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Although its name, from the word '' Lyre '', implies that it is meant to be sung, this is not always the case, much lyric poetry is purely meant to be read. HISTORY The earliest surviving lyric poems in the Western tradition are arguably the '' Song Of Solomon '' and the Psalms , but there are many fine examples in classical literature. Some of the best ancient lyric poets are Sappho , Catullus , and Horace . During the Middle Ages, lyric poetry is dominated by the Courtly Love tradition in most European languages. This is upper-class poetry meant for the courts of the nobility, whether the poet is himself a prince, such as William IX Of Aquitaine , or a lower-class Troubador in the service of one prince or wandering from court to court. Some non-courtly love lyric poetry has survived from the medieval period. Many of the poets who wrote in the courtly love tradition also produced other lyric poetry, and a few poets of the late Middle Ages and early Renaissance, such as François Villon , wrote outside the courtly milieu. The turn from the Middle Ages to the Renaissance is best exemplified in the person of Francesco Petrarca , whose sonnets celebrating his love for Laura took Europe by storm and gave his name to one form of the Sonnet , one of the most perennially popular forms of lyric poetry. The Renaissance, and particularly Elizabethan England, saw a great flowering of lyric poetry. With the new emphasis on the individual, rather than the community, the lyric poet, who addresses the reader directly in the first person, became a prominent figure on the literary scene. Much of the lyric poetry of the seventeenth and eighteenth centuries is little read today because of its dependence on Classical Mythology and standard forms. Notable exceptions are John Milton , who wrote lyric poetry in addition to his great epic poems, and the Metaphysical poets, such as Andrew Marvell and John Donne . It is not until the end of the eighteenth century, with such poets as Goethe and Wordsworth , that another flowering of great lyric poetry began. Poetry of the Romantic Period has retained its freshness and popularity. The nineteenth century also brought a rise in darker, more realistic poetry with such poets as Baudelaire . The set forms of lyric poetry also begin to be dissolved and broken, so that much twentieth-century lyric poetry is independent of rhyme or regular meter. THEMES Although lyric poetry has a long and close association with love, and European lyric poetry in the vernacular arose with the courtly love tradition, it is not exclusively love poetry. Many of the courtly love poets (whether troubadors, Trouvères , or Minnesänger ) also wrote lyric poems about war and peace, nature and nostalgia, grief and loss. Notable among these are Christine De Pisan and Charles, Duke Of Orléans , two of the great French lyric poets of the fifteenth century. Spiritual themes are also prominent in lyric poetry. Some of the best medieval poets wrote exclusively religious poetry. prominent among these are such poets as St. John Of The Cross and Teresa Of Avila . Note that it is sometimes hard to distinguish love poetry and religious poetry, since God and especially the Virgin Mary are often addressed in much the same terms as an earthly lover, and particularly like the noble lady in the courtly love tradition. Such modern poets as John Donne , Gerard Manley Hopkins , and T. S. Eliot have continued the tradition of fine literary poetry based on spiritual or noumenous experience. Nature is also a common theme of lyrical poetry, often being portrayed as a reflection of (or contrast to) the poet's state of mind. FORMS Although arguably the most popular form of lyric poetry in the Western tradition is the 14-line Sonnet , either in its Petrarchan or its Shakespearean form, lyric poetry appears in a bewildering variety of forms. Ancient Hebrew poetry relied on repetition and Chiasmus for many of its effects. Although much Greek and Roman classical poetry was written in forms with set Meter s and Strophe s, Pindar 's Ode s seem as formless to the ear accustomed to Rhyme and meter as such modern poetry as Rilke 's ''Duino Elegies''. In some cases, the form and theme are wed, as in the courtly love '' Aubade '' or ''dawn song'' in which lovers are forced to part after a night of love, often with the watchman's refrain telling them it is time to go. In other cases, the theme and form are at odds, and part of the interest of the poetry is in how and whether the poet can bring a successful union between two apparent opposites. A common feature of lyric forms is the Refrain , whether just one line or several, that ends or follows each strophe. The refrain is repeated throughout the poem, either exactly or with slight variation. METRICS Much lyric poetry depends on regular meter based either on number of syllables or on stress. The most common meters are as follows:
Some forms have a combination of meters, often using a different meter for the refrain. Each meter can have any number of elements, called ''feet''. The most common meter in English is iambic pentameter, with five iambs per line. The most common in French is the ''alexandrin'', with twelve syllables. In English, the Alexandrine is iambic hexameter. RHYME AND ALLITERATION These two elements are common to structuring lyric poetry in the Western tradition and make poetry difficult to translate effectively. Old Norse poetry depended heavily on alliteration. Continental Europe and England developed complex rhyme schemes and used alliteration as an auxiliary device. Although to the lay ear, rhyme is the hallmark of poetry, it has become less and less common in poetry in European languages in the twentieth century. PRINCIPAL LYRIC POETS BY PERIOD AND LANGUAGE This list includes the important lyric poets of each period, grouped together by language. Classical Chinese poets
Greek poets
Japanese poets Latin poets Persian poets Middle Ages and Renaissance Hebrew poets
Chinese poets English poets French poets
German poets Indian poets Italian poets Persian poets
Sixteenth century English poets French poets Spanish poets Seventeenth century Dutch poets English poets
German poets Japanese poets Spanish poets Eighteenth century English poets German poets Hebrew poets Japanese poets Nineteenth century English poets
French poets
German poets
Italian poets Japanese poets Russian poets Spanish poets Swedish poets Twentieth century Canadian poets
Chinese poets Dutch poets English poets
Flemish poets French poets German poets Hebrew poets Italian poets Japanese poets Polish poets Portuguese poets Russian poets
Spanish poets
Twenty-first century Canadian poets Persian poets Iraj Janatie Ataie Official Website Ardalan Sarfaraz Official Website |
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