Information AboutArt Film |
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PRODUCTION Often produced on small budgets, these films lack the lavish advertising campaigns of films in Wide Release . With small initial investment costs, art films only need to appeal to a small portion of the Mainstream viewing audiences to achieve huge financial success. Many major motion picture studios have special divisions dedicated to these films, such as the Fox Searchlight division of Twentieth Century Fox , the Focus Features division of Universal , and the Sony Pictures Classics division of Sony Pictures Entertainment . The most successful American producer and distributor of art films is Miramax , which began in 1979 as a studio for the distribution of Independent Films which were deemed commercially unviable at the major studios. In 1993 , Miramax was purchased by Disney and subsequently expanded its library to include more commercial films such as '' She's All That '', '' A View From The Top '', and '' Jay And Silent Bob Strike Back ''. Miramax continued, however, to emphasize less mainstream films, and produced more genre-oriented films like '' Scream '' and '' Spy Kids '' through its Dimension Films label. When Miramax founders Harvey Weinstein and Bob Weinstein left Miramax in September 2005 to found The Weinstein Co. , however, they took the Dimension label with them. NARRATIVE STRUCTURE In the classical Hollywood form, narrative dictates film style. Every event portrayed advances the narrative forward. All characters act as causal agents for the narrative. Additionally, classical films use familiar images, verbal expressions, archetypal characters, and symbols to convey the story to the audience in a short time period. This artificial construction of reality includes nothing that does not clearly help the viewer understand the events of the story. Art film rejects this as unrealistic. It attempts to portray real life situations and characters where things happen that do not always have a clear meaning or purpose, but instead are vague and even mysterious. Therefore, art films do not clearly explain how plot elements, characters, or events fit together. Any causal gaps that appear in the narrative of an art film are often permanent. AMBIGUITY Art films do not always explain themselves; they often have episodic or meandering plot lines. A character might wander off, encounter something, or do something for no clear reason and no definite explanation provided in the film. Instead, things remain ambiguous to the very end. These films prove challenging to viewers who are accustomed to the classical style, because the final scene of an art film does not tie up loose ends the way classical Hollywood films do. OBJECTIVE AND SUBJECTIVE REALISM Art film deals with realistic social problems in both objective and subjective ways. This genre can more effectively portray its characters true to life by showing their ''inner'' psychological state with subjective realism. Therefore, the characters have complex behaviors and relationships. Classical Hollywood films are also able to portray social issues, but only within the bounds of the narrative. Therefore, this film genre looks at social issues only objectively, from the outside. AUTHORIAL EXPRESSIVITY Freedom from the restraints of narrative concerns gives filmmakers authorial expressivity to experiment with a style or some other personal peculiarity. Often these filmmakers are called Auteurs . ART FILM DIRECTORS SEE ALSO EXAMPLES
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