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Edward Onslow Ford




Edward Onslow Ford ( July 27 , 1852December 23 , 1901 ), English Sculptor , was born in London . He received some education as a Painter in Antwerp and as a sculptor in Munich under Professor Wagmuller, but was mainly self-taught.

His first contribution to the Royal Academy , in 1875 , was a bust of his wife, and in Portrait ure he may be said to have achieved his greatest success. His busts are always extremely refined and show his sitters at their best. Those (in Bronze ) of his fellow-artists Arthur Hacker ( 1894 ), Briton Rivière and Sir WQ Orchardson ( 1895 ), Sir Lawrence Alma-Tadema ( 1896 ), Sir Hubert Von Herkomer and Sir John Everett Millais ( 1897 ), and of AJ Balfour are all striking likenesses, and are equalled by that in marble of Sir Frederick Bramwell (for the Royal Institution ) and by many more.

He gained the open competition for the statue of Sir Rowland Hill , erected in 1882 outside the Royal Exchange , and followed it in 1883 with '' Henry Irving as Hamlet '', now in the Guildhall Art Gallery . This seated statue, good as it is, was soon surpassed by those of Dr Dale ( 1898 , in the city museum, Birmingham ) and Professor Huxley ( 1900 ), but the colossal memorial statue of Queen Victoria ( 1901 ), for Manchester , was less successful.

The standing statue of ), which secured his election as an associate of the Royal Academy , Echo ( 1895 ), on which he was elected full member, ''The Egyptian Singer'' (a.k.a. ''The Singer'') ( 1889 ), ''Applause'' ( 1893 ), ''Glory to the Dead'' ( 1901 ) and ''Snowdrift'' (exhibited posthumously, 1902 ).

Ford's influence on the younger generation of sculptors was considerable, and of good effect. His charming disposition rendered him extremely popular, and when he died a monument was erected to his memory (C Lucchesi sculptor, J W Simpson, architect) in St John's Wood , near to where he dwelt.


REFERENCE

This article incorporates text from the public domain '' 1911 Encyclopædia Britannica ''.


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