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Historical European Martial Arts (HEMA) are Martial Arts of European origin which were formerly practiced, but have since died out or evolved into very different forms. The term most often refers to Reconstructed forms of these arts. BEFORE 1350 There are no known fighting texts predating the Late Middle Ages , although Ancient and Medieval Literature (e.g. Icelandic Saga s and Middle High German epics) record specific martial deeds and military knowledge; in addition, Historical Artwork depicts combat and weaponry. Some researchers have attempted to reconstruct older fighting methods such as Pankration by reference to these sources and practical experimentation, though such recreations necessarily remain more speculative than those based on actual instructions. See also Viking Age Arms And Armour . The so-called MS I.33 (also known as the Walpurgis or Tower Fechtbuch), dated to between ca. 1290 (by Alphonse Lhotsky) and the early to mid- 14th Century (by R. Leng, of the University Of Würzburg ), is the oldest surviving Fechtbuch , teaching Sword and Buckler combat. 1350 TO 1500 The central figure of late Medieval martial arts, at least in Germany, is Johannes Liechtenauer , first recorded in the late 14th Century MS 3227a . From the 15th century into the 17th, numerous ''fechtbücher'' (German "fight-books") were produced, of which some 55 are extant; a great many of these describe methods descended from Liechtenauer's. Normally, several modes of combat were taught alongside one another, typically unarmed Grappling ('' Kampfringen '' or ''abrazare''), Dagger (''Degen'' or ''daga''), long Knife ('' Messer '') or Dussack , half- or Quarterstaff , Pole Arms , Longsword (''langes Schwert'', ''spada longa'', ''spadone''), and combat in Plate Armour (''Harnischfechten'' or ''armazare''), both on foot and on horseback. Some ''Fechtbücher'' have sections on dueling shields (''Stechschild''), special weapons used only in Judicial Duel s. The long sword had a position of honour among these disciplines, and sometimes Historical European Swordsmanship ('''HES''') is used to refer to Swordsmanship techniques specifically. Important 15th Century German fencing masters include Sigmund Ringeck , Peter Von Danzig , Hans Talhoffer and Paulus Kal , all of whom taught the teachings of Liechtenhauer. From the late 15th century, there were "brotherhoods" of fencers (''Fechtbruderschaften''), most notably the Marx Brothers (attested 1474 ) and the Federfechter . An early Burgundian French treatise is Le Jeu De La Hache ("The Play of the Axe") of ca. 1400 . The earliest master to write in the Italian was Fiore Dei Liberi , commissioned by the Marquis di Ferrara . In approximately 1410 , he documented comprehensive fighting techniques in a treatise entitled Flos Duellatorum covering grappling, dagger, arming sword, longsword, pole-weapons, armoured combat and mounted combat. The Italian school is continued by Filippo Vadi (1482-1487) and Pietro Monte (1492, Latin with Italian and Spanish terms) Three early (before Silver ) English swordplay texts exist, all very obscure and of uncertain date; they are generally thought to belong to the latter half of the 15th Century . 1500 TO 1700 In the 16th century, compendia of older ''Fechtbücher'' techniques were produced, some of them printed, notably by Paulus Hector Mair (in the 1540s ) and by Joachim Meyer (in the 1570s ). In the 16th century German fencing had developed sportive tendencies. The treatises of Paulus Hector Mair and Joachim Meyer derived from the teachings of the earlier centuries within the Liechtenauer tradition, but with new and distinctive characteristics. The printed fechtbuch of Jacob Sutor ( 1612 ) is the last in the German tradition. The Italian school is continued by masters such as Antonio Manciolino and Achille Marozzo . From the late 16th century, Italian rapier fencing attains considerable popularity all over Europe, notably with the treatise by Salvator Fabris (1606).
1700 TO 1918 The martial arts of the post-Renaissance period can be divided roughly into civilian duelling/self defence, sporting and military applications. There is considerable overlap between these classifications, however, in that some systems fit into more than one category. Examples of martial arts practiced primarily by the military during this period include Bayonet fencing, Sabre fencing and the use of the lance by cavalry soldiers. The duelling and self-defence categories include Smallsword and Epee fencing, Walking-stick fighting and Bartitsu (an early hybrid of Eastern and Western schools). Combat sports of the 1700s to early 1900s include Boxing , many styles of Wrestling , Quarterstaff fencing and Singlestick fencing. MODERN RECONSTRUCTION See Also: Historical martial arts reconstruction Attempts at the reconstruction of historical fighting arts have occurred since the Victorian Age most notably with the work of Egerton Castle and Alfred Hutton and of the French Academie D'Armes circa 1880-1914. With the advent of the Society For Creative Anachronism (a historical re-enactment organization founded in 1966 ) there was a renewed interest in the practice of historic fighting arts. While the SCA's fighting is rarely considered historic, this organization provided a large international basis for martial artists that were already predisposed towards historical research. After the SCA was already widely established other groups began to appear that took a more martial and scholastic approach to recreating period fighting arts. Some of these groups include The Academy of European Medieval Martial Arts, The Association For Renaissance Martial Arts , The Chicago Swordplay Guild , The Martinez Academy of Arms, The New Dawn Duellist's Society , The Order of Selohaar, The Order of Seven Hearts, Saint Martins Academy of Defense, The Schola Saint George, The Stoccata School Of Defense , The Tattershal School Of Defense , the Italian Historical Fencing Federation (FISAS) and many more. These organizations ushered in a new age of research and study that has popularized European fighting arts in a movement that continues to grow with new research, interpretation, and translation being published every year. SEE ALSO
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