| South Cotabato |
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General Santos City , on the shores of Sarangani Bay, is the largest and most important city of South Cotabato, and is a major Seaport . The province of Sarangani used to be part of South Cotabato until it was made an independent province in 1992 .
PEOPLE AND CULTURE Official song "South Cotabato March" :''This is the land of South Cotabato/ a place on earth that all should know/ the hopes and joys of all with love aglow/ between the hearts of high and low... :''The Mt. Matutum towering high/ that seems to reach the bright blue sky/ prosperity doth signify/ the hearts and emblems to passersby... :''Beautiful province South Cotabato/ the land and seas that all should know/ beautiful towns are all around you/ and gleaming streams of Lake Sebu... :''The busy trade in Sarangani/ do all bespeak of prosperity/wonderful land of long ago/awaits a love for life anew... Language The people of South Cotabato are multilingual, able to communicate in Hiligaynon , Tagalog , Cebuano and English . The indigenous tribes, in addition, use their own tribal dialects. A situation wherein several people, each speaking solely in his own dialect, is still able to communicate with the others, is not unheard of. People The people of South Cotabato have diverse heritages. Ilonggo s from Panay and Negros in the Visayas settled the municipalities of Norala, Banga, Surallah, Sto. Niño and the province's capital, Koronadal, and the Visayan dialects of Hiligaynon and Kiniray-a are the province's major communication medium. On the other hand, people from the Ilocano speaking regions of Luzon settled in Tampakan, Tantangan and Tupi, and the Ilocano dialects may still be heard spoken in these towns. The Visayan dialect of Cebuano is also the main dialect of the municipalities of Tupi and Polomolok, which are near to Cebuano-speaking General Santos City. The Maguindanao tribe is the major Muslim Filipino tribe in the province. Although many of them still wear their traditional costumes and practice their native customs, others have come to adapt the more liberal practices of their Christian neighbors such as wearing shorts and sleeveless shirts, eschewing the use of the headscarf, and attending dances/mixed gatherings. Other indigenous Filipino tribes are the T'boli and B'laan tribes in Lake Sebu and T'boli municipalities, famous for their brassworks, beadwork and t'nalak weave. The people of these tribes wear colorful embroidered native costumes and beadwork accessories. The women of these tribes, particularly, wear heavy brass belts with brass 'tassels' ending in tiny brass bells that herald their approach even when they are a long way off. The people of South Cotabato still retain many of the practices and traditions of their particular tribal heritages, although infused with a flavor that is distinctly Mindanaoan and the product of cultural interaction between the immigrants and the indigenous peoples of the area. One vivid example of this is the predominant use of the native 'malong', the colorful, tubelike garment used as a skirt by the indigenous tribes, in place of a blanket or sleeping bag. ECONOMY GEOGRAPHY Political South Cotabato is subdivided into 10 Municipalities and 2 Cities . Cities
Municipalities
Physical TOURISM Tourist attractions in South Cotabato include Lake Sebu, Mt. Matutum, and Koronadal Valley. HISTORY MUSIC South Cotabato province is home to a fascinating culture that revolves around Kulintang music, a specific type of gong music, found among both Muslim and non-Muslim groups of the Southern Philippines. Kulintang music functions as main community unifier, where all of the community can come to engage in events such as weddings, birthday celebrations and festivals to dignitary engagements and pilgrimages to and from Mecca . At home, such music unifies and solidifies family ties as family members take to playing after dinner. Kulintang music also plays a vital role as the accompaniment to healing dances, as long-distance communication between members (They have the ability to use the Gandingan , also known as the ‘talking gongs,’ to communicate from far away long before the invention of the telephone), and as a social conduit for young people (Interactions between opposite sexes were not allowed except though such instruments). Kulintang ensembles among those of the Southern Philippines are usually composed of five pieces of instrumentation. Among the Maguindanao, this would include: the Kulintang (strung out horizontally on a stand, serving as the main melody instrument of the ensemble), the Agung (the largest gongs of the ensemble providing much of the lower beats, either coming in a pair of two or just one alone), the Gandingan (four large vertical gongs aligned front to back, used as a secondary melodic instrument), the Dabakan (an hour-glass shaped drum covered in goat/lizard skin) and the Babendil (a singular gong used as the timekeeper of the entire ensemble). REFERENCES EXTERNAL LINKS |
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