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by tradition usher in the beginning of the free-spirited Summer Solstice Parade & Pageant in the Fremont district of Seattle .]] and Pacific Northwest Ballet , are comparably distinguished. On at least two occasions, Seattle's local Popular Music scene has burst into the national and even international consciousness, first with a major contribution to Garage Rock in the mid-1960s, and later as the home of Grunge Rock in the early 1990s. The city has about twenty live theater venues, and Pioneer Square is one of the country's most prominent art gallery districts. SEATTLE IN THE EARLY 20TH CENTURY Although Seattle in the early 20th Century was more of a center for Variety Show s and Vaudeville than for the high arts, the Seattle Symphony Orchestra was founded in 1903 . The Cornish School — later the Cornish Institute and now Cornish College Of The Arts , an accredited college with courses in the sciences and humanities as well — was founded in 1914 by Nellie Cornish . Initially a music school, but later equally known for dance, theater, and visual arts, it thrived for decades under her leadership; although its quality slackened after her death, it eventually recovered and remains an important arts education institution to this day. EMERGENCE OF SEATTLE AS AN ARTS CENTER Seattle first began to be an arts center in the 1920s. Australia n painter Ambrose Patterson arrived in 1919 ; over the next few decades Mark Tobey , Morris Graves , Kenneth Callahan , Guy Irving Anderson , and Paul Horiuchi would establish themselves as nationally and internationally known artists. Seattle was very much "on the circuit" by this time. Performers at Seattle's Moore Theater in the 1930s included Sarah Bernhardt , Lily Langtry , the Barrymore s, Marie Dressier , and Anna Pavlova . {Link without Title} By mid-century the thriving jazz scene in the city's Skid Road district would produce such luminaries as Ray Charles , Quincy Jones , and Ernestine Anderson . The Brothers Four , one of the collegiate folk groups of the late 1950s and early 1960s, were also from Seattle. CENTURY 21 EXPOSITION When Seattle decided to try to put itself on the map with the futuristic 's Mural Amphitheater. Outside of the fair itself, Seattle's bars were filled with the live music that would result just a few years later in the region's first great period as a Rock'n'roll mecca. AFTER THE FAIR Robert Nesbitt writes in the liner notes to the compilation album ''Wheedle's Groove'' that in 1972 the city had "a mimimum of twenty live music clubs specializing in funk and soul," and that doesn't count other popular music genres. That collection of live music clubs would shrink drastically beginning in the mid-1970s, first with the rise of Disco Music and recorded dance music in general, and then with Seattle's slightly rundown center becoming a financial district of new skyscrapers. THE 1980S But it wasn't until the 1980s that Seattle began to be generally recognized as an important Performing Arts locale. One of the key events in this respect was the Seattle Opera 's ambitious and successful staging, under its founding general director Glynn Ross, of Richard Wagner 's '' Der Ring Des Nibelungen ''. Performed in its entirety every summer from 1975 through 1983 back-to-back cycles (first in German , then in English , by 1982, the '' New York Times '' reported that Seattle had become a serious rival to Bayreuth . Seattle's Wagner festival has continued to the present day, albeit no longer quite such an ambitious annual event. {Link without Title} The popular music scene at the time included such teen-pop bands as the Allies (whose song "Emma Peel" received a good deal of local play, but never broke out nationally) and the Heaters (later "the Heats"). That same era saw the more sophisticated pop of the short-lived Visible Targets and the still-performing Young Fresh Fellows and Posies ; the pop-punk of The Fastbacks ; and the outright punk of the Fartz (later Ten Minute Warning). GRUNGE ERA See Also: Grunge music Seattle burst into the popular consciousness with the Grunge Rock scene of the early 1990s , when Nirvana , Pearl Jam , Soundgarden , Alice In Chains , Temple Of The Dog , and Mudhoney , all reached vast audiences. Another punk-influenced but non-grunge Seattle band of the period, , and an album ''Viva Zapata'' by Seven Year Bitch , a Seattle band who had counted her as a mentor. ARTS IN SEATTLE TODAY Performing arts Seattle is a significant center for the is the largest symphonic youth organization in the United States, and among the most distinguished. In addition, Seattle has about twenty live theater venues, a slim majority of them being associated with Fringe Theater . It has a strong local scene for Poetry Slam s and other Performance Poetry , and several venues that routinely present public lectures or readings. The largest of these is Seattle's 900-seat, Roman Revival Town Hall on First Hill . Popular music today In popular music, Seattle is often thought of as the home of grunge rock, but it is also home to such varied musicians as Avant-garde Jazz musicians Bill Frisell and Wayne Horvitz , Rapper Sir Mix-a-Lot , Smooth Jazz Saxophonist Kenny G , and such Poppier rock bands as Goodness and the Presidents Of The United States Of America . Such musicians as Jimi Hendrix , Duff McKagan , Nikki Sixx , and Quincy Jones spent their formative years in Seattle. Ann and Nancy Wilson of the band Heart , often attributed to Seattle, were actually from the neighboring suburb of Bellevue , as was Progressive Metal band Queensrÿche . Seattle hosts a diverse and influential alternative music scene. The Seattle-based record label Sub Pop was the first to sign Nirvana , and also signed such non-grunge bands as The Postal Service and The Shins . Other Seattle-area bands of note include Pearl Jam , Alien Crime Syndicate, Antlers , The Beautiful Mothers, Betty X , The Blood Brothers , Charlie Drown, Common Heroes, Dangermart, Daphne Loves Derby ( Kent ), Death Cab For Cutie ( Bellingham ), Daylight Basement , The Divorce , Dog Bone Sanctuary, Dolour , Drop Six, Drown Mary, Harvey Danger , Foo Fighters , Maktub , Metal Church , Minus the Bear, Modest Mouse ( Issaquah ), Mudhoney , The Murder City Devils , MxPx ( Bremerton ), The Myriad, Pedro The Lion , Point One, Ruby Doe, Screaming Trees (originally from Ellensburg ), Second Coming , Sky Cries Mary , Sleater-Kinney ( Olympia ), Smoosh , Soundgarden , Sunny Day Real Estate , Super Deluxe, Supersuckers , Sweet 75 , Turn To Fall , United States Of Electronica , Utterance , Vendetta Red , Vexed, Vindaloo , Visqueen , Zeke and The Zero Points. The Experience Music Project (EMP) in Seattle Center is one of the few major institutions anywhere specifically devoted to popular music. Although EMP has scaled back its live music programming from the level of its first few years, every April since 2002 it has hosted the three-day Pop Conference {Link without Title} , which brings together a few hundred people for a unique conference that presents the perspectives of academics, writers, artists, and fans. Visual arts Seattle is home to five art museums (and several other museums with notable art collections), well over 100 commercial art galleries, at least a dozen Non-profit art galleries, and perhaps a hundred artists' Studio s that are open to the public at least once a month. About half of these galleries and studios are concentrated in one neighborhood, Pioneer Square . ''See Museums And Galleries Of Seattle .'' In recent decades, Washington State, King County, and Seattle have all allocated a certain percentage of all capital budgets to the arts. Several neighborhoods have also raised funds for art installations, usually sculptures. Among the results are massive murals by forms a backdrop to the stage of the Mural Amphiteater at Seattle Center . {Link without Title} Seattle was home of {Link without Title} . Probably the most visible public sculpture in Seattle is ), and Richard Beyer 's "Waiting for the Interurban" {Link without Title} . Poetry Spoken Word and Poetry are staples of the Seattle arts scene, paralleling the explostion of the Indy scene during the late 1980s and early 1990s . Seattle's Performance Poetry scene blossomed with the importation of the Poetry Slam from Chicago (its origin) by transplant Paul Granert. This and the proliferation of weekly readings/open mics and poetry-friendly club venues like The Weathered Wall, the OK Hotel (now defunct), and the Ditto Tavern (now defunct), allowed spoken word/performance poetry to take off in a big way. The mid 1990's saw a major trend in collaborative performance as musicians/bands starting teaming up with poets and spoken word artists. 1995 saw an "explosion" of poets and musicians producing spoken word CDs . Performers such as Christian Storm, Harry Pierce, Todd Davis, Christina Black, Michael Ricciardi, and others began performing with ensembles of musicians and creating a diverse fusion of words and sounds. The Seattle Poetry Festival (launched first as the "Poetry Circus" in 1997) has featured local, regional, national, and international names in poetry such as Michael McClure , Anne Waldeman, Ted Jones, Gwendolyn Brooks , Ismael Reed, Seku Sundiata, and many others. Regionally famed poets like Bart Baxter, Tess Gallagher , and Rebecca Brown have also been featured at the Poetry Festival, as well as numerous other events such as the world famous "Bumbershoot" Arts Festival . Currently, slam poetry takes most of the headlines, with its current stars, such as Buddy Wakefield (two-time national individual slam champ), Laura "Piece" Kelly, Christa Bell, and Jeremy Richards, achieving some national recognition. |
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