| Steve Severin |
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After dabbling with the names "Steve Spunker" and "Steve Havoc" he took the name "Severin" from a reference in the Velvet Underground song " Venus In Furs ". He appeared in the infamous Bill Grundy Sex Pistols television interview as part of the Bromley Contingent , as that group of fans of the band were known. He also appears in the audience in films of early Sex Pistols gigs. SIOUXSIE & THE BANSHEES Severin was a full contributor to the Banshees output from the very first release (the b-side to the top 30 single "Hong Kong Garden" was the Severin-penned "Voices".) Whilst the entire band often was credited in the writing of songs, the lyrics were usually indicated as the work of one, or sometimes two, members. Severin would contribute words to a great many of the album tracks, singles and b-sides produced by the band. Severin also created many of the songs recorded by the band, producing demo versions which the band would work upon in the studio with every member contributing. In the same way he would add his input into potential tracks contributed by Sioux and the others. Whilst with a considerably lower media profile than the iconic singer, Severin's influence on the music and image of the band was as important as Sioux's. Where in the early days Sioux and Severin were united in purpose and vision for the band, as the group progressed they developed differing views and methods; which resultant tensions were usually harnessed in a positive manner. However by the time the group had completed their final tour and disbanded, relations between the two mainstays appeared to have irrevocably broken down. OTHER ARTISTS AND BANDS During his tenure with Siouxsie and the Banshees Severin was also involved in records by other bands, often with Banshees connections. The Altered Images had toured as a support act for the Banshees, and Severin produced their first two singles "Dead Pop Stars" and "A Days Wait". He also produced the majority of the album ''Happy Birthday'' (all 1981 ). The only track not produced by him was the title track (which also formed the intro and outro), which became the band's breakthrough hit. In 1982 he produced, and played bass on, the Lydia Lunch EP ''The Agony Is the Ecstasy'' and in 1983 co-wrote the song "Torment" with Marc Almond on the latter's LP ''Torment and Toreros'' (by Marc and the Mambas). The Glove Severin's work outside Siouxsie & the Banshees, in this period, is however most known for The Glove , his Side-project with The Cure 's (and then current Banshee guitarist) Robert Smith . This lead to the release of the album '' Blue Sunshine '' and two attendant singles. The album reached number 35 in the UK charts in 1983, whilst the single "Like an Animal" peaked just outside the UK top 50. The next single from the album, "Punish Me with Kisses", only just made it into the top 100. Whilst Smith did sing on a few tracks, the featured vocalist is Jeanette Landray - a friend of Banshee drummer Budgie; who was at the time involved in progressing a musical relationship with Sioux under The Creatures banner. Musically close enough to the differing Cure and Banshee styles to attract large sections of both sets of fans, the more experimental nature and references to 1960's Psychedelia and Pop-art also attracted a more eclectic audience. The use of keyboards and synthesizers, as well as the inclusion of instrumental only tracks, were also an early pointer to Severins post Banshee musical output. ''Visions of Ecstasy'' Soundtrack Of even more importance to Severin's post-Banshees output was the '' Visions Of Ecstasy '' soundtrack created for the Nigel Wingrove short film interpretation of the writings of Saint Teresa Of Avila . This 1989 sensual fantasy film remains unreleased, as it has been refused a certificate on the grounds of blasphemy - the only film so banned by The British Board of Film Classification. The four parts written by Severin for the soundtrack, "Sphere", "Come Deliver Us", "Skin Crawl" and "Transverberation of the Heart", formed the basis of his first post-Banshees release. POST-SIOUXSIE & THE BANSHEES Almost ten years after creating a soundtrack for a film that could not be shown Severin released an album entitled ''Visions'', featuring four tracks derived from the original pieces written for the film plus another five instrumentals. Severin completely reworked the soundtrack - originally eighteen minutes long - into a forty-five minute ambient album. It was also the first release by Severins RE: Record Label . The record also featured Martin McCarrick , making that individual to be the only person to have worked with Siouxsie Sioux and Severin in The Banshees and both their subsequent post Banshees work (McCarrick appeared in the Siouxsie ''Dreamshow'' concerts/DVD recorded in late 2004). A year later in 1999 Severin released ''Maldoror'', again on the RE: records, but available via the internet only. The origins for this instrumental album were as far back as 1993, when Severin wrote some tracks for Brazilian Theatre Company "Os Satyros" production of Lautremont 's ''Chants of Maldoror''. After losing and regaining contact with the group, Severin composed further pieces for the 1998 production ''Os Cantos des Maldoror''. These pieces were collected together and released on CD, available on the internet only. In 1999 Severin had been invited to be musical director for the Canadian dance company "Holy Body Tattoo" on ''CIRCA'' - described as a 70-minute multimedia "celebration of the sensual forces of submission and control" - a postmodern deconstruction of the tango that interwove film footage by William Morrison and original music by Severin, Warren Ellis and Cult Caberet trio The Tiger Lillies . The music from Circa was largely drawn from Martin Jacques and company's album ''Circus Songs''. Steven Severin contributed keyboards and also produced this album for the Tiger Lillies. Steven Severin's third RE:release, ''The Woman in the Dunes'' was specially commissioned by Shakti and the Vasanta Mala dance company to accompany the stage production of the Kobo Abe novel of the same name. It premiered at the ICA in the summer of 2000. The only vocal included is 'I put a spell on you' a version of the Screaming Jay Hawkins classic sung by Jarboe (ex Swans ) The album was released by RE: records, again only available via the internet. In 2000 Oneiros Books published "The Twelve Revelations", a collection of Severins erotic prose/poetry, illustrated with line drawings by Catharyne Ward . Severin returned to composing soundtracks and in 2003 film director Robert Pratten approached Severin to compose the soundtrack for his first film, a British independant supernatural thriller called " London Voodoo ". The film contained four tracks that Severin collaborated on with his wife and songwriting partner Arban , under the name "Darling Hate". As a result of this new direction, Severin wound down his RE: label to concentrate on writing for film and televison. London Voodoo was followed by a soundtrack for " The Purifiers ", the second film feature by award winning director and former Skids and Armoury Show frontman Richard Jobson , which premiered at the Edinburgh Film Festival in 2004. The tracks extensively used in the score were "Enter into these bonds" from Visions and "Prelude:Europa" from Maldoror. A spate of Siouxsie & the Banshees releases in the form of a (2002) compilation, ''The Best of...'', and a live '' The Seven Year Itch '' recording (released 2003) presaged the 2005 release of '' Downside Up '', a collection of every song released as the accompaniment to a UK single. The album's name reflects that original singles occupied one side of a vinyl record, which then had to be turned over for the "b-side" to be played. Many of the tracks had not been previously available in any other form, and were remastered for transfer to CD. Three of the four discs contained the recordings in chronological order, whilst the last disc contained the tracks which had made up '' The Thorn '' EP. As the band's archivist Severin spent some time tracking down the various tapes for this release, and assisting in the remastering process, as well as providing some of the liner notes to the various songs. Also in 2005 Severin released another album based on a soundtrack originally commissioned by the Indo/Japanese performer Shakti in August 2003 for her interpretation of the story of Beauty and the Beast. The album ''Beauty and the Beast'' is credited to Arban and Steven Severin. It was the first release on their Subconscious Music label. Whilst jointly credited, the fifty minute score was created in an original manner which owed much to the circumstances in producing it. As it was commissioned to accompany a dance production the titles and timing of each individual part was already decided upon by Shakti, who also suggested the theme for each piece. Owing to other commitments upon their time, it was decided by Arban and Steven Severin that each would work on alternating pieces individually. Arban Severin took responsibility for the odd numbered tracks and Steven Severin for the others. After a piece was substantially completed it was given over to the other partner to review and to make contributions. Only when both parties were satisfied was the track considered finished. This method of working was deemed so succesful it is being applied to the partnerships most recent project, the soundtrack for director Paul Burrow's psychological thriller "Nature Morte"(Still Life). This filmscore recording is due to be released in late 2006, again under the Subconcious Music label. SIOUXSIE & THE BANSHEES REMASTERS In 2005 it was announced that the entire Banshees back catalogue, with the exception of the singles compilations '''', were to be re-released with additional tracks in a remastered format. In his role as the bands archivist Severin located much of the material to be added to the various releases, and was instrumental in accessing the mastertapes of the albums themselves. He was also involved in the reclaimation, cleaning, transfer and remixing of the tapes to a point where the three senior members of the band were able to approve the reissue. The bands remastered debut album '' The Scream '' was released in late 2005, in a deluxe double cd format - featuring some sessions recorded before securing a record deal, as well as the singles released during the same period as the album but not included on the original release. A single-disc version of this album (with the singles only) is due to be released in early/mid 2006 together with the second tranche of Banshees re-releases; '' Join Hands '', '' Kaleidoscope '' and '' Juju ''. Again these cd's will be single discs with contemporaneous singles and other tracks, from Severins archives, as extra tracks (with ''Kaleidoscope'' this amounts to 8 demos). ''Juju'' will also be later released in a double-disc deluxe version with further bonus material. Another fruit of Severin's, and other band members, efforts is the rerelease of the live recording in DVD format of the ''Nocturne'' concert, together with the video made for the single "Dear Prudence" and performances recorded on " The Old Grey Whistle Test " plus the "Play at Home" film made for Channel Four. Severin will be involved in the sourcing and remastering of material for the re-release of the remaining SATB recordings. MISCELLENEA In 1989 Severin was invited by the Merce Cunningham Dance Foundation to produce a one minute tape loop of "Rozart Mix" for the 80th birthday celebrations of John Cage . Steven Severin married Arban Ornelas , a musician and actress, on 2nd October 2002. Their son Cage is named after the Avant-garde Composer . Severin has also contributed several articles on the arts as a freelance writer for The Guardian newspaper. Severin's former music label, Re: Records, were also home to the spoken word CDs of Alan Moore and the Scottish experimental music duo, Human Greed . The label was wound up in 2003. In the role of Record producer he has also worked with Catharine Buchanan , Jezebel, the FlowerpotMen and The Readers Wifes . Severin once shared a flat in London with Richard Jobson. SOURCES/EXTERNAL LINKS
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