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PERFORMERS The show's original cast included:
Many of them had previously been regulars on '' The David Steinberg Show ''. All of the original featured cast went on to successful careers in American film and television. Rick Moranis (1980–82), Tony Rosato (1980–81) and Robin Duke (1980–81) joined the cast for Season 3 to replace Candy and O'Hara. Rosato and Duke were called upon by Dick Ebersol to help fix '' Saturday Night Live '' in the spring of 1981, while Candy and O'Hara returned for ''SCTV'''s network debut on NBC . Martin Short (1982–84) joined the cast at the tail-end of Season 4 to replace Thomas and Moranis, while John Hemphill and Mary Charlotte Wilcox (now an Anglican priest in Edmonton , Alberta ), though never full cast members, appeared regularly through Seasons 5 and 6. HISTORY ''SCTV'' first aired as a half-hour show on Global in Canada, starting in 1976 , for two seasons. In 1980 , after a one year hiatus, the show moved to the CBC for its third season. The first three seasons also aired in Syndication in the United States starting in 1977 . In 1981 , it was picked up as a 90 minute show by NBC as a mid-season replacement (for '' The Midnight Special ''), airing first as ''SCTV Network 90'', then as ''SCTV''. During its network run, the show garnered 15 Emmy nominations, winning two (both for outstanding writing in a variety or music program). The show continued to air on the CBC in Canada as a full hour, compiled from the NBC shows. In the fall of 1983 , for its final season, the show moved to pay-TV channels Superchannel in Canada and Cinemax in the United States , changing the name slightly to ''SCTV Channel''. PREMISE The basic premise of ''SCTV'' is that it is the television station for the city of Melonville. Rather than broadcast the usual TV rerun fare, the business, run by the greedy Guy Caballero (Joe Flaherty) who sits in a wheelchair only for respect, puts on a bizarre and humorously incompetent range of cheap local programming. This can range from a Soap Opera called "The Days of the Week", to game shows like "Shoot the Stars", in which celebrities are literally shot at like targets in a shooting gallery, to full blown movie spoofs like "Play it Again, Bob" in which Woody Allen (Moranis) tries to get Bob Hope (Thomas) to star in his next film. In-house media melodrama was also satirised with characters like Candy's vain, bloated variety star Johnny La Rue, Thomas' acerbic critic Bill Needle and Martin's flamboyant, leopard-skin clad station manager Mrs. Edith Prickley. See also '' UHF '', a movie which used a similar premise to ''SCTV'', but without the sketch comedy. CONTROVERSY Seen today as one of the landmarks in the evolution of television and sketch comedy, ''SCTV'' had its share of controversial moments during its run. When the show was picked up by NBC and expanded to ninety minutes, NBC reportedly had wanted several changes to the format (including replacing the stable of "aging" characters like Bobby Bitman with "younger" versions of themselves played by the same actors, and putting most of the stable and recurring characters and sketches in the first forty five minutes of the show while saving experimental pieces for the last half hour, a la ''Saturday Night Live''). The ''SCTV'' cast, crew and writers, isolated from NBC's bureaucracy in Edmonton, Alberta typically ignored these notes and produced the shows they wanted to with almost unprecedented freedom. One early show included a Crane Shot in the production of the sketch "Polynesiantown". NBC was furious at the expensive shot being used. Rather than show contrition for this, the writers went on to lampoon the situation by having Guy Caballero lambast Polynesiantown producer Johnny LaRue for using the shot, and sending him out to do a show with just himself and one camera on the street—a show that ended up using a vastly more expensive helicopter shot in its ending. This, plus the habit that ''SCTV'' had of putting on loose Parodies of the network executives who would fly up to give notes, led to far less network interference but may also have led to NBC releasing the show to Cinemax. Another moment of controversy came when ''SCTV'' won the 1982 Emmy for Outstanding Writing in a variety or music program. The award was presented by Milton Berle and Martha Raye , and Berle didn't give up the stage or microphone when the ''SCTV'' performers and writers came on stage to receive their award. Berle interrupted Joe Flaherty's acceptance speech several times, and several cast members and writers looked upset as they left the stage. In typical style, ''SCTV'' recreated the moment on a later show, in a parody of '' A Star Is Born ''. In that scene, Berle interrupts an Oscar speech, and Joe Flaherty beats him up, shouting "you'll never ruin another acceptance speech, Uncle Milty!" One other point of contention between ''SCTV'' and several different networks they were on was the use of Laugh Track s. As ''SCTV'' wasn't a live show, it paced its comedy accordingly, and several pieces were more outré than standard network fare. The use of a laugh track often stepped clumsily on the punchlines as a result, and there are some reports that the laugh track editor admitted to not getting ''SCTV'''s humor and just threw laughs in wherever they would fit. Even years after the show left production, controversy clung to it. For years, ''SCTV'' was unavailable on video tape or in any form except by reedited half hour programs that cut out some of the most memorable scenes. This is because the producers and editors putting the original shows together never bothered to get clearance to use copyrighted music—for example, the "Fishin' Musician" show ended with Bing Crosby singing " Gone Fishin' ", even though ''SCTV'' never got the rights to use the music or performance. As a result, the shows couldn't be reproduced on DVD or video tape until after the laborious rights issues were resolved and clearances were received. In some cases (as with the aforementioned Crosby song) clearances couldn't be secured after the fact and new music had to be edited in its place for the 2005 DVD releases of the 90-minute shows. Finally, one bone of contention even today was the apparent Sexism built into the contracts for the performing cast. All the cast wrote extensively on the show. However, the male cast members (Ramis, Levy, Flaherty, Candy, Thomas and later Short and Moranis) were credited—and paid—as writers as well as actors. The female cast members—Andrea Martin and Catherine O'Hara—were paid only as actors for the first several seasons. This remained a sore subject as late as the ''SCTV'' Anniversary Reunion Show at the Aspen Comedy Festival hosted by Conan O'Brien . SIGNIFICANCE ''SCTV'' initially adapted its comedy from existing sketches and improvisation from the Second City stage show. However, especially after expanding to a ninety minute format, ''SCTV'' quickly pushed the envelope on television sketch comedy. While showing some influence from '' Monty Python's Flying Circus '' and ''Saturday Night Live'', ''SCTV'' eschewed either the live television format or even filming before a live studio audience. As a result, far more attention and care could be taken in building a premise and supporting it. Having a moderately low budget and limited resources (the most fertile years of the show's production occurred in Edmonton , Alberta , which saved on money but lacked a lot of the resources available in larger cities or more traditional production venues), ''SCTV'' got a reputation for making the most out of what it had, reusing sets and particularly taking advantage of makeup and prosthetic devices in the creation of characters. With the luxury of being able to take long periods of time in the makeup chair, elaborate characters could be built. Cast members credited their makeup artists as having helped create their characters, referring to the process in interviews as "improvisation in the chair." To add to the feel of the show—which after all was supposed to be a low budget local television station that went national—the ''SCTV'' crew recruited their dance troupe from the writers on the show, led by costumer Juul Haalmeyer . The "Juul Haalmeyer Dancers" were spectacularly inept, parodying dance teams on variety shows through their sheer ineptness, and ultimately attracting a cult fandom of their own. (Juul Haalmeyer himself reports still being asked for autographs years later.) The core premise of the show allowed for tremendous variety in presentation, but unlike Monty Python, which often would cut from one sketch to another without any resolution, the ''SCTV'' format required television style bridges. One technique they used was to build premises into "promos" for shows that would never run (such as "Melvin and Howards," a parody of the movie '' Melvin And Howard '' which featured Melvin Dummar , Howard Hughes , Howard Cosell , Curly Howard and others on a road trip singing old tunes). Another was to take longer pieces that failed and cut them into promos or trailers. However, the internal logic of the series—that this actually was a television station producing low budget programming—was never lost. ''SCTV'''s techniques helped inform and influence later shows, with clear influence on '' The State '', the '' Upright Citizen's Brigade '', and '' The Kids In The Hall ''. Later shows built a tight theme, sometimes acting as a metaparody—as in the Emmy-winning "Moral Majority" episode where advertisers and special interest groups forced significant changes to ''SCTV''’s programming, "Zontar" (a parody of the John Agar film '' Zontar, Thing From Venus '') which featured an alien race seeking to kidnap ''SCTV''’s on air talent for "a nine show cycle plus three best-ofs" (which was the actual deal NBC worked out with ''SCTV'' that season), and an ambitious parody of '' The Godfather '' featuring an all out network war over Pay Television between ''SCTV'', CBS , NBC, ABC and PBS . (The last featured Mafia style Hits on the sets of '' The Today Show '', '' Three's Company '' and '' The NFL Today '', as well as an extended sequence with guest star John Marley reprising his Godfather role.) While these shows continued to incorporate the broad range of television parodies the show was known for, they also had a strong narrative thread which set the show apart from other sketch comedy shows of the time. SPECIAL GUESTS AND MUSICAL GUESTS With the coming of the NBC years also came a network edict to include musical guests (in part because of their use on ''Saturday Night Live'', which NBC executives considered the model for ''SCTV'', despite their being very different shows). At first, the ''SCTV'' cast, writers and producers resisted special guests, on the theory that famous people wouldn't just "drop into" the Melonville studios. However, they soon discovered that by actually working these guests into different show-within-a-shows, they could keep the premise going while also giving guest stars something more to do than show up and sing a song. As a result, Doctor John became a featured player in the movie "Polynesiantown," John Mellencamp was Mister Hyde to Ed Grimley's Doctor Jeckyll in "The Nutty Lab Assistant," Natalie Cole was made into a zombie by a cabbage in "Zontar," and the Boomtown Rats were both blown up on "Farm Film Report" and starred in the '' To Sir With Love '' parody "Teacher's Pet." It reached a point where Hall And Oates appeared on a "Sammy Maudlin Show" segment, promoting "Chariots of Eggs," which was a parody of both '' Chariots Of Fire '' and '' Personal Best '', only to show scenes from the faux movie as clips. This, along with ''SCTV'''s cult status, led to celebrity fans of the show clamoring to appear. Later on, Tony Bennett credited his appearance on "The Great White North Palace" as triggering a significant career comeback. FEATURES Parody shows included ''Natalie Wingneck'', a Tarzan -style spoof in which Martin plays a girl, whose family died in a plane crash, who has been raised by geese. A parody of the popular western drama '' Grizzly Adams ''—retitled ''Grizzly Abrams''—depicted the burly western hero as the owner of a wild Tortoise , which took weeks to lead Police to the Skeletal remains of its master, trapped beneath a fallen Log . As one chronicler has noted, the TV station concept gave the show the ability to parody virtually any TV genre, as well as advertising. Some of the most memorable sketches involved parodies of late-night low-budget advertising, such as "Al Peck's Used Fruit", in which viewers were enticed to come early with the offer of free tickets to 'Circus Lupus', the Circus of the Wolves (accompanied by mocked-up photos of wolves forming a pyramid and jumping through flaming hoops). Equally memorable were the faux-inept ads for local businesses like Tex and Edna Boil's Prairie Warehouse and Curio Emporium. Impersonations were also an integral part of the comedy, with almost every cast member playing multiple roles as well-known personalities. Some impressions include:
Popular sketches and characters include:
Ironically, the most popular sketch was intended as throwaway filler. Bob & Doug McKenzie were the imaginary Canadian brothers in ''The Great White North'' sketch. The sketch was initially developed by Rick Moranis ("Bob") and Dave Thomas ("Doug") at the end of a day's shooting, as a sarcastic response to the CRTC requirement for two minutes of "identifiably Canadian content". The brothers ultimately became icons of the very Canadian Culture they were meant to parody, spinning off albums, a movie ('' Strange Brew ''), commercials, and cameo appearances on TV and film. It has been said that Bob and Doug popularized the stereotype that Canadians say "Eh" after every sentence, which is often poked at in American shows featuring Canadian characters. They recreated the characters as a pair of Moose in the Disney animated feature film, '' Brother Bear ''. EXTERNAL LINKS
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