Information AboutKapellmeister |
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HISTORICAL USAGE In the Age of Kings in Europe, Kapellmeister often designated the director of music for a monarch or nobleman. This was a senior position and involved supervision of other musicians. Johann Sebastian Bach worked from 1717 to 1723 as Kapellmeister for Prince Leopold Of Anhalt-Cöthen . Joseph Haydn worked for many years as Kapellmeister for the Eszterházy family, a high-ranking noble family of the Austrian Empire. George Frideric Handel also served as Kapellmeister for George, Elector of Hanover (who eventually became George I Of Great Britain ). A Kapellmeister might also be the director of music for a church. Thus, Georg Reutter was the Kapellmeister at St. Stephen's Cathedral in Vienna , where his young choristers included both Joseph and Michael Haydn. Becoming a Kapellmeister was a mark of success for professional musicians of this time. For instance, Joseph Haydn once remarked that he was glad his father (a Wheelwright ) had lived long enough to see his son a Kapellmeister. As society evolved and the prestige of the nobility declined, composers came to value their freedom more highly, and being a Kapellmeister became less prestigious. For example, Beethoven never worked as a Kapellmeister, instead pursuing a career as a freelance musician. For English speakers, it is this historical sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. The equivalent terms for Kapellmeister in Italian and French were ''maestro di capella'' and ''maître de chapelle''. The case of Mozart Mozart never was a Kapellmeister in the sense given above. In 1787 he was given a paid position in the court of the Austrian Emperor, as ''Kammercompositeur'' ("chamber composer"), but authority in matters musical at the court was exercised primarily by Antonio Salieri . However, in reviews, diaries, and advertising Mozart was commonly referred to as "(Herr) Kapellmeister Mozart". It seems that Mozart's prestige, along with the fact that he frequently appeared in public directing other musicians, led to the use of "Kapellmeister" as a term of respect. In April 1791, Mozart did apply to become the Kapellmeister at St. Stephen's Cathedral, and was in fact designated by the City Council to take over this job following the death of the then-ailing incumbent, Leopold Hofmann . However, this never took place, since Mozart died (December 1791) before Hofmann did (1793) . CONTEMPORARY USAGE In contemporary German, "Kapellmeister" designates the director or Conductor of an Orchestra or Choir . When used today, it suggests involvement in orchestra or choir policy (for example, selecting Repertoire , concert schedules, choosing guest conductors and so on) as well as conducting. HISTORICAL LIST OF COMPOSERS WHO HELD A KAPELLMEISTER POST (ordered chronologically by date of birth)
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