Information AboutAnzia Yezierska |
| CATEGORIES ABOUT ANZIA YEZIERSKA | |
| american novelists | |
| yezierska, anzia | |
| american memoirists | |
| jewish american writers | |
| polish writers | |
| 1880 births | |
| 1970 deaths | |
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Her family arrived in America around 1890. She worked in Sweatshops while pursuing an education, then worked as a teacher and administrator. Yezierska wrote about the struggles of Jewish and later Puerto Rican immigrants in New York 's Lower East Side . Her most studied work, '' Bread Givers '' (1925), follows the story of a young woman struggling to live from day to day while searching to find her place in Jewish and American culture. Her novels of the 1920s receivde critical acclaim and two were made into Hollywood movies. She worked for the class="copylinks">Federal Writers Project Of The [[Works Progress Administration during the Great Depression of the 1930s and sank into obscurity, before a resurgance in her celebrity with the 1955 publication of her memoirs, ''Red Ribbon on a White Horse: My Story''. Yezierska's own life is described in many of her works, including the semi-autobiographical ''Red Ribbon on a White Horse''. Many of her stories and novels feature an attraction between a fiery Jewish woman and a WASP -type man. After her death, it was revealed that she had had a passionate relationship with educator and philosopher John Dewey , who was apparently the model for some of these fictional romances. Dewey met her at Columbia University and he recruited her to work on his project studying the Americanization of Polish-Americans in Philadelphia. The only love poems of his life were about her. Another motif common in her work is that of the over-bearing, highly observant Jewish patriarch. Yezierska was one of ten children of Bernard Mayer , a Jewish Rebbe who devoted his life to study. People think he sent his wife and ten children to work the Sweat Shop s of New York, although this is far from true. His sons were all professional men who supported their father, although it's unclear if the daughters also did. Yezierska's work reflects the pull of her father's strong faith, and respect for scholarship, as well as her keen interest in modern American life, of which her father was highly critical. Yezierska's works include:
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