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Robert Duncan (poet)




Duncan was born in Oakland, California . His mother died in childbirth and he was adopted by a family of devout Theosophist s and grew up surrounded by the occult in one form or another. He started studying at the University Of California, Berkeley in 1936 . He started writing poems inspired by his Left Wing Politics and acquired a reputation as a bohemian. In 1938 , he briefly attended Black Mountain College , but left after a dispute with faculty on the subject of the Spanish Civil War . He spent two years in Philadelphia and then moved to Woodstock , New York , where he worked on James Cooney 's magazine ''The Phoenix'' and met Henry Miller and Anais Nin , who both admired his poetry.


DUNCAN AND HOMOSEXUALITY

In Philadelphia, Duncan had a relationship with a male instructor he had first met in Berkeley. In 1941 he was drafted and declared his homosexuality to get discharged. In 1943 , he had his first heterosexual relationship. This ended in a short, disastrous marriage. In 1944 , he published ''The Homosexual in Society'', an essay in which he compared the plight of homosexuals with that of African Americans and Jews. From 1951 until his death, he lived with the artist Jess Collins . Before then, he had a relationship with Robert De Niro Sr, the father of famed actor Robert De Niro Jr.


SAN FRANCISCO

Duncan returned to San Francisco in 1945 and was befriended by Kenneth Rexroth , with whom he had been in correspondence for some time. He returned to Berkeley to study Medieval and Renaissance Literature and cultivated a reputation as a shamanistic figure in San Francisco poetry and artistic circles. He also became friends with fellow poets Jack Spicer and Robin Blaser . In the early 1950s he started publishing in Cid Corman 's ''Origin'' and the ''Black Mountain Review'' and in 1956 he spent a time teaching at the Black Mountain College . These connections were instrumental in getting some of the Black Mountain Poets involved in the San Francisco Renaissance.


MATURE WORKS

During the 1960s, Duncan achieved considerable artistic and critical success with three books; ''The Opening of the Field'' ( 1960 ), ''Roots and Branches'' ( 1964 ), and ''Bending the Bow'' ( 1968 ). These are generally considered to be his most significant works. After ''Bending the Bow'', he vowed to avoid the distraction of publication for fifteen years. Duncan's friend and fellow poet, Michael Palmer , writes about this time in his essay "Ground Work: On Robert Duncan" :

  • "The story is well-known in poetry circles: around 1968, disgusted by his difficulties with publishers and by what he perceived as the careerist strategies of many poets, Duncan vowed not to publish a new collection for fifteen years. (There would be chapbooks along the way.) He felt that this decision would free him to listen to the demands of his (supremely demanding) poetics and would liberate the architecture of his work from all compromised considerations. ...It was not until 1984 that ''Ground Work I: Before the War'' appeared, to be followed in February 1988, the month of his death, by ''Ground Work II: In the Dark''." {Link without Title}



PRIMARY WORKS


  • ''Selected Poems'' (City Lights Pocket Series, 1959)
  • ''The Opening of the Field'' (Grove Press, 1960/New Directions) PS3507.U629 O6
  • ''Roots and Branches'' (Scribner's, 1964/New Directions)
  • Medea at Kolchis; the maiden head. Berkeley: Oyez, 1965. PS3507.U629 M4
  • Of the war: passages 22-27. Berkeley: Oyez, 1966. PS3507.U629 O42
  • ''Bending the Bow'' (New Directions, 1968),
  • Play time, pseudo stein. S.n. Tenth Muse, 1969. Case / PS3507 .U629 P55
  • Caesar's gate: poems 1949-50. with paste-ups by Jess. s.l. Sand Dollar, 1972. PS3507.U629 C3
  • Selected poems by Robert Duncan. San Francisco, City Lights Books. Millwood, NY: Kraus Reprint Co., 1973, 1959. PN6101 .P462 v.2 no.8-14,Suppl.
  • An ode and Arcadia. Berkeley: Ark P, 1974. PS3507.U629 O3
  • Medieval scenes 1950 and 1959. Kent, Ohio: The Kent SU Libraries, 1978. Case / PS3507.U629 M43
  • The five songs. Glendale, CA: Reagh, 1981. Case / PS3507 .U629 F5
  • ''Fictive Certainties'' (Essays) (New Directions, 1983)
  • ''Ground Work: Before the War'' (New Directions, 1984) NY: New Directions Pub. Corp., 1984. PS3507 .U629 G7
  • ''Groundwork II: In the Dark'' (New Directions, 1987) PS3507 .U629 G69
  • ''Selected Poems'' edited by Robert Bertholf (New Directions, 1993)
  • ''A Selected Prose'' (New Directions, 1995)
  • ''Groundwork: Before the War / In the Dark'', Introduction by Michael Palmer (New Directions, 2006)



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