| Gerard David |
Article Index for Gerard |
Website Links For Gerard |
Information AboutGerard David |
| CATEGORIES ABOUT GERARD DAVID | |
| dutch painters | |
| flemish painters | |
| david, gerard | |
| renaissance painters | |
| early netherlandish painters | |
| year of birth unknown | |
| 1523 deaths | |
| SHOPPER'S DELIGHT | |
|
Gerard David (c. 1455 , Oudewater - August 13th 1523 , Bruges ) was an Early Dutch Renaissance Artist known for his brilliant use of colour. He was born in Oudewater , now located in Utrecht . Most of his career took place in Bruges, where he was a member of the painters' Guild . Upon the death of Hans Memling in 1494 , David became Bruges' leading painter. In the early 1860s David was rescued from oblivion by W. J. H. Weale, whose researches in the archives of Bruges brought to light the main facts of the painter's life. There is now documentary evidence for the following: that David came to Bruges in 1483 , presumably from Haarlem , where he had formed his early style under Albert Van Ouwater ; he joined the guild of St Luke at Bruges in 1484 and became dean of the guild in 1501 ; in 1496 he married Cornelia Cnoop, daughter of the dean of the Goldsmith s' guild; he became one of the town's leading citizens; he died on August 13, 1523 and was buried in the Church of Our Lady at Bruges. In his early work, David had followed Haarlem artists such as Dirck Bouts , Ouwater and Geertgen Tot Sint Jans , though he had already given evidence of superior power as a colourist. To this early period belong the ''St John'' of the Kaufmann collection in Berlin and the Saltings ''St Jerome''. In Bruges he studied and copied masterpieces by the Van Eyck s, Rogier Van Der Weyden , and Hugo Van Der Goes . Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures. Another master was to influence him later in life, when in ; the ''Annunciation'' of the Sigmaringen collection; and above all, the ''Madonna with Angels and Saints'', which he painted without asking a fee from the Carmelite Nuns of Sion at Bruges, and which is now in the Rouen museum. Only a few of his works have remained in Bruges: ''The Judgment of Cambyses'', ''The Flaying of Sisamnes'' and the ''Baptism of Christ'' in the town museum, and the ''Transfiguration'' in the Church of Our Lady. The rest were scattered around the world, and to this may be due the oblivion into which his very name had fallen; this, and the fact that, for all the beauty and the soulfulness of his work, he had nothing innovative to add to the history of art. Even in his best work he had only given newer variations of the art of his predecessors and contemporaries. His rank among the masters was renewed, however, when a considerable number of his paintings were assembled at Bruges for a 1902 exhibition of the early Flemish painters. At the time of David's death, the glory of Bruges and its painters was on the wane: Antwerp had become the leader in art as well as in political and commercial importance. Of David's pupils in Bruges, only Isenbrant , A. Cornelis and Ambrosius Benson achieved importance. Among other Flemish painters, Joachim Patinir and Jan Mabuse were to some degree influenced by him. Eberhard Freiherr von Bodenhausen published in 1905 a very comprehensive Monograph on Gerard David and his School (Munich, F. Bruckmann), together with a '' Catalogue Raisonné '' of his works, which, after careful analysis, are reduced to a total of forty-three. EXTERNAL LINKS REFERENCES |