' (''Balletmaster'', ''Ballet Mistress''. ''Premier Maître de ballet'' or ''Premier Maître de ballet en Chef'') is the term used for an employee of a Ballet Company who is responsible for the level of competence of the dancers in their company. In modern times, Ballet masters (or Ballet mistress for a female) are generally charged with teaching the daily company ballet class and rehearsing the Dancers for both new and established Ballets in the Repertoire .
Especially during the early centuries of ballet troupes and ballet companies from the 18th century until the early 20th century, the position of ''First'' Ballet master, referred to traditionally as the ''Première Maître de ballet en Chef'' or more simply as the ''Maître de ballet'', was the undisputed head of the company who acted as chief choreographer and '' Artistic Director ''. His duties included creating ballets, dances in operas, commissioning music, and purverying over the teaching of the dancers and style desired. It was this head ballet master who had the responsibility of the artistic directorship of a particular group of dancers or of a theatre.
After the early 20th century, primarily after the disbandment of the original Ballet Russe , the title has been used more to describe the master teachers/assistant directors of a ballet company, (previously known as ''Second'' Ballet master), with the head of a company being referred to as the ''Artistic Director''.
- (1742-1806) Ballet master in France, he is known today as the Father of the Comedic ballet
- (1805-1879) Ballet master of the Royal Danish Ballet from 1828 to 1879 and the most prolific choreographer Denmark as ever known.
- (1779-1854) Ballet master of the Ballet Du Théâtre De L'Académie Royale De Musique who was born Jean Coralli Perecini in Paris of Bolognese parents.
- (1777-1871) Ballet master of Stockholm from 1803. Born and trained as a dancer in his native Italy , he is known today as the ''Father of Romantic Ballet''. Also a great choreographer and teacher, he was instrumental in the training of his daughter, Marie Taglioni .
- (1810-1892) ''Maître de Ballet en Chef'' (First Ballet master) of the Ballet Of Her Majesty's Theatre from 1843-1848. ''Maître de Ballet en Chef'' to the St. Petersburg Imperial Theatres from 1849 to 1859.
- (1808-1883) 'Second' ballet master of the Ballet Of Her Majesty's Theatre from 1847-1848, ''Maître de Ballet en Chef'' from 1849-1851. ''Maître de Ballet en Chef'' of the Court Opera Ballet in Berlin from 1852-1866.
- (1821-1870) A Frenchman who was ''Maître de Ballet en Chef'' of the St. Petersburg Imperial Theatres from 1859 until 1869.
- (1818-1910) ''Maître de Ballet'' of the St. Petersburg Imperial Theatres from 1869 to 1903, 'Second' Ballet master from 1862-1869. ''The Father of Classical Ballet''.
- (1834-1901) 'Second' ballet master of the St. Petersburg Imperial Theatres from 1885 to 1901.
- (1817-1903) Coaching ballet master/master teacher for the Russian Imperial Ballet 1880 to 1900 , particuklarly of the male students.
- (1850-1928) Ballet master for the celebrated Ballets Russes 1907.
- (1904-1988) Ballet master, Choreographer, and Director of England 's Royal Ballet 1963.
- (1929-1992) Ballet master, Choreographer, and Director of England's Royal Ballet from 1970.
- (1943- ) Ballet master and Director of England's Royal Ballet from 1980.
- (1904-1983) Ballet master and Director of the New York City Ballet , in New York from 1949 to 1982.
- (1938-1993), Ballet master and Director of the Paris Opera Ballet , Paris from 1983 to 1992. Before that, he enjoyed an illustrious career as a dancer in both the Soviet Union and in the west.
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