| Tomaso Albinoni |
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Information AboutTomaso Albinoni |
| CATEGORIES ABOUT TOMASO ALBINONI | |
| 1671 births | |
| 1751 deaths | |
| baroque composers | |
| italian classical violinists | |
| italian composers | |
| italian opera composers | |
| people from venice city | |
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LIFE Born to Antonio Albinoni (1634–1709), a wealthy paper merchant and nobleman in Venice , he studied Violin and Singing . Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian Pietro, Cardinal Ottoboni (grand-nephew of Pope Alexander VIII ); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli . Albinoni was employed in 1700 as a violinist to the Fernando Carlo, Duke Of Mantua , to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Grand Duke Ferdinand III Of Tuscany . In s and Violin Concerto s, but between then and 1719 he wrote solo Sonatas and concertos for Oboe . Unlike most composers of his time, he appears never to have sought a post at either a Church or Court of Nobility , but then he was a man of independent means and had the option to compose music independently. Then, in 1722 , Maximilian II Emanuel, Elector Of Bavaria , to whom Albinoni had dedicated a set of twelve Concerto s, invited him to direct the Elector's Opera s. In 1742 a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba, where he was born, indicates a Tomaso Albinoni died in 1751, "age 84" (presumed to be a mistake), of diabetes. MUSIC AND INFLUENCE He wrote some fifty operas, of which 28 were produced in Venice between 1723 and 1740, but today is most noted for his Instrumental music, especially his Oboe concertos. His instrumental music greatly attracted the attention of Johann Sebastian Bach , who wrote at least two Fugue s on Albinoni's themes and constantly used his Basses for Harmony exercises for his pupils. Much of Albinoni's work was lost in World War II with the destruction of the Dresden State Library , thus little is known of his life and music after the mid 1720s . The famous ''Albinoni Adagio In G Minor '' is a 1945 reconstruction by Remo Giazotto of a fragment from a slow movement of a Trio Sonata he discovered among the ruins of the State Library. The piece has been used most notably in the 1981 film '' Gallipoli '', which is set in the World War I battle of the same name. PUBLISHED WORKS
CONTEMPORARY PERFORMANCES AND POPULAR CULTURE USE The '' Adagio In G Minor '' has achieved a level of fame such that it is commonly transcribed for other instruments, and used in popular culture (for example, it has had several occurrences as background music for television programs, and as music in advertisements). One example of a transcription is the recording of the Adagio by classical guitarist Dominic Miller , an Argentine born musician who tours with Sting . It should be noted that the Adagio itself is a transcription and reconstruction of a portion of a single movement of a work, most of which is lost. The Doors 1978 album "An American Prayer" made use of the theme from the Adagio in G Minor. During the 1980s Swedish born guitarist Yngwie J. Malmsteen used the same work in the composition ''Icarus Dream Suite'', which he later used live during the intro for ''Far Beyond the Sun'', which can be heard on the Trial By Fire album. It was also used effectively at the very sad end of the aforementioned film '' Gallipoli '', which starred Mel Gibson as a World War I soldier. EXTERNAL LINKS
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