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| buildings and structures in coimbra | |
| 1131 establishments | |
| augustinian monasteries | |
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Nothing remains of the early Romanesque Monastery. It is known that it had only one nave and a high tower in the façade, as typical of the Augustine-Romanesque constructions, but none of those elements subsisted. In the first half of the 16th century, the Monastery was completely reformed by King Manuel's order, this monarch having assumed the Monastery tutelage. The whole monastic ensemble, the church and the tombs of King Afonso Henriques and of his successor, King Sancho I , were rearranged and transferred to the main-chapel in 1530, where they still lie in a sculptural work by Nicolas de Chanterenne. The architect Boytac was responsible for the layout of the Manueline church and the Chapter House with its basket-handled and ribbed ceilings. Marco Pires gave continuity to the work, with the completion of the church, the Capela de São Miguel (St. Michael's Chapel) and the Claustro do Silêncio (Cloister of Silence). The main portal, made between 1522 and 1525 under Chanterenne, is the most emblematic piece of the whole monastic ensemble, harmonising the artistic elements of the Manueline with other features from Renaissance inspiration. Through the whole 16th century, worked at Santa Cruz de Coimbra the most respected architects, sculptors and painters, such as Diogo de Castilho, Machim and Jean of Rouen, Cristóvão de Figueiredo and Vasco Fernandes besides the already mentioned Chanterenne, Boytac and Pires. The sacristy dates back to the 17th century and keeps some 16th century canvases. Saint Anthony Of Lisbon studied in the monastery and after his ordination, he was placed in charge of hospitality in this abbey. |
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