendo

Smut and Innuendo with sexual and scatological themes, typified by:


Disrespect to members of the establishment

Disrespect to members of the establishment and authority, typified by:


The absurd

'' ( 2004 - 2007 ), a Sitcom set in a Hospital , but featuring nothing medical. Used experimental filming, surreal jokes and strong female leads.]]
The absurd and the surreal, typified by:


The manic



The humour inherent in everyday life

'' ( 2001 - 2003 ) is mainly based on mundane office life. This is one of the most successful British comedies, being exported to several countries.]]
The humour, not necessarily apparent to the participants, inherent in everyday life (ish), as seen in:


The 'war' between parents/teachers and children

The 'war' between parents/teachers and their children, typified by:



The British class system

1968 to 1977]]
The British class system, especially pompous or dim-witted members of the upper/middle classes or embarrassingly blatant social climbers, typified by:


The lovable rogue

'' ( 1983 - 1989 ), a sitcom set in several periods of British history. The title character is an Antihero , being rude and mean to almost everyone, particularly his servant Baldrick .]]
The lovable rogue, often from the impoverished working class, trying to 'beat the system' and better himself, typified by:


The embarrassment of social ineptitude

The embarrassment of social ineptitude, typified by:


Making fun of foreigners

( 2006 ), a film featuring a fictional news report from Kazakhstan , played by a British comedian, making fun of prejudiced Americans .]]
Making fun of foreigners, sometimes bordering on racism and especially common in television sitcoms and films of the 1970s , typified by:


Bullying and harsh sarcasm

Harsh sarcasm and bullying, though with the bully usually coming off worse than the victim - typified by:

, regarded as seminal to the rise of satire in 1960s]]
Making fun of British Stereotype s, typified by:


Tolerance of, and affection for, the eccentric


Tolerance of, and affection for, the eccentric, especially when allied to inventiveness


SEE ALSO




REFERENCES

  • Sutton, David. ''A chorus of raspberries: British film comedy 1929-1939''. Exeter: University of Exeter Press, (2000) ISBN 0-85989-603-X



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