| Robert Mapplethorpe |
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BIOGRAPHY Mapplethorpe was born and grew up as a Roman Catholic in Floral Park , Long Island , New York , of English and Irish heritage. He received a B.F.A. from Pratt Institute in Brooklyn, New York , where he produced artwork in a variety of media. Mapplethorpe took his first photographs soon thereafter, using a Polaroid Camera . In the mid-1970s, he acquired a large-format press camera and began taking photographs of a wide circle of friends and acquaintances, including artists, composers, socialites, pornographic film stars, and visitors to the underground sex clubs. During the 1980s, his photographs became more refined with an emphasis on formal beauty. He concentrated on statuesque male and female nudes, delicate flower still lifes, and formal portraits of artists and celebrities. HIS WORK '', was a photo by Robert Mapplethorpe. Click to enlarge.]] Most of his photographs were made in his studio. His most common themes were flowers, especially orchids; men in ways that have been deemed tantalizing and Racist . {Link without Title} Mapplethorpe's work was regularly displayed at publicly-funded exhibitions. Many conservative and religious organizations, such as the American Family Association , however, opposed supporting his kind of art, and he became something of a ''cause celebre'' for both sides in the debate on the future of the National Endowment For The Arts . The 1990 exhibition of his ''The Perfect Moment'' show (which included seven sadomasochistic portraits) in Cincinnati resulted in the unsuccessful prosecution of the Cincinnati Contemporary Arts Center and its director Dennis Barrie on charges of "pandering obscenity". This controversy was not accidental, as Mapplethorpe intended to use his unquestionable skills as a classic photographer to show gay sense on many levels and raises a variety of questions regarding the lexicon of the classic male nude and its tie to sexuality, the role and/or construction of Gender and sexuality in our society, the role of form and content in traditional and contemporary art, the communicative aspect of imagery, and censorship issues regarding museum space, tax dollars, and, in a general sense, all imagery. When it became known that Mapplethorpe was infected with HIV , the prices for his photos increased dramatically. In December 1988 his photos collected $500,000 each. Mapplethorpe died on the morning of March 9 , 1989 , in a Boston , Massachusetts hospital from complications arising from AIDS ; he was 42 years old. His ashes were buried in Queens , New York , in his mother's grave, marked 'Maxey'. Mapplethorpe is not mentioned on the tombstone. In 2003, Arena Editions published '' Autoportrait '', a collection of black and white Polaroid self-portraits that Mapplethorpe took between 1971 and 1973 . This was the first time these early works became available for widespread viewing since the 1970s. SEE ALSO BIBLIOGRAPHY
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