Information AboutCatch Wrestling |
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ORIGINS AND POPULARITY Folk wrestling has a long pedigree in the United States, famous practitioners of such Folk Wrestling have included US Presidents George Washington (collar and elbow), Abraham Lincoln (catch-as-catch-can), and Teddy Roosevelt . The immediate source for these styles was British Cornish and Lancashire. Catch wrestling became immensely popular across both sides of the Atlantic , especially in the Carnivals in the United States Of America during the late 19th and early 20th century. The carnival's wrestlers would challenge the locals as part of the carnival's "athletic show" and the locals would have their chance to win a cash reward if they could defeat the carnival's strongman by a Pin or a Submission . This eventually led to the carnival's Wrestlers preparing for the worst kind of unarmed assault and aiming to end the Wrestling match with any tough local quickly and decisively (i.e. via Submission ). A hook was a technical submission which could end a match within seconds. As carnival wrestlers travelled they would meet with a variety of people, learning and using techniques from various Folk Wrestling disciplines, many of which were accessible due to a huge influx of Immigrants in the United States during this era. Catch wrestling contests also became immensely popular in Europe involving the likes of the Indian Champion Great Gama , Swiss champion John Lemm , Americans Frank Gotch , Ad Santel , Ed Lewis and Benjamin Roller , Mitsuyo Maeda from Japan and Estonia n Georg Hackenschmidt . Travelling wrestlers and European tournaments bought together a variety of Folk Wrestling disiplines including the Indian variety of Pehlwani , Judo and Ju-Jitsu from Japan , Irish Collar And Elbow Wrestling , etcetera. Each of these disiplines contributed to the development of catch wrestling in their own way. A colleague of Frank Gotch, Martin 'Farmer' Burns offered a particularly popular correspondence course in catch wrestling called ''Wrestling and Physical Culture''. vs. Georg Hackenschmidt at Comiskey Park]] CATCH WRESTLING'S CONTRIBUTIONS TO MIXED MARTIAL ARTS Although catch wrestling did not normally include kicks and blows, it is credited as one of the two disciplines involved in one of the 20th century's first major cross-cultural clash of styles in Martial Arts , occurring between the American catch wrestler Ad Santel and the Japanese Tokugoro Ito, a 5th degree black belt in Judo . The match in 1914 was one between two prime representatives of their respective crafts, Ad Santel was the World Light Heavyweight Champion in catch wrestling while Tokugoro Ito claimed to be the World Judo Champion. Santel defeated Ito and went on to be the self proclaimed World Judo Champion. The response from Jigoro Kano 's Kodokan was swift and came in the form of another challenger, 4th degree black belt Daisuke Sakai. Santel, however, still defeated the Kodokan Judo representative. The Kodokan tried to stop the legendary hooker by sending men like 5th degree black belt Reijiro Nagata (who was defeated by Santel by TKO). Santel also drew with 5th degree black belt Hikoo Shoji. The challenge matches stopped after Santel, yet to taste defeat at the hands of any Kodokan representative, willingly gave up on the claim of being the World Judo Champion in 1921 in order to pursue a career in full time professional wrestling. The impact of these performences on Japan was immense. The Japanese were facinated by the European form of catch wrestling and the devastating submissions taught in the discipline. A steady stream of Japanese fighters travelled to Europe in order to either participate in various tournaments or to learn catch wrestling at European schools such as Billy Riley 's Snake Pit in Wigan, UK. Legendary catch wrestler and a student of Billy Riley 's Snake Pit in Great Britain, Karl Gotch taught catch wrestling to Japanese professional wrestlers in 1970's. His students were the likes of Antonio Inoki , Tatsumi Fujinami , Hiro Matsuda , Osamu Kido , Satoru Sayama (the legendary Tiger Mask ) and Yoshiaki Fujiwara . Starting from 1976, one of these professional wrestlers Antonio Inoki , would go on to host a series of Mixed Martial Arts bouts against the champions of other disciplines. This resulted in unprecedented popularity of the clash-of-the-style bouts in Japan. His matches showcased catch wrestling moves like the Sleeper Hold , Cross Arm Breaker , Seated Armbar , Indian Deathlock and Keylock . Karl Gotch's students formed the original Universal Wrestling Federation (Japan) in 1984 which gave rise to shoot-style matches.The UWF movement was led by catch wrestlers and gave rise to the Mixed Martial Arts boom in Japan. Catch wrestling forms the base of Japan 's martial art of Shoot Wrestling . Japanese professional wrestling and a majority of the Japanese fighters from Pancrase , Shooto and the now defunct RINGS bear links to catch wrestling. ]] Notable mixed martial artists with traceable catch-wrestling links are numerous; among them are Kazushi Sakuraba , who trained in the UWF Snake Pit--a gym founded by catch wrestler Billy Robinson --as well as Masa Funaki and Ken Shamrock , both of whom trained under Karl Gotch and Yoshiaki Fujiwara . Some other important mixed martial artists with ties to catch include Josh Barnett , Frank Shamrock , Kiyoshi Tamura and Erik Paulson . Ultimately, however, there are far too many mixed martial artists with ties to catch wrestling to compile anything resembling an exhaustive list of all such fighters. It may also be worth noting that the term No Holds Barred (NHB) was used originally to describe the wrestling method prevailent in catch wrestling tournaments during the late 19th century wherein no wrestling holds were banned from the competition, regardless of how dangerous they might be. THE IMPACT OF CATCH WRESTLING
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