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Opinions are divided about whether "trad jazz" is a valid name because one point of view would have it that jazz is a folk music tradition like any other, while the opposite point of view holds that jazz playing breaks loose from traditions and conventions so that, therefore, "traditional jazz" is a contradiction in terms.

In Britain during the 60's trad jazz was used to dance Skip Jive , a descendent of Jive and Swing Dance .



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For definition, many afficionados today consider trad the be the traditional playing of a piece with solo after solo leading up to a finish. Some feel that "hot jazz" though similar to trad, and indeed containing many of the same tunes, was more ensemble playing with less individual virtuosity brought to the forefront. Early King Oliver pieces define hot jazz to many. As individual performers began stepping to the front as soloists, the music changed. Ironically, one of ensemble players in King Oliver's Original Creole Band, Louis Armstrong, was by far, the most influential of the soloists, creating a big demand for the new style of jazz in the late 1920's and early 1930's. Other infulential stylists who are still revered in trad jazz circles today include Sidney Bechet, Bix Beiderbecke and Muggsy Spanier.