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PLOT SYNOPSIS Act I Two young millworkers in freshly industrialized 1870s New England visit the town's carousel after work. One of them — demure Julie Jordan — shares a lingering glance and suggestive touch with the carousel's barker, Billy Bigelow. (song: "Carousel Waltz") Julie's friend Carrie Pipperidge presses her for information, but Julie is reticent about the encounter. (song: "You're a Queer One, Julie Jordan") Eventually satisfied, Carrie confides that she has a beau of her own: local fisherman Enoch Snow (song: "Mister Snow"). A policeman appears and warns the women that Billy has taken money from other women. Carrie goes off, but Julie stays. She and Billy, now alone, can talk freely, but neither can quite confess the growing attraction they feel for each other. (song: "If I Loved You") Despite the incommunicative start, Julie and Billy are married shortly thereafter. When we next see them, Julie is confiding to Carrie that Billy, now unemployed, is unstable and occasionally violent. Carrie has news, too — she and Mr. Snow are officially engaged (song: "Mister Snow reprise") and looking forward to their idealized notion of married life (song: "When The Children Are Asleep") As they and the town's other young folk prepare to attend a clambake, spitfire Carrie pokes fun at the local boys, cheered on by the local girls (song: "Give It To 'Em Good, Carrie"). Julie's cousin Nettie Fowler leads them all in a celebration of spring accompanied by an elaborate dance(song: "June Is Bustin' Out All Over") before they leave for the clambake. Meanwhile, Billy has fallen in with the unsavory sailor Jigger Craigin (song: "Blow High, Blow Low"), who tries to recruit him to help with a robbery. Billy is initially uninterested — but then Julie tells him of her pregnancy. Overwhelmed by the news, and determined to provide for his future child, he decides to be Jigger's accomplice after all (song: "Soliloquy"). Act II After the clambake (song: "A Real Nice Clambake"), the townsfolk head back to town. Carrie's fiancĂ© walks in on some innocent flirting between Carrie and Jigger, and declares, as Jigger jeers, that he is finished with her (song: "Geraniums In The Window/Stonecutters Cut It On Stone"). Julie, meanwhile, places her self-doubt aside and resolves to accept and love Billy as he is (song: "What's The Use Of Wondrin'?"). Jigger and Billy play at cards, with the stakes being shares of the forecasted robbery spoils. Soon Billy has lost his much of his stake in the robbery; when the robbery victim appears, he is able to pull a gun on Billy and Jigger in self-defense. The robbery is aborted; and Jigger escapes while Billy is caught. Billy stabs himself with his knife and dies; Julie arrives too late to save him. Nettie and the townsfolk comfort Julie (song: " You'll Never Walk Alone "), and we follow Billy to heaven. There, a pair of blunt-spoken angels explain that he must attempt to solve the problems he left behind (song: "The Highest Judge Of All"). They send him back down to earth, fifteen years after his suicide. His and Julie's daughter, Louise, is now an angry and rebellious teen (song: "Ballet: Pas de Deux"). He tries to give her a small gift — a star from Heaven. But she refuses it, and in frustration, he slaps her. As he makes himself invisible, Louise tells Julie what has happened, and reveals that the slap miraculously felt like a kiss, not like a blow. Without allowing her to actually see him, Billy finally confesses his love to Julie (song: "If I Loved You reprise"). Having thus made amends, he is there for Louise's high-school graduation (song: "You'll Never Walk Alone reprise"), where, still invisible, he urges her to have confidence in herself. Although she does not hear him, she responds and, along with Julie, joins in the song. Through this good deed, Billy wins entry to Heaven. HISTORY Both Richard Rodgers and Oscar Hammerstein II said that ''Carousel'' was the favorite of their works together. They broke new ground in musical theater storytelling with their extended music/dialogue scenes, such as the "bench scene", which feaures "If I Loved You", and, hauntingly, the "Soliloquy" (where Billy imagines his future child). The bench scene, especially, used singing as if it were spoken dialogue set to music (much as in opera Recitative , and in this scene, the "recitative" singing leads up to the actual song. The final anthem " You'll Never Walk Alone " has taken on a life of its own; a graduation standard, it is also customarily sung by fans at English football matches, especially those of Liverpool F.C. A 1956 movie version starred Shirley Jones and Gordon MacRae . This movie also had an appearance by a young Cheryl Holdridge , who would later gain fame on the Mickey Mouse Club . The movie also had an appearance by Jacques D'Amboise , a principal dancer with the New York City Ballet , as the charismatic carousel barker in the Ballet . MUSICAL NUMBERS :::ACT ONE Prologue. An Amusement Park on the New England Coast
Scene One. A Tree-lined Path Along the Shore
Scene Two. Nettie Fowler's Spa on the Ocean Front
:::ACT TWO
Scene One. On an Island Across the Bay
Scene Two. Mainland Waterfront
Scene Three. Up There in Heaven
Scene Four. Down Here on a Beach
Scene Five. Outside Julie's Cottage
Scene Six. Outside the Schoolhouse
FILM VERSION The film version, released in 1956 by 20th Century Fox , starred Gordon MacRae as Billy and Shirley Jones as Julie. It was produced in Cinemascope 55 , and also featured Cameron Mitchell (in his only singing role) as Jigger Craigin, Barbara Ruick as Carrie, opera stars Claramae Turner and Robert Rounseville as Nettie and Mr. Snow, respectively, Gene Lockhart as the Starkeeper, and Susan Luckey as Louise. The film followed the stage version faithfully, except for three major changes -
This last change was made to safeguard against the movie audience's being surprised at the death of Billy, and to prevent their leaving after Billy's death lest they think the story ended at that point. The film was largely critically acclaimed, but was a box office flop. Its soundtrack album, however, sold well, and the film's exposure on television, VHS, and DVD, has won a larger audience for it. It was, unfortunately, the only Rodgers and Hammerstein film not nominated for any Academy Awards . However, some of the technical staff of The King And I also worked on Carousel . They were nominated for The King And I , and ended up winning for that film, so they did not go home empty-handed on Oscar night. EXTERNAL LINKS |