| Alexander Gottlieb Baumgarten |
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| CATEGORIES ABOUT ALEXANDER GOTTLIEB BAUMGARTEN | |
| 1714 births | |
| 1762 deaths | |
| german philosophers | |
| 18th century philosophers | |
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Baumgarten was born in Berlin as the fifth of seven sons of the Pietist Pastor of the Garrison , Jacob Baumgarten and his wife Rosina Elisabeth. Both his parents died early and he was taught by Martin Georg Christgau where he learned Hebrew and got interested in Latin Poetry . Whilst words may change their meaning through cultural developments anyway, Baumgarten's reappraisal of aesthetics is often seen as the key moment in the development of aesthetic philosophy. Previously the word had merely meant 'sensibility' or 'responsiveness to stimulation of the senses' in its use by ancient writers. With the development of art as a commercial enterprise linked to the rise of a '' Nouveau Riche '' class across Europe, the purchasing of art inevitably lead to the question, 'what is good art'. Baumgarten developed aesthetics to mean the study of good and bad " Taste ," thus good and bad art, linking good taste with beauty. By trying to develop an idea of good and bad taste, he also in turn generated philosophical debate around this new meaning of aesthetics. Without it, there would be no basis for aesthetic debate as there would be no objective criterion, basis for comparison, or reason from which one could develop an objective argument. KANT AND BAUMGARTEN'S AESTHETICS Baumgarten used the word aesthetics to mean taste or "sense" of beauty. The word had been used differently since the time of the ancient Greeks to mean the ability to receive stimulation from one or more of the five bodily senses. In his ''Metaphysic'', § 451, Baumgarten defined taste, in its wider meaning, as the ability to judge according to the senses, instead of according to the intellect. Such a judgment of taste is based on feelings of pleasure or displeasure. A science of aesthetics would be, for Baumgarten, a deduction of the rules or principles of artistic or natural beauty from individual "taste." In 1781, Kant declared that Baumgarten's aesthetics could never contain objective rules, laws, or principles of natural or artistic beauty. Nine years later, in his '' Critique Of Judgment '', Kant use the word ''aesthetic'' in relation to the judgment of Taste or the estimation of the beautiful. For Kant, an aesthetic judgment is subjective in that it relates to the internal feeling of pleasure or displeasure and not to any qualities in an external object. SEE ALSO WORKS
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