Music Engraving

Music engraving is the Art of drawing Music Notation at high quality. The term ''music copying'' is almost equivalent, though ''music engraving'' implies a higher degree of skill and quality. Plate engraving, the process engraving derives from, became obsolete around 1990 . The term ''engraving'' is now used to refer to any high-quality method of drawing Music Notation , particularly on a Computer ("computer engraving" or "computer setting") or by hand ("hand engraving").

EARLY ENGRAVING TECHNIQUES

Plate engraving was the traditional process of engraving music, directly onto a Zinc or Pewter plate in mirror image. Staff lines were created by dragging a 5-pronged "scoring tool" across the plate, thus the designation, "score" for printed music. Fixed symbols, like Note Head s and Clef s, were punched into the metal with dies, and variable symbols, such as Beam s or Slur s, were engraved by hand.

Plate engraving produced high-quality results, but was only one of several competing technologies in use for reproducing music. Others included:

Moveable Type with music symbols on - a centuries-old method, often used for hymn books, but which produced low-quality results

Music Typewriter s - like moveable type, this produced low-quality results and was never widely used

Hand copying with pen and ruler, which if done by an expert Music Copyist can produce high-quality results

Notaset - dry transfer symbols similar to Letraset

Brushing ink through stencils, a high-quality technique used by Amersham -based company Halstan & Co.

MUSIC ENGRAVING IN THE 20TH CENTURY

In the distant past, a Composer was required to draw his own Staff lines (staves) onto blank paper. Eventually, staff paper was manufactured pre-printed with staves as a labor-saving technique. The composer could then compose music directly onto the lines in pencil or ink.

In the 20th century, music staff paper was often printed onto . Also at this time, a music copyist was often employed to hand-copy individual parts (for each musician) from a composer's musical score. Neatness, speed, and accuracy were desirable traits of a skilled copyist.

COMPUTER MUSIC ENGRAVING

With the advent of the Personal Computer in the late 1980s and beyond, hand engraving has become a lost art, as all of the "drawing" of each note, symbol, staff, written instructions, can now be accomplished by computer Software made especially for this purpose. There are numerous computer programs, known as Scorewriter s, designed for writing, organizing, editing, and printing music, though only a few produce results of a quality comparable to plate engraving. Even individual parts of an Orchestral score can be extracted and printed using such programs. MIDI software is also available, which enables the composer to play notes, melodies, chords, etc. on a Piano -type keyboard and have the result transcribed into manuscript format.

REFERENCES

Ted Ross. ''Teach Yourself The Art of Music Engraving & Processing'' Hansen Books, Florida.

Clinton Roemer. ''The Art of Music Copying: The Preparation of Music for Performance.'' Roerick Music Co., Sherman Oaks, California.

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Music Engraving