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Partner dances are the Dance s whose basic choreography involves coordinated dancing of two partners, as opposed to Individuals dancing alone or individually in a non-coordinated manner, and as opposed to Groups Of People dancing simultaneously in a coordinated manner. Dance partners stay together for the duration of the dance and, most often, dance independently of other couples dancing at the same time, if any. Although this kind of dancing can be seen, for instance, in ballet, this term is usually applied to various forms of , Folk Dance , etc. Partner dance may be a basis of a Formation Dance , a Round Dance , a Square Dance or a Sequence Dance . These are kinds of Group Dance where the dancers form couples and dance either the same pre-choreographed or called routines or routines within a common choreography— routines that control both how each couple dances together and how each couple moves in accord with other couples. In square dance one will often change partners during the course of a dance, in which case one distinguishes between the "original partner" and a "situational partner". In many partner dances, one, typically a man, is the leader; the other, typically a woman, is the '''follower'''. As a rule, they maintain connection with each other. In some dances the connection is loose and called Dance Handhold . In other dances the connection involves body contact. In the latter case the connection imposes significant restrictions on relative body positions during the dance and hence it is often called Dance Frame . It is also said that each partner has his own ''dance frame''. Although the handhold connection poses almost no restriction on body positions, it is quite helpful that the partners are aware of their dance frames, since this is instrumental in Leading And Following . In situations where the number of men and women are unequal, women tend to feel more comfortable than men when dancing with other members of the same Gender . However, in real-world situations such as in salsa clubs, two men dancing together is practically never seen, and probably strongly frowned upon. It is believed that due to the Macho Latin culture in salsa clubs, two men would never dance together and risk their "image." At partner dance events held at dance studios the situation may well be different as the context may make it clear that the two men are simply practicing the Dance Moves they're learning. Two women dancing together in salsa clubs is common, even cheered on by the male bystanders as some sort of entertainment. In Promenade-style partner dancing there is no leader or follower, and the couple dance side-by-side maintaining a connection with each other through a promenade handhold. The man dances traditionally to the left of the woman. Some peoples have folk partner dances, where partners do not have any body contact at all, but there is still a kind of "call-response" interaction. Nowadays, the most popular form of partner dancing among youth is " Slow Dancing " (for instance, dancing to ballads; see Slow Jam ), and how close the partners get is up to them. In the "hug-and-sway" version of slow dancing, the man usually puts his arms around the female's waist, while the female puts her arm on the man's shoulders. DOUBLE PARTNER DANCE This kind of dance involves dancing of three persons together: one man with two women or one woman with two men. In . Today ( 1980 - 2004 ), double partner dance is often performed in Hustle , Salsa and Swing dance communities, experienced leaders leading two followers. There are a number of folk dances that feature this setup. Among these are the Russian Troika and the Polish Trojak folk dances, where a man dances with two women. A Cajun Dance with the name ''Troika'' is also known. SEE ALSO
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