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Eli Siegel





LIFE

In 1925, his "Hot Afternoons Have Been in Montana" won the poets, famous for his dramatic readings of ''Hot Afternoons'' and other poems. His two-word poem, ''One Question'', won recognition as the shortest poem in the English language. It appeared in the ''Literary Review'' of the ''New York Evening Post'' in 1925:

::::''One Question''
:::::I —
:::::Why?

For several years in the 1930 s he served as master of ceremonies for regular poetry readings that were well-known for combining poetry and jazz. Also in the 1930s Siegel was a regular reviewer for ''Scribner's'' magazine and the '' New York Evening Post '' Literary Review.

In 1944 he married Martha Baird ( University Of Iowa ), who had started taking classes with him the year before. Baird would later be Secretary of the Society for Aesthetic Realism. {Link without Title}

From 1941 to 1978, Siegel gave many thousand lectures on Poetry , History , Economics — a wide variety of the Arts and Sciences . And he gave thousands of individual Aesthetic Realism lessons to men, women, and children. In these lessons the way of seeing the world based on aesthetics — which is Aesthetic Realism — was taught.

Siegel gave Aesthetic Realism lessons from 19411978 with the purpose of encouraging Good Will to the world and to people.

At the age of 76, Siegel had an operation for a benign he founded: his purpose was to be fair to the world".


AESTHETIC REALISM


The basis of Aesthetic Realism is the principle, "The world, art, and self explain each other: each is the aesthetic oneness of opposites". In the book, ''Aesthetic Realism: We Have Been There'', six working artists explain this principle in life and their own craft. Reviewing them, the '', Aristotle , Kant , Hegel , and even Martin Buber have posited Contraries and Polarities in their philosophies. Siegel, however, seems to be the first to demonstrate that 'all beauty is the making one of the permanent opposites in reality'." ( 1 September 1969 ) [http://www.definitionpress.org/WHBT-Review-LJ.htm

The ethics Siegel taught—"the art of enjoying justice"—includes this definition of ''good will'': "The desire to have something else stronger and more beautiful, for this desire makes oneself stronger and more beautiful". Good will is necessary, he stated, for a person to like him– or herself: "This desire is the fundamental thing in human consciousness". (''The Right of Aesthetic Realism to Be Known'', issue no. 121)

The Aesthetic Realism Foundation continues to teach the philosophy that Siegel founded. The Foundation gives consultations in New York and by telephone internationally.


WORKS


Among Siegel's many published works are:
  • ''Self and World: An Explanation of Aesthetic Realism'' . About ''Self and World'', ''Smithsonian'' magazine wrote: "Whether child or adult is spoken of, this book and World'' sees a person's concerns with dignity and compassion". (February, 1982) [http://www.definitionpress.org/SAW-smithsonian-review.htm]

  • '', speaking of the poems in this book, said on CBS radio, "Eli Siegel makes a man glad he's alive".

  • ''Hail, American Development'', containing 178 poems, including 32 translations—"all with the same incomparable sensibility at work saying things nobody else could say", wrote Kenneth Rexroth in the '' New York Times Book Review '',; adding, " Siegel's translations of Baudelaire and his commentaries on them rank him with the most understanding of the Baudelaire critics in any language". ( 23 March 1969 ) [http://www.elisiegel.net/poetry/Review-Rexroth-NYT.htm]

  • ''James and the Children: A Consideration of Henry James 's'' " Turn Of The Screw " and ''Goodbye Profit System: Update''.



Comments on Siegel's work


William Carlos Williams was an early supporter of Siegel's poetry and defender of his views. Williams wrote:
I can't tell you how important Siegel's work is in the light of my present understanding of the modern poem. He belongs in the very first rank of our living artists.

And Williams continued:
The other side of the picture is the extreme resentment that a fixed, sclerotic mind feels confronting this new. It shows itself by the violent opposition Siegel received from the "authorities" whom I shall not dignify by naming and after that by neglect ( "Something to Say", ed. by J.E.B. Breslin, New Directions ).


In ''Contemporary Authors'' Ellen Reiss stated:

Eli Siegel's work, which in time became Aesthetic Realism, was the cause of some of the largest praise, the largest love in persons, and also the largest resentment…

In writing an entry about for ''Contemporary Authors,'' you are somewhat in the position you would be writing an entry on the poet John Keats in 1821. That is, if you were to rely on what was said of Keats by most established critics (critics now remembered principally for their injustice to one of the greatest English writers), you would present the author of `Ode to a Nightingale' as a presumptuous `Cockney poet' whose works were `driveling idiocy.' In writing about Eli Siegel [now , you are writing about a contemporary who is great; who all his life met what William Carlos Williams described him as meeting, `the extreme resentment that a fixed, sclerotic mind feels confronting this new'; who now, after his death, is beginning, just barely beginning, to be seen with something like fairness.


Huntington Cairns , Secretary of the National Gallery Of Art in Washington D.C., described Siegel's place in the understanding of aesthetics—the branch of philosophy which studies beauty—as follows:
I believe that Eli Siegel was a genius. He did for aesthetics what Spinoza did for ethics. {Link without Title}