Information AboutTego Calderon |
| CATEGORIES ABOUT TEGO CALDERóN | |
| 1972 births | |
| living people | |
| puerto rican musicians | |
| puerto rican reggaeton artists | |
| reggaeton musicians | |
| puerto rican rappers | |
| SHOPPER'S DELIGHT | |
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Tegui Calderón Rosario (born February 6 1972 in Santurce , Puerto Rico ) — better known as '''Tego Calderón''' — is a Rapper from Loíza Aldea , Loíza , Puerto Rico . He does not only record Reggaeton music but also Hip Hop Music . His album '' El Abayarde '' made him a major Latin star. His lyrics speak of the struggles of the Puerto Rican People and involve topics of Racism , Inequalities , and Puerto Rican Ghetto s. Calderón was born in Santurce , Puerto Rico , in 1972 but raised in Carolina . Calderon attended high school in Miami Beach, Florida . He got the multicultural exposure he later called upon in creating genre-crossing reggaeton, which may have shaped his stylistic range and his ease in collaborating with US musicians. Calderón says that his parents were die-hard fans of Ismael Rivera , and that Rivera's innovative Latin pop music influenced him. He lists his father's love of Jazz as another influence. Calderón eventually studied percussion and created his own rhythmic style that combined the sounds of Salsa , Plena , Dancehall , and Hip-hop . Lyric-wise, he combined slang of the 1960s with current slang and tales of Barrio life. Calderón made a couple appearances on other Latin rappers' albums before the White Lion label signed the artist. Issued in 2002 , El Abayarde became Calderón's full-length debut. An instant success, ''El Abayarde'' sold 50,000 copies during its first month, and propelled Calderón into Latin music superstardom. Returning to Miami led to an increase in the dancehall flavor of his music. This, combined with Calderón's outspoken viewpoint that salsa had become too corporate and too safe, made the 2004 album '' El Enemy De Los Guasíbiri '' a punchier, more hectic, more street affair. With the reggaeton genre blowing up with New York City's hip-hop tastemakers and spreading its influence farther and farther, Calderón soon found himself fielding offers from hip-hop producers while landing tracks on numerous street-level mixtapes. His voice ended up on remixes of Usher 's "Yeah," Fat Joe 's "Lean Back," and N.O.R.E. 's " Oye Mi Canto ". DISCOGRAPHY
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